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[title] => Astronomy team finds evidence of galactic metal shrouded in dust
[link] => https://movieshere.packagingnewsonline.com/healthandscience/astronomy-team-finds-evidence-of-galactic-metal-shrouded-in-dust/
[dc] => Array
(
[creator] => Tony Grantly
)
[pubdate] => Wed, 01 Jun 2022 23:45:23 +0000
[category] => Health And ScienceAstronomydustevidencegalacticMetalshroudedTeam
[guid] => https://movieshere.packagingnewsonline.com/?p=75812
[description] => Journal Reference: Nima Chartab, Asantha Cooray, Jingzhe Ma, Hooshang Nayyeri, Preston Zilliot, Jonathan Lopez, Dario Fadda, Rodrigo Herrera-Camus, Matthew Malkan, Dimitra Rigopoulou, Kartik Sheth, Julie Wardlow. Low gas-phase metallicities of ultraluminous infrared galaxies are a result of dust obscuration. Nature Astronomy, 2022; DOI: 10.1038/s41550-022-01679-y For a paper published recently in Nature Astronomy, the researchers examined ... Read more
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Journal Reference:
Nima Chartab, Asantha Cooray, Jingzhe Ma, Hooshang Nayyeri, Preston Zilliot, Jonathan Lopez, Dario Fadda, Rodrigo Herrera-Camus, Matthew Malkan, Dimitra Rigopoulou, Kartik Sheth, Julie Wardlow. Low gas-phase metallicities of ultraluminous infrared galaxies are a result of dust obscuration. Nature Astronomy, 2022; DOI: 10.1038/s41550-022-01679-y
For a paper published recently in Nature Astronomy, the researchers examined five galaxies that are dim in visible wavelengths but trillions of times more luminous than the sun in the infrared. Interactions between these galaxies and neighboring star systems cause gas to shift around and collapse, setting up conditions for prodigious star formation.
“Studying the gas content of these galaxies with optical instruments, astronomers were convinced that they were significantly metal-poor when compared with other galaxies of similar mass,” said lead author Nima Chartab, UCI postdoctoral scholar in physics & astronomy. “But when we observed emission lines of these dusty galaxies in infrared wavelengths, we were afforded a clear view of them and found no significant metal deficiency.”
To determine the abundance of gas-phase metals in the intergalactic medium, the astronomers sought to acquire data on the ratios of proxies, oxygen and nitrogen, because infrared emissions from these elements are less obscured by galactic dust.
“We are looking for evidence of baryon cycling in which stars process elements like hydrogen and helium to produce carbon, nitrogen and oxygen,” said co-author Asantha Cooray, UCI professor of physics & astronomy. “The stars eventually go supernovae and blow up and then all of that gas in the outskirts of the stars gets turned into clouds that get thrown around. The material in them is loose and diffuse but eventually through gravitational perturbations caused by other stars moving around, the gas will start to clump and collapse, leading to the formation of new stars.”
Observing this process in infrared wavelengths is a challenge for astronomers because water vapor in Earth’s atmosphere blocks radiation on this part of the electromagnetic spectrum, making measurements from even the highest-altitude ground telescopes — like those at the Keck Observatory in Hawaii — insufficient.
Part of the dataset used by the team came from the now-retired Herschel Space Telescope, but Herschel was not equipped with a spectrometer capable of reading a specific emission line that the UCI-led team needed for its study. The researchers’ solution was to take to the skies — reaching more than 45,000 feet above sea level — in the Stratospheric Observatory for Infrared Astronomy, NASA’s Boeing 747 equipped with a 2.5-meter telescope.
“It took us nearly three years to collect all the data in using NASA’s SOFIA observatory, because these flights don’t last all night; they’re more in the range of 45 minutes of observing time, so the study took a lot of flight planning and coordination,” said Cooray.
By analyzing infrared emissions, the researchers were able to compare the metallicity of their target ultraluminous infrared galaxies with less dusty galaxies with similar mass and star formation rates. Chartab explained that these new data show that ultraluminous infrared galaxies are in line with the fundamental metallicity relation determined by stellar mass, metal abundance and star formation rate.
The new data further show that the underabundance of metals derived from optical emission lines is likely due to “heavy dust obscuration associated with starburst,” according to the paper.
“This study is one example where it was critical for us to use this infrared wavelength to get a full understanding of what’s going on in some of these galaxies,” said Cooray. “When the optical observations initially came out suggesting that these galaxies had low metals, theorists went and wrote papers, there were a lot of simulations trying to explain what was going on. People thought, ‘Maybe they really are low-metal galaxies,’ but we found that not to be the case. Having a full view of the universe across the whole electromagnetic spectrum is really crucial, I think.”
Joining Chartab and Cooray on this study, which was funded in part by NASA, were Jonathan Lopez and Preston Zilliot, UCI undergraduate students in physics & astronomy; Hooshang Nayyeri, UCI; Jingzhe Ma, Harvard University; Dario Fadda of the SOFIA Science Center; Matthew Malkan, UCLA; Dimitra Rigopoulou, Oxford University, United Kingdom; Kartik Sheth, NASA; Julie Wardlow, Lancaster University, United Kingdom; and Rodrigo Herrera-Camus, Concepcion University, Chile.
We want to give thanks to the writer of this article for this remarkable content
)
[summary] => Journal Reference: Nima Chartab, Asantha Cooray, Jingzhe Ma, Hooshang Nayyeri, Preston Zilliot, Jonathan Lopez, Dario Fadda, Rodrigo Herrera-Camus, Matthew Malkan, Dimitra Rigopoulou, Kartik Sheth, Julie Wardlow. Low gas-phase metallicities of ultraluminous infrared galaxies are a result of dust obscuration. Nature Astronomy, 2022; DOI: 10.1038/s41550-022-01679-y For a paper published recently in Nature Astronomy, the researchers examined ... Read more
[atom_content] =>
Journal Reference:
Nima Chartab, Asantha Cooray, Jingzhe Ma, Hooshang Nayyeri, Preston Zilliot, Jonathan Lopez, Dario Fadda, Rodrigo Herrera-Camus, Matthew Malkan, Dimitra Rigopoulou, Kartik Sheth, Julie Wardlow. Low gas-phase metallicities of ultraluminous infrared galaxies are a result of dust obscuration. Nature Astronomy, 2022; DOI: 10.1038/s41550-022-01679-y
For a paper published recently in Nature Astronomy, the researchers examined five galaxies that are dim in visible wavelengths but trillions of times more luminous than the sun in the infrared. Interactions between these galaxies and neighboring star systems cause gas to shift around and collapse, setting up conditions for prodigious star formation.
“Studying the gas content of these galaxies with optical instruments, astronomers were convinced that they were significantly metal-poor when compared with other galaxies of similar mass,” said lead author Nima Chartab, UCI postdoctoral scholar in physics & astronomy. “But when we observed emission lines of these dusty galaxies in infrared wavelengths, we were afforded a clear view of them and found no significant metal deficiency.”
To determine the abundance of gas-phase metals in the intergalactic medium, the astronomers sought to acquire data on the ratios of proxies, oxygen and nitrogen, because infrared emissions from these elements are less obscured by galactic dust.
“We are looking for evidence of baryon cycling in which stars process elements like hydrogen and helium to produce carbon, nitrogen and oxygen,” said co-author Asantha Cooray, UCI professor of physics & astronomy. “The stars eventually go supernovae and blow up and then all of that gas in the outskirts of the stars gets turned into clouds that get thrown around. The material in them is loose and diffuse but eventually through gravitational perturbations caused by other stars moving around, the gas will start to clump and collapse, leading to the formation of new stars.”
Observing this process in infrared wavelengths is a challenge for astronomers because water vapor in Earth’s atmosphere blocks radiation on this part of the electromagnetic spectrum, making measurements from even the highest-altitude ground telescopes — like those at the Keck Observatory in Hawaii — insufficient.
Part of the dataset used by the team came from the now-retired Herschel Space Telescope, but Herschel was not equipped with a spectrometer capable of reading a specific emission line that the UCI-led team needed for its study. The researchers’ solution was to take to the skies — reaching more than 45,000 feet above sea level — in the Stratospheric Observatory for Infrared Astronomy, NASA’s Boeing 747 equipped with a 2.5-meter telescope.
“It took us nearly three years to collect all the data in using NASA’s SOFIA observatory, because these flights don’t last all night; they’re more in the range of 45 minutes of observing time, so the study took a lot of flight planning and coordination,” said Cooray.
By analyzing infrared emissions, the researchers were able to compare the metallicity of their target ultraluminous infrared galaxies with less dusty galaxies with similar mass and star formation rates. Chartab explained that these new data show that ultraluminous infrared galaxies are in line with the fundamental metallicity relation determined by stellar mass, metal abundance and star formation rate.
The new data further show that the underabundance of metals derived from optical emission lines is likely due to “heavy dust obscuration associated with starburst,” according to the paper.
“This study is one example where it was critical for us to use this infrared wavelength to get a full understanding of what’s going on in some of these galaxies,” said Cooray. “When the optical observations initially came out suggesting that these galaxies had low metals, theorists went and wrote papers, there were a lot of simulations trying to explain what was going on. People thought, ‘Maybe they really are low-metal galaxies,’ but we found that not to be the case. Having a full view of the universe across the whole electromagnetic spectrum is really crucial, I think.”
Joining Chartab and Cooray on this study, which was funded in part by NASA, were Jonathan Lopez and Preston Zilliot, UCI undergraduate students in physics & astronomy; Hooshang Nayyeri, UCI; Jingzhe Ma, Harvard University; Dario Fadda of the SOFIA Science Center; Matthew Malkan, UCLA; Dimitra Rigopoulou, Oxford University, United Kingdom; Kartik Sheth, NASA; Julie Wardlow, Lancaster University, United Kingdom; and Rodrigo Herrera-Camus, Concepcion University, Chile.
We want to give thanks to the writer of this article for this remarkable content
)
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[title] => Centene (CNC) Stock Moves -0.28%: What You Should Know
[link] => https://movieshere.packagingnewsonline.com/movie-production-companies/centene-cnc-stock-moves-0-28-what-you-should-know/
[dc] => Array
(
[creator] => Sally Scully
)
[pubdate] => Wed, 01 Jun 2022 23:39:51 +0000
[category] => Movie Production CompaniesCenteneCNCmovesStock
[guid] => https://movieshere.packagingnewsonline.com/?p=75807
[description] => Centene (CNC) closed the most recent trading day at $81.21, moving -0.28% from the previous trading session. This change was narrower than the S&P 500’s daily loss of 0.75%. At the same time, the Dow lost 0.54%, and the tech-heavy Nasdaq gained 0.15%. Coming into today, shares of the healthcare company had gained 1.37% in ... Read more
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Centene (CNC) closed the most recent trading day at $81.21, moving -0.28% from the previous trading session. This change was narrower than the S&P 500’s daily loss of 0.75%. At the same time, the Dow lost 0.54%, and the tech-heavy Nasdaq gained 0.15%.
Coming into today, shares of the healthcare company had gained 1.37% in the past month. In that same time, the Medical sector gained 0.21%, while the S&P 500 gained 0.32%.
Investors will be hoping for strength from Centene as it approaches its next earnings release. In that report, analysts expect Centene to post earnings of $1.51 per share. This would mark year-over-year growth of 20.8%. Our most recent consensus estimate is calling for quarterly revenue of $35.34 billion, up 13.92% from the year-ago period.
CNC’s full-year Zacks Consensus Estimates are calling for earnings of $5.49 per share and revenue of $141.55 billion. These results would represent year-over-year changes of +6.6% and +12.36%, respectively.
Investors might also notice recent changes to analyst estimates for Centene. Recent revisions tend to reflect the latest near-term business trends. With this in mind, we can consider positive estimate revisions a sign of optimism about the company’s business outlook.
Research indicates that these estimate revisions are directly correlated with near-term share price momentum. To benefit from this, we have developed the Zacks Rank, a proprietary model which takes these estimate changes into account and provides an actionable rating system.
The Zacks Rank system, which ranges from #1 (Strong Buy) to #5 (Strong Sell), has an impressive outside-audited track record of outperformance, with #1 stocks generating an average annual return of +25% since 1988. Within the past 30 days, our consensus EPS projection has moved 0.57% higher. Centene is currently sporting a Zacks Rank of #3 (Hold).
Looking at its valuation, Centene is holding a Forward P/E ratio of 14.82. This represents a discount compared to its industry’s average Forward P/E of 17.33.
Also, we should mention that CNC has a PEG ratio of 1.05. This metric is used similarly to the famous P/E ratio, but the PEG ratio also takes into account the stock’s expected earnings growth rate. The Medical – HMOs industry currently had an average PEG ratio of 1.18 as of yesterday’s close.
The Medical – HMOs industry is part of the Medical sector. This industry currently has a Zacks Industry Rank of 79, which puts it in the top 32% of all 250+ industries.
The Zacks Industry Rank gauges the strength of our individual industry groups by measuring the average Zacks Rank of the individual stocks within the groups. Our research shows that the top 50% rated industries outperform the bottom half by a factor of 2 to 1.
Make sure to utilize Zacks.com to follow all of these stock-moving metrics, and more, in the coming trading sessions.
How to Profit from the Hot Electric Vehicle Industry
Global electric car sales in 2021 more than doubled their 2020 numbers. And today, the electric vehicle (EV) technology and very nature of the business is changing quickly. The next push for future technologies is happening now and investors who get in early could see exceptional profits.
)
[summary] => Centene (CNC) closed the most recent trading day at $81.21, moving -0.28% from the previous trading session. This change was narrower than the S&P 500’s daily loss of 0.75%. At the same time, the Dow lost 0.54%, and the tech-heavy Nasdaq gained 0.15%. Coming into today, shares of the healthcare company had gained 1.37% in ... Read more
[atom_content] =>
Centene (CNC) closed the most recent trading day at $81.21, moving -0.28% from the previous trading session. This change was narrower than the S&P 500’s daily loss of 0.75%. At the same time, the Dow lost 0.54%, and the tech-heavy Nasdaq gained 0.15%.
Coming into today, shares of the healthcare company had gained 1.37% in the past month. In that same time, the Medical sector gained 0.21%, while the S&P 500 gained 0.32%.
Investors will be hoping for strength from Centene as it approaches its next earnings release. In that report, analysts expect Centene to post earnings of $1.51 per share. This would mark year-over-year growth of 20.8%. Our most recent consensus estimate is calling for quarterly revenue of $35.34 billion, up 13.92% from the year-ago period.
CNC’s full-year Zacks Consensus Estimates are calling for earnings of $5.49 per share and revenue of $141.55 billion. These results would represent year-over-year changes of +6.6% and +12.36%, respectively.
Investors might also notice recent changes to analyst estimates for Centene. Recent revisions tend to reflect the latest near-term business trends. With this in mind, we can consider positive estimate revisions a sign of optimism about the company’s business outlook.
Research indicates that these estimate revisions are directly correlated with near-term share price momentum. To benefit from this, we have developed the Zacks Rank, a proprietary model which takes these estimate changes into account and provides an actionable rating system.
The Zacks Rank system, which ranges from #1 (Strong Buy) to #5 (Strong Sell), has an impressive outside-audited track record of outperformance, with #1 stocks generating an average annual return of +25% since 1988. Within the past 30 days, our consensus EPS projection has moved 0.57% higher. Centene is currently sporting a Zacks Rank of #3 (Hold).
Looking at its valuation, Centene is holding a Forward P/E ratio of 14.82. This represents a discount compared to its industry’s average Forward P/E of 17.33.
Also, we should mention that CNC has a PEG ratio of 1.05. This metric is used similarly to the famous P/E ratio, but the PEG ratio also takes into account the stock’s expected earnings growth rate. The Medical – HMOs industry currently had an average PEG ratio of 1.18 as of yesterday’s close.
The Medical – HMOs industry is part of the Medical sector. This industry currently has a Zacks Industry Rank of 79, which puts it in the top 32% of all 250+ industries.
The Zacks Industry Rank gauges the strength of our individual industry groups by measuring the average Zacks Rank of the individual stocks within the groups. Our research shows that the top 50% rated industries outperform the bottom half by a factor of 2 to 1.
Make sure to utilize Zacks.com to follow all of these stock-moving metrics, and more, in the coming trading sessions.
How to Profit from the Hot Electric Vehicle Industry
Global electric car sales in 2021 more than doubled their 2020 numbers. And today, the electric vehicle (EV) technology and very nature of the business is changing quickly. The next push for future technologies is happening now and investors who get in early could see exceptional profits.
)
[2] => Array
(
[title] => Cole Sprouse Is Watching You
[link] => https://movieshere.packagingnewsonline.com/scream-away/cole-sprouse-is-watching-you/
[dc] => Array
(
[creator] => Harry World
)
[pubdate] => Wed, 01 Jun 2022 23:31:59 +0000
[category] => Scream AwayColeSprouseWatching
[guid] => https://movieshere.packagingnewsonline.com/?p=75801
[description] => Photo courtesy of Cole Sprouse. Cole Sprouse isn’t easily spooked, but that doesn’t mean he hasn’t seen things—as a child actor, sure, but also as Jughead on Riverdale, in his house at night, and on the streets of The Valley. The 29-year-old actor and photographer is also a diehard horror movie fan, and appeared last ... Read more
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Photo courtesy of Cole Sprouse.
Cole Sprouse isn’t easily spooked, but that doesn’t mean he hasn’t seen things—as a child actor, sure, but also as Jughead on Riverdale, in his house at night, and on the streets of The Valley. The 29-year-old actor and photographer is also a diehard horror movie fan, and appeared last year on Qcode’s horror podcast series squall, whichwas recently renewed for an equally eerie second season. To mark the occasion, Sprouse told us what scares him—from turning 30 to being buried alive on the set of Riverdale—and what he does when nobody’s watching.
———
INTERVIEW: When was the last time you screamed?
COLE SPROUSE: Out of fear?
INTERVIEW: That’s up to you.
SPROUSE: My brother jumped out at me as I was leaving the bathroom two nights ago. A jump scare. I screamed a rather emasculating scream, and contorted my body into a hunched position. I tried to pass it off like it was tough, but it wasn’t tough.
INTERVIEW: Was it a public scream?
SPROUSE: I was at my house with a bunch of people, and he really made a whole spectacle about it.
INTERVIEW: Have you ever seen a ghost?
SPROUSE: I have seen a ghost. I’m not a big believer in ghosts.
INTERVIEW: That makes it more believable, doesn’t it.
SPROUSE: I’ve seen a creature, I will say. For some reason this will never leave my mind. I was nine years old, and my brother and I lived in this part of the Valley that had very old houses and no streetlights. We were going to sleep over at our buddy’s house on the other side of the neighborhood. We left around dusk, and before we knew it, it was pitch black. We were kind of spooked because we were young, and we reached this fork, this actually still gives me chills, and as we got to the middle of the fork, we looked up. There was this—I don’t even know how to describe it—humanoid shape that was moving in this kind of undulating way, and it froze me in my tracks. I was petrified, and I thought it was just a trick in my brain, but then I turned and saw that my brother and my friend were also frozen. The thing moved toward us, and without saying a word, all three of us started sprinting towards our friend’s house. When we got there, we tried to tell his mom what the fuck just happened, but it made us sound insane. We were like kids in a tacky ‘90s horror movie. We couldn’t sleep that night, obviously. For some reason that one will always be stuck in my mind. I can still see that form so clearly.
INTERVIEW: Stay out of the Valley, kids.
SPROUSE: I mean, that’s why we all leave the second we turn 18, because of the undulating demons coming down from the hills. [Laughs]
INTERVIEW: What’s the scariest part about being a child star?
SPROUSE: The money! No, I’m just joking. I think I’ve exhausted this conversation.
INTERVIEW: Who scares you?
SPROUSE: People who share all of their personal life on social media. Those people genuinely scare me. I’m firmly convinced that any form of social media is a performance. People who are willing to perform every aspect of their life there are truly a terrifying breed.
INTERVIEW: Who is scared of you?
SPROUSE: I’ve never even thought about that. I would say, probably my therapist. I’m not the most grizzled young man, and my hairless face renders me pretty approachable to most people.
INTERVIEW: Who are you watching?
SPROUSE: That’s great, I love that. My brother, because he’s currently staying with me.
INTERVIEW: So you’re on your toes.
SPROUSE: Oh, constantly.
INTERVIEW: Is he trying on all your clothes?
SPROUSE: He steals all of my clothes, but I’m used to that.
INTERVIEW: What do you do when no one is watching?
SPROUSE: Masturbate. Or pick my nose. One of the two.
INTERVIEW: Sometimes both!
SPROUSE: At the same time. But I play video games quite a bit. That’s the only little space where I finally have no responsibilities. I have already logged an unholy amount of hours on Elden Ringwhich has been truly ludacris. That’s how I check out.
INTERVIEW: Do you watch scary movies?
SPROUSE: I love to, actually. But sometimes I cover my eyes, I will admit. I’ll angle myself so that my eyes are blocked and I look like “The Thinker” to whoever I’m sitting next to. But the scary movies I love most are psychological thrillers—I love that deep, tense fear.
INTERVIEW: What’re some of your all time favorites?
SPROUSE: I love Hereditary and The Thingwhere there’s this claustrophobia and you’re trapped in the movie. I love me some existential dread.
INTERVIEW: Is there a role that would genuinely scare you?
SPROUSE: I don’t know if I have that kind of relationship to my work. It’s not like if I was playing a villain I would commit acts of villainy. There are some people who reach that island by diving into a method that requires them to actually stoop to that level, which I think is the scariest idea. But the scariest villains, in my opinion, are the ones that have justifiable reasons for their villainy. I’d love to be a part of a piece where the villain’s argument is so compelling that you can’t help but be like, “Oh man. I actually sort of agree with this guy.”
INTERVIEW: Who watches you?
SPROUSE: I hope my audience, but I think my friends and family. I’m entering my thirties, so I feel like everyone’s wondering if I’m well rounded enough to step into this phase of my life. I would say they’re watching more in an accountability way than a stalking way. I do have a stalker though, who I assume is watching my every move.
INTERVIEW: Tell me about Camera Duels. Who usually wins?
SPROUSE: Despite the narrative I’ve pushed on that Instagram account—which is that I always win—I’ve realized that we both kind of lose. They have a picture of me, and I have a picture of them, and that’s how it works. As long as my camera is in the shot, I consider the interaction a personal victory. But I would say we both ultimately lose, just emotionally.
INTERVIEW: Do you like being watched?
SPROUSE: I don’t, no. I consider privacy, especially in our social media age, to be the ultimate form of privilege. I don’t think it’s surprising that a lot of single people are like, “I want a partner that’s got two followers!” What we desire, truly, is to return to a form of privacy that may no longer exist.
INTERVIEW: Right.
SPROUSE: I like when a performance of mine is seen, and there’s a cultivation of respect through work. That sort of watching I really enjoy, but I don’t like when my humanity is watched. Most of us are gross little hairless apes that run around all stupid and silly, but also glorious and beautiful. When your humanity is under a magnifying glass, I’m not too keen on that kind of watching. But the performance thing, I love that! Otherwise what the fuck am I doing?
INTERVIEW: Are you a voyeur?
SPROUSE: Sure. I’m a big people watcher. I think people who grew up sheltered end up turning to voyeurism, as a means of empathizing, in order to see what humanity looks like. But I was an anthropology student in school, and I love listening to other people’s stories, cultivating that relationship with them to find different parts of myself. I’m starting to sound a kind of like a Tinder profile, so let’s just go with a “Yes, I am.”
INTERVIEW: Who do you stalk?
SPROUSE: You know, last year I unfollowed everyone on Instagram, which has helped my stalking quite a bit. I stalk photographers a lot.
INTERVIEW: What’s the last thing you got in trouble for?
SPROUSE: Oh, it was last night. I was supposed to meet some of my buddies, they were playing video games in some Beverly Hills house, and they sent me the wrong address by mistake. I walked up around 11 at night, and knocked on the door of the absolute wrong house. The guy who answered was completely petrified. He started shutting off all the lights before he came to the door. It really made me feel like I was breaking and entering.
INTERVIEW: Did you have all your gamer gear?
SPROUSE: I had the GameCube controller in my hand, I don’t think I appeared as much of a threat, but he perceived me as a threat. I didn’t get into any trouble, but I felt like a real pest.
INTERVIEW: Have you ever scared yourself?
SPROUSE: In my darker moments for sure. Everyone has the potential to scare themselves. I think usually a good night of sleep and a chat about how you feel can solve a lot of that stuff.
INTERVIEW: And a shower.
SPROUSE: Playing out scenarios in the shower where you’re a lot cooler than you actually are. That can solve a lot of those ailments.
INTERVIEW: What was your biggest childhood fear?
SPROUSE: Clowns. But I really did not like being alone, that was probably the result of my identical twin-hood. I remember when I was quite young, looking at my brother and thinking, “Wow, you’re a completely different person who looks just like me.” It was my first existential crisis. It’s frightening to look at someone so similar to you, and to be having practically identical life experiences. I was petrified of the idea of being alone as a kid, and it made me cry. That sounds really pretentious for an eight year old to say.
INTERVIEW: When you grow out of the footie pajamas things get out of hand.
SPROUSE: Well, that didn’t happen until last year for me.
INTERVIEW: Are you scared to do another season of Riverdale?
SPROUSE: No. You put your name on paper, so you have a general concept from the beginning of how long these things will last.
INTERVIEW: It’s in your control.
SPROUSE: Well, I wouldn’t say that, but it’s certainly something you know is coming.
INTERVIEW: Fair enough. What is the scariest scene you ever shot for Riverdale?
SPROUSE: There was a scene in season four where I was buried alive. The apparatus they built was the size of a human coffin. It was cramped, and I had to be in it for quite a while. I’m not a claustrophobic person, but it started to creep in. I had to scoot my way out of the coffin for a little bit to get some fresh air and relax. But luckily we had a safety officer on set, because I’m sure crazy things have happened before.
INTERVIEW: When was the last time you felt truly scared?
SPROUSE: Oh, man. I think anxiety is a form of fear. I get scared when I’m future-thinking too much, and I was scared during the pandemic, genuinely scared. But then, I did that first year film student thing where I got myself a Criterion Collection account and said, “I am going to watch all of the things I’ve been meaning to watch for ages!” But in the end I watched reality TV for four months straight.
INTERVIEW: What was your addiction?
SPROUSE: A lot of home and garden stuff. “The 10 Best British Homes!” That sort of thing.
INTERVIEW: That’s scary.
SPROUSE: That was the most terrified I’d ever been, seeing dangerous amounts of kitsch.
INTERVIEW: When was the last time you lied?
SPROUSE: I’ve actively been trying to not tell white lies anymore. I used to do that a lot—I’d go, “Yeah I’m okay! I don’t care!” Which was not true. I’m a big people pleaser. In the last two months, I’ve been trying to admit to myself and the people who offend me like, “Yeah that hurts. That sucks.” So I haven’t lied in two months. I’ve lost a lot of friends, a lot of followers, from my brutal honesty, which apparently people don’t dig on the internet, but fuck it.
INTERVIEW: What’re you doing with the rest of your day?
SPROUSE: I’m getting a haircut. Scary.
We want to give thanks to the writer of this write-up for this amazing web content
)
[summary] => Photo courtesy of Cole Sprouse. Cole Sprouse isn’t easily spooked, but that doesn’t mean he hasn’t seen things—as a child actor, sure, but also as Jughead on Riverdale, in his house at night, and on the streets of The Valley. The 29-year-old actor and photographer is also a diehard horror movie fan, and appeared last ... Read more
[atom_content] =>
Photo courtesy of Cole Sprouse.
Cole Sprouse isn’t easily spooked, but that doesn’t mean he hasn’t seen things—as a child actor, sure, but also as Jughead on Riverdale, in his house at night, and on the streets of The Valley. The 29-year-old actor and photographer is also a diehard horror movie fan, and appeared last year on Qcode’s horror podcast series squall, whichwas recently renewed for an equally eerie second season. To mark the occasion, Sprouse told us what scares him—from turning 30 to being buried alive on the set of Riverdale—and what he does when nobody’s watching.
———
INTERVIEW: When was the last time you screamed?
COLE SPROUSE: Out of fear?
INTERVIEW: That’s up to you.
SPROUSE: My brother jumped out at me as I was leaving the bathroom two nights ago. A jump scare. I screamed a rather emasculating scream, and contorted my body into a hunched position. I tried to pass it off like it was tough, but it wasn’t tough.
INTERVIEW: Was it a public scream?
SPROUSE: I was at my house with a bunch of people, and he really made a whole spectacle about it.
INTERVIEW: Have you ever seen a ghost?
SPROUSE: I have seen a ghost. I’m not a big believer in ghosts.
INTERVIEW: That makes it more believable, doesn’t it.
SPROUSE: I’ve seen a creature, I will say. For some reason this will never leave my mind. I was nine years old, and my brother and I lived in this part of the Valley that had very old houses and no streetlights. We were going to sleep over at our buddy’s house on the other side of the neighborhood. We left around dusk, and before we knew it, it was pitch black. We were kind of spooked because we were young, and we reached this fork, this actually still gives me chills, and as we got to the middle of the fork, we looked up. There was this—I don’t even know how to describe it—humanoid shape that was moving in this kind of undulating way, and it froze me in my tracks. I was petrified, and I thought it was just a trick in my brain, but then I turned and saw that my brother and my friend were also frozen. The thing moved toward us, and without saying a word, all three of us started sprinting towards our friend’s house. When we got there, we tried to tell his mom what the fuck just happened, but it made us sound insane. We were like kids in a tacky ‘90s horror movie. We couldn’t sleep that night, obviously. For some reason that one will always be stuck in my mind. I can still see that form so clearly.
INTERVIEW: Stay out of the Valley, kids.
SPROUSE: I mean, that’s why we all leave the second we turn 18, because of the undulating demons coming down from the hills. [Laughs]
INTERVIEW: What’s the scariest part about being a child star?
SPROUSE: The money! No, I’m just joking. I think I’ve exhausted this conversation.
INTERVIEW: Who scares you?
SPROUSE: People who share all of their personal life on social media. Those people genuinely scare me. I’m firmly convinced that any form of social media is a performance. People who are willing to perform every aspect of their life there are truly a terrifying breed.
INTERVIEW: Who is scared of you?
SPROUSE: I’ve never even thought about that. I would say, probably my therapist. I’m not the most grizzled young man, and my hairless face renders me pretty approachable to most people.
INTERVIEW: Who are you watching?
SPROUSE: That’s great, I love that. My brother, because he’s currently staying with me.
INTERVIEW: So you’re on your toes.
SPROUSE: Oh, constantly.
INTERVIEW: Is he trying on all your clothes?
SPROUSE: He steals all of my clothes, but I’m used to that.
INTERVIEW: What do you do when no one is watching?
SPROUSE: Masturbate. Or pick my nose. One of the two.
INTERVIEW: Sometimes both!
SPROUSE: At the same time. But I play video games quite a bit. That’s the only little space where I finally have no responsibilities. I have already logged an unholy amount of hours on Elden Ringwhich has been truly ludacris. That’s how I check out.
INTERVIEW: Do you watch scary movies?
SPROUSE: I love to, actually. But sometimes I cover my eyes, I will admit. I’ll angle myself so that my eyes are blocked and I look like “The Thinker” to whoever I’m sitting next to. But the scary movies I love most are psychological thrillers—I love that deep, tense fear.
INTERVIEW: What’re some of your all time favorites?
SPROUSE: I love Hereditary and The Thingwhere there’s this claustrophobia and you’re trapped in the movie. I love me some existential dread.
INTERVIEW: Is there a role that would genuinely scare you?
SPROUSE: I don’t know if I have that kind of relationship to my work. It’s not like if I was playing a villain I would commit acts of villainy. There are some people who reach that island by diving into a method that requires them to actually stoop to that level, which I think is the scariest idea. But the scariest villains, in my opinion, are the ones that have justifiable reasons for their villainy. I’d love to be a part of a piece where the villain’s argument is so compelling that you can’t help but be like, “Oh man. I actually sort of agree with this guy.”
INTERVIEW: Who watches you?
SPROUSE: I hope my audience, but I think my friends and family. I’m entering my thirties, so I feel like everyone’s wondering if I’m well rounded enough to step into this phase of my life. I would say they’re watching more in an accountability way than a stalking way. I do have a stalker though, who I assume is watching my every move.
INTERVIEW: Tell me about Camera Duels. Who usually wins?
SPROUSE: Despite the narrative I’ve pushed on that Instagram account—which is that I always win—I’ve realized that we both kind of lose. They have a picture of me, and I have a picture of them, and that’s how it works. As long as my camera is in the shot, I consider the interaction a personal victory. But I would say we both ultimately lose, just emotionally.
INTERVIEW: Do you like being watched?
SPROUSE: I don’t, no. I consider privacy, especially in our social media age, to be the ultimate form of privilege. I don’t think it’s surprising that a lot of single people are like, “I want a partner that’s got two followers!” What we desire, truly, is to return to a form of privacy that may no longer exist.
INTERVIEW: Right.
SPROUSE: I like when a performance of mine is seen, and there’s a cultivation of respect through work. That sort of watching I really enjoy, but I don’t like when my humanity is watched. Most of us are gross little hairless apes that run around all stupid and silly, but also glorious and beautiful. When your humanity is under a magnifying glass, I’m not too keen on that kind of watching. But the performance thing, I love that! Otherwise what the fuck am I doing?
INTERVIEW: Are you a voyeur?
SPROUSE: Sure. I’m a big people watcher. I think people who grew up sheltered end up turning to voyeurism, as a means of empathizing, in order to see what humanity looks like. But I was an anthropology student in school, and I love listening to other people’s stories, cultivating that relationship with them to find different parts of myself. I’m starting to sound a kind of like a Tinder profile, so let’s just go with a “Yes, I am.”
INTERVIEW: Who do you stalk?
SPROUSE: You know, last year I unfollowed everyone on Instagram, which has helped my stalking quite a bit. I stalk photographers a lot.
INTERVIEW: What’s the last thing you got in trouble for?
SPROUSE: Oh, it was last night. I was supposed to meet some of my buddies, they were playing video games in some Beverly Hills house, and they sent me the wrong address by mistake. I walked up around 11 at night, and knocked on the door of the absolute wrong house. The guy who answered was completely petrified. He started shutting off all the lights before he came to the door. It really made me feel like I was breaking and entering.
INTERVIEW: Did you have all your gamer gear?
SPROUSE: I had the GameCube controller in my hand, I don’t think I appeared as much of a threat, but he perceived me as a threat. I didn’t get into any trouble, but I felt like a real pest.
INTERVIEW: Have you ever scared yourself?
SPROUSE: In my darker moments for sure. Everyone has the potential to scare themselves. I think usually a good night of sleep and a chat about how you feel can solve a lot of that stuff.
INTERVIEW: And a shower.
SPROUSE: Playing out scenarios in the shower where you’re a lot cooler than you actually are. That can solve a lot of those ailments.
INTERVIEW: What was your biggest childhood fear?
SPROUSE: Clowns. But I really did not like being alone, that was probably the result of my identical twin-hood. I remember when I was quite young, looking at my brother and thinking, “Wow, you’re a completely different person who looks just like me.” It was my first existential crisis. It’s frightening to look at someone so similar to you, and to be having practically identical life experiences. I was petrified of the idea of being alone as a kid, and it made me cry. That sounds really pretentious for an eight year old to say.
INTERVIEW: When you grow out of the footie pajamas things get out of hand.
SPROUSE: Well, that didn’t happen until last year for me.
INTERVIEW: Are you scared to do another season of Riverdale?
SPROUSE: No. You put your name on paper, so you have a general concept from the beginning of how long these things will last.
INTERVIEW: It’s in your control.
SPROUSE: Well, I wouldn’t say that, but it’s certainly something you know is coming.
INTERVIEW: Fair enough. What is the scariest scene you ever shot for Riverdale?
SPROUSE: There was a scene in season four where I was buried alive. The apparatus they built was the size of a human coffin. It was cramped, and I had to be in it for quite a while. I’m not a claustrophobic person, but it started to creep in. I had to scoot my way out of the coffin for a little bit to get some fresh air and relax. But luckily we had a safety officer on set, because I’m sure crazy things have happened before.
INTERVIEW: When was the last time you felt truly scared?
SPROUSE: Oh, man. I think anxiety is a form of fear. I get scared when I’m future-thinking too much, and I was scared during the pandemic, genuinely scared. But then, I did that first year film student thing where I got myself a Criterion Collection account and said, “I am going to watch all of the things I’ve been meaning to watch for ages!” But in the end I watched reality TV for four months straight.
INTERVIEW: What was your addiction?
SPROUSE: A lot of home and garden stuff. “The 10 Best British Homes!” That sort of thing.
INTERVIEW: That’s scary.
SPROUSE: That was the most terrified I’d ever been, seeing dangerous amounts of kitsch.
INTERVIEW: When was the last time you lied?
SPROUSE: I’ve actively been trying to not tell white lies anymore. I used to do that a lot—I’d go, “Yeah I’m okay! I don’t care!” Which was not true. I’m a big people pleaser. In the last two months, I’ve been trying to admit to myself and the people who offend me like, “Yeah that hurts. That sucks.” So I haven’t lied in two months. I’ve lost a lot of friends, a lot of followers, from my brutal honesty, which apparently people don’t dig on the internet, but fuck it.
INTERVIEW: What’re you doing with the rest of your day?
SPROUSE: I’m getting a haircut. Scary.
We want to give thanks to the writer of this write-up for this amazing web content
)
[3] => Array
(
[title] => Suing Shia LaBeouf for ‘Relentless’ Relationship Abuse, FKA twigs Claims
[link] => https://movieshere.packagingnewsonline.com/movie-actors/suing-shia-labeouf-for-relentless-relationship-abuse-fka-twigs-claims/
[dc] => Array
(
[creator] => Pauline Moonlky
)
[pubdate] => Wed, 01 Jun 2022 23:07:40 +0000
[category] => Movie ActorsabuseclaimsFKALaBeoufRelationshiprelentlessShiasuingtwigs
[guid] => https://movieshere.packagingnewsonline.com/?p=75795
[description] => The artist accuses the actor of sexual violence, assault, and infliction of emotional distress in a complaint filed in Los Angeles. FKA twigs was in a car driving toward Los Angeles just after Valentine’s Day in 2019. Shia LaBeouf, her boyfriend, was behind the wheel. She claimed in a complaint filed on Friday that he ... Read more
[content] => Array
(
[encoded] =>
The artist accuses the actor of sexual violence, assault, and infliction of emotional distress in a complaint filed in Los Angeles.
FKA twigs was in a car driving toward Los Angeles just after Valentine’s Day in 2019. Shia LaBeouf, her boyfriend, was behind the wheel. She claimed in a complaint filed on Friday that he was driving dangerously, removing his seatbelt and threatening to crash until she confessed her love for him.
Mr. LaBeouf, the star of “Transformers,” had shouted at FKA twigs throughout the vacation, including waking her up in the middle of the night and choking her, according to the lawsuit. She claimed he pulled over at a gas station after she asked to be let out of the car, and she removed her belongings from the trunk. According to the lawsuit, Mr. LaBeouf pursued her and assaulted her, slamming her against the car while shouting in her face. He then dragged her back into the vehicle.
The gas station incident is at the center of a complaint alleging that Mr. LaBeouf, 34, mistreated FKA Twigs physically, emotionally, and mentally during the course of a year-and-a-half relationship. In an interview, she stated that her motivation for coming out was to illustrate how even a critically recognized artist with money, a home, and a strong network of supporters might become trapped in such a cycle.
FKA twigs, 32, born Tahliah Debrett Barnett, said, “I’d like to be able to raise awareness on the strategies that abusers use to control you and take away your agency.”
Mr. LaBeouf reacted in an email to Ms. Barnett’s concerns, as well as those of a second former girlfriend who has accused him of abusive behavior, on Thursday.
In an email to The New York Times, he stated, “I’m not in any position to tell someone how my actions made them feel.” “I just have rationalizations for my drunkenness and aggressiveness.” For years, I’ve been abusive to myself and those around me. I have a history of inflicting pain on those who are closest to me. I’m embarrassed of my past and apologize to everyone I’ve wronged. “I’m not sure what else I can say.”
Mr. LaBeouf knowingly gave Ms. Barnett a sexually transmitted disease, according to the case, which was filed in Los Angeles Superior Court. He is accused of “relentless abuse,” including sexual battery, assault, and infliction of emotional distress, according to the complaint.
A request for comment on the case was not immediately returned by Mr. LaBeouf or his representative.
Mr. LaBeouf’s former girlfriend Karolyn Pho described comparable tumultuous experiences to The New York Times, some of which are also detailed in the case. According to the lawsuit, he once pinned her to a bed and head-butted her until she bled. She began to question whether he was abusing her after that. In an interview, she remarked, “So much goes into tearing down a guy or woman to make them OK with a certain kind of treatment.”
In response to a comprehensive explanation of the charges made against him by the women in interviews and later in the lawsuit, Mr. LaBeouf stated in a separate email that “many of these allegations are not accurate.” However, he went on to say that he owed the women “the opportunity to air their claims publicly and accept culpability for those things I’ve done.”
He also stated that he was in therapy and “a sober member of a 12-step program.” He wrote, “I am not healed of my PTSD and alcoholism, but I am determined to doing what I need to do to rehabilitate, and I will forever be sorry to the people that I may have damaged along the road.”
Mr. LaBeouf has a track of of erratic behavior. According to newspaper accounts and public records, he has been arrested multiple times on accusations that have been dismissed, including assault and disorderly conduct. Strangers caught him arguing with his then-girlfriend, actress Mia Goth, in 2015, and told her, “This is the kind of behavior that makes a person abusive.” According to the video, after the men who were filming Mr. LaBeouf provided him a ride, he informed them, “If I had stayed there, I would’ve killed her.”
Mr. LaBeouf would squeeze or grasp Ms. Barnett to the point of bruising, according to Ms. Barnett. But she didn’t go to the cops, she claimed, initially out of a false fear of jeopardizing his job, and then because she believed her story would be dismissed and fruitless.
Though many states have laws that treat gender-based, sexual, or domestic violence as a civil rights violation, tort suits like the one Ms. Barnett is pursuing, with a harrowing account of painful moments, are relatively rare; most often, allegations arise during divorce or custody proceedings, or when seeking protective orders. However, since the #MeToo movement, there has been a minor increase in civil claims, as more attention has been paid to the complicated nature of abuse, according to Julie Goldscheid, a law professor at CUNY Law School who specializes in gender violence and civil rights.
According to the National Organization for Women, three women die every day at the hands of their abusers. According to law enforcement experts, the pandemic has compounded risky situations by requiring partners to stay in close quarters without interruption, and hotlines around the world have recorded a surge in pleas for assistance.
Ms. Barnett tells how she met Mr. LaBeouf in 2018 when she was cast in his partly autobiographical film “Honey Boy,” and how they began dating after the film completed. His “over-the-top shows of devotion” helped earn her trust in the early days of their relationship, she claims in the lawsuit.
In an abusive relationship, there is typically a “honeymoon phase,” as some specialists refer to it, that creates connection and establishes a baseline for how good the romance can be. It is a potent enticement; while brief moments of happiness may exist, they are accompanied by ever controlling demands and unachievable standards of behavior.
ALSO READ: What Did Liz Cambage Have To Say About It? As An Australian Basketball Star Confronts Anger Online, A Racial Slur Incident Is Revealed
Mr. LaBeouf did not like it when Ms. Barnett and Ms. Pho spoke to or stared at male servers, according to the lawsuit; in an interview, Ms. Barnett said she learned to keep her eyes down when males spoke to her. Mr. LaBeouf had rules about how many times she had to kiss and touch him every day, according to the claim, which he enforced with frequent yelling and criticizing.
Mr. LaBeouf persuaded Ms. Barnett to stay in Los Angeles with him rather than return to London, where she and her professional circle resided, she said. She claimed it was a step toward her solitude. And he would frequently claim that her creative team was exploiting her, a message that made her distrust them.
However, she admitted that living with him had become frightening. According to the lawsuit, he kept a loaded weapon beside the bed, and she was afraid to use the bathroom at night for fear of him mistaking her for an intruder and shooting her. He wouldn’t let her wear clothes to bed, and he’d turn a minor argument — about an artist she liked but he didn’t, for example — into an all-night brawl, depriving her of sleep, according to the lawsuit.
ALSO READ: Is It True That Rob Lowe Had Sex With A 16-Year-Old Girl? The Actor From ‘9-1-1: Lone Star’ Calls The Iconic Sex Tape ’embarrassing.’
The incident occurred as she was finishing “Magdalene,” her most critically acclaimed record. Ms. Barnett claimed she was stuck in a rut, unable to fulfill her professional obligations and perplexing her friends and coworkers. Michael Stirton, Twigs’ longtime manager, said, “Twigs is always the driving force behind her career – always a step ahead of everyone else.” “She had undergone a significant transformation in her demeanor and temperament.” Mr. Stirton stated as Ms. Barnett walked away that the album’s release had been postponed several times and that a tour had been rescheduled at great expense. He said, “I could talk to her.” “However, I was unable to contact her.”
Ms. Barnett said she felt as though her safety nets were fraying as she became more isolated. She claimed that the gas station event occurred in broad daylight, and that no one came to her aid; an early attempt to inform a colleague was dismissed. In an interview, she remarked, “I just thought to myself, no one is ever going to believe me.” “I’m a little different. “I’m a woman of color who is also a person of color.”
ALSO READ: The Channel Awesome Scandal And Those Misconduct Allegations
She gradually began to plan her leave with the help of a therapist. Mr. LaBeouf showed up unannounced and scared her while she was packing to leave in spring 2019, according to a sworn statement from a witness, her housekeeper, in the lawsuit. When Ms. Barnett refused to leave with him, he “violently seized” her, scooped her up, and locked her in another room, where he raged at her, according to the statement.
According to the lawsuit, escaping him became “both difficult and dangerous.” Even as her resolve grew, she felt overwhelmed, she told her therapist in an email obtained by The New York Times. Ms. Barnett said in an interview that despite having the resources, it took her numerous efforts to get out. It wasn’t until later that she realized how broken she’d become.
“I could have bought myself a business-class aircraft ticket back to my four-story townhouse in Hackney” in London during her time with him, she said. Despite this, she did not. “He brought me so low, so much below myself,” she explained, “that the prospect of leaving him and having to work my way back up seemed unfathomable.”
Ms. Barnett stated in her lawsuit that she intends to donate a substantial amount of any monetary damages to domestic-violence charity. In an interview, she remarked, “It was actually incredibly expensive, and a big endeavor of time and resources to get out.”
She claims that her predicament is special because of her rank. But she felt compelled to tell her tale since it was so frequent.
“What I went through with Shia was the worst experience I’ve ever had in my whole life,” she stated. “I don’t think anyone ever imagined that would happen to me.” But I believe that is the issue. Anyone can be affected.”
We would like to give thanks to the author of this post for this awesome material
)
[summary] => The artist accuses the actor of sexual violence, assault, and infliction of emotional distress in a complaint filed in Los Angeles. FKA twigs was in a car driving toward Los Angeles just after Valentine’s Day in 2019. Shia LaBeouf, her boyfriend, was behind the wheel. She claimed in a complaint filed on Friday that he ... Read more
[atom_content] =>
The artist accuses the actor of sexual violence, assault, and infliction of emotional distress in a complaint filed in Los Angeles.
FKA twigs was in a car driving toward Los Angeles just after Valentine’s Day in 2019. Shia LaBeouf, her boyfriend, was behind the wheel. She claimed in a complaint filed on Friday that he was driving dangerously, removing his seatbelt and threatening to crash until she confessed her love for him.
Mr. LaBeouf, the star of “Transformers,” had shouted at FKA twigs throughout the vacation, including waking her up in the middle of the night and choking her, according to the lawsuit. She claimed he pulled over at a gas station after she asked to be let out of the car, and she removed her belongings from the trunk. According to the lawsuit, Mr. LaBeouf pursued her and assaulted her, slamming her against the car while shouting in her face. He then dragged her back into the vehicle.
The gas station incident is at the center of a complaint alleging that Mr. LaBeouf, 34, mistreated FKA Twigs physically, emotionally, and mentally during the course of a year-and-a-half relationship. In an interview, she stated that her motivation for coming out was to illustrate how even a critically recognized artist with money, a home, and a strong network of supporters might become trapped in such a cycle.
FKA twigs, 32, born Tahliah Debrett Barnett, said, “I’d like to be able to raise awareness on the strategies that abusers use to control you and take away your agency.”
Mr. LaBeouf reacted in an email to Ms. Barnett’s concerns, as well as those of a second former girlfriend who has accused him of abusive behavior, on Thursday.
In an email to The New York Times, he stated, “I’m not in any position to tell someone how my actions made them feel.” “I just have rationalizations for my drunkenness and aggressiveness.” For years, I’ve been abusive to myself and those around me. I have a history of inflicting pain on those who are closest to me. I’m embarrassed of my past and apologize to everyone I’ve wronged. “I’m not sure what else I can say.”
Mr. LaBeouf knowingly gave Ms. Barnett a sexually transmitted disease, according to the case, which was filed in Los Angeles Superior Court. He is accused of “relentless abuse,” including sexual battery, assault, and infliction of emotional distress, according to the complaint.
A request for comment on the case was not immediately returned by Mr. LaBeouf or his representative.
Mr. LaBeouf’s former girlfriend Karolyn Pho described comparable tumultuous experiences to The New York Times, some of which are also detailed in the case. According to the lawsuit, he once pinned her to a bed and head-butted her until she bled. She began to question whether he was abusing her after that. In an interview, she remarked, “So much goes into tearing down a guy or woman to make them OK with a certain kind of treatment.”
In response to a comprehensive explanation of the charges made against him by the women in interviews and later in the lawsuit, Mr. LaBeouf stated in a separate email that “many of these allegations are not accurate.” However, he went on to say that he owed the women “the opportunity to air their claims publicly and accept culpability for those things I’ve done.”
He also stated that he was in therapy and “a sober member of a 12-step program.” He wrote, “I am not healed of my PTSD and alcoholism, but I am determined to doing what I need to do to rehabilitate, and I will forever be sorry to the people that I may have damaged along the road.”
Mr. LaBeouf has a track of of erratic behavior. According to newspaper accounts and public records, he has been arrested multiple times on accusations that have been dismissed, including assault and disorderly conduct. Strangers caught him arguing with his then-girlfriend, actress Mia Goth, in 2015, and told her, “This is the kind of behavior that makes a person abusive.” According to the video, after the men who were filming Mr. LaBeouf provided him a ride, he informed them, “If I had stayed there, I would’ve killed her.”
Mr. LaBeouf would squeeze or grasp Ms. Barnett to the point of bruising, according to Ms. Barnett. But she didn’t go to the cops, she claimed, initially out of a false fear of jeopardizing his job, and then because she believed her story would be dismissed and fruitless.
Though many states have laws that treat gender-based, sexual, or domestic violence as a civil rights violation, tort suits like the one Ms. Barnett is pursuing, with a harrowing account of painful moments, are relatively rare; most often, allegations arise during divorce or custody proceedings, or when seeking protective orders. However, since the #MeToo movement, there has been a minor increase in civil claims, as more attention has been paid to the complicated nature of abuse, according to Julie Goldscheid, a law professor at CUNY Law School who specializes in gender violence and civil rights.
According to the National Organization for Women, three women die every day at the hands of their abusers. According to law enforcement experts, the pandemic has compounded risky situations by requiring partners to stay in close quarters without interruption, and hotlines around the world have recorded a surge in pleas for assistance.
Ms. Barnett tells how she met Mr. LaBeouf in 2018 when she was cast in his partly autobiographical film “Honey Boy,” and how they began dating after the film completed. His “over-the-top shows of devotion” helped earn her trust in the early days of their relationship, she claims in the lawsuit.
In an abusive relationship, there is typically a “honeymoon phase,” as some specialists refer to it, that creates connection and establishes a baseline for how good the romance can be. It is a potent enticement; while brief moments of happiness may exist, they are accompanied by ever controlling demands and unachievable standards of behavior.
ALSO READ: What Did Liz Cambage Have To Say About It? As An Australian Basketball Star Confronts Anger Online, A Racial Slur Incident Is Revealed
Mr. LaBeouf did not like it when Ms. Barnett and Ms. Pho spoke to or stared at male servers, according to the lawsuit; in an interview, Ms. Barnett said she learned to keep her eyes down when males spoke to her. Mr. LaBeouf had rules about how many times she had to kiss and touch him every day, according to the claim, which he enforced with frequent yelling and criticizing.
Mr. LaBeouf persuaded Ms. Barnett to stay in Los Angeles with him rather than return to London, where she and her professional circle resided, she said. She claimed it was a step toward her solitude. And he would frequently claim that her creative team was exploiting her, a message that made her distrust them.
However, she admitted that living with him had become frightening. According to the lawsuit, he kept a loaded weapon beside the bed, and she was afraid to use the bathroom at night for fear of him mistaking her for an intruder and shooting her. He wouldn’t let her wear clothes to bed, and he’d turn a minor argument — about an artist she liked but he didn’t, for example — into an all-night brawl, depriving her of sleep, according to the lawsuit.
ALSO READ: Is It True That Rob Lowe Had Sex With A 16-Year-Old Girl? The Actor From ‘9-1-1: Lone Star’ Calls The Iconic Sex Tape ’embarrassing.’
The incident occurred as she was finishing “Magdalene,” her most critically acclaimed record. Ms. Barnett claimed she was stuck in a rut, unable to fulfill her professional obligations and perplexing her friends and coworkers. Michael Stirton, Twigs’ longtime manager, said, “Twigs is always the driving force behind her career – always a step ahead of everyone else.” “She had undergone a significant transformation in her demeanor and temperament.” Mr. Stirton stated as Ms. Barnett walked away that the album’s release had been postponed several times and that a tour had been rescheduled at great expense. He said, “I could talk to her.” “However, I was unable to contact her.”
Ms. Barnett said she felt as though her safety nets were fraying as she became more isolated. She claimed that the gas station event occurred in broad daylight, and that no one came to her aid; an early attempt to inform a colleague was dismissed. In an interview, she remarked, “I just thought to myself, no one is ever going to believe me.” “I’m a little different. “I’m a woman of color who is also a person of color.”
ALSO READ: The Channel Awesome Scandal And Those Misconduct Allegations
She gradually began to plan her leave with the help of a therapist. Mr. LaBeouf showed up unannounced and scared her while she was packing to leave in spring 2019, according to a sworn statement from a witness, her housekeeper, in the lawsuit. When Ms. Barnett refused to leave with him, he “violently seized” her, scooped her up, and locked her in another room, where he raged at her, according to the statement.
According to the lawsuit, escaping him became “both difficult and dangerous.” Even as her resolve grew, she felt overwhelmed, she told her therapist in an email obtained by The New York Times. Ms. Barnett said in an interview that despite having the resources, it took her numerous efforts to get out. It wasn’t until later that she realized how broken she’d become.
“I could have bought myself a business-class aircraft ticket back to my four-story townhouse in Hackney” in London during her time with him, she said. Despite this, she did not. “He brought me so low, so much below myself,” she explained, “that the prospect of leaving him and having to work my way back up seemed unfathomable.”
Ms. Barnett stated in her lawsuit that she intends to donate a substantial amount of any monetary damages to domestic-violence charity. In an interview, she remarked, “It was actually incredibly expensive, and a big endeavor of time and resources to get out.”
She claims that her predicament is special because of her rank. But she felt compelled to tell her tale since it was so frequent.
“What I went through with Shia was the worst experience I’ve ever had in my whole life,” she stated. “I don’t think anyone ever imagined that would happen to me.” But I believe that is the issue. Anyone can be affected.”
We would like to give thanks to the author of this post for this awesome material
)
[4] => Array
(
[title] => Gratitude expressions between co-workers improve cardiovascular responses to stress
[link] => https://movieshere.packagingnewsonline.com/healthandscience/gratitude-expressions-between-co-workers-improve-cardiovascular-responses-to-stress/
[dc] => Array
(
[creator] => Tony Grantly
)
[pubdate] => Wed, 01 Jun 2022 22:28:00 +0000
[category] => Health And SciencecardiovascularcoworkersexpressionsGratitudeimproveresponsesstress
[guid] => https://movieshere.packagingnewsonline.com/?p=75790
[description] => Journal Reference: Yumeng Gu, Joseph M. Ocampo, Sara B. Algoe & Christopher Oveis. Gratitude Expressions Improve Teammates’ Cardiovascular Stress Responses. Journal of Experimental Psychology: General (In press), 2022 Expressions of gratitude are known to enhance marriages and other intimate relationships; however the study is to first to show they also benefit people in loose tie ... Read more
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[encoded] =>
Journal Reference:
Yumeng Gu, Joseph M. Ocampo, Sara B. Algoe & Christopher Oveis. Gratitude Expressions Improve Teammates’ Cardiovascular Stress Responses. Journal of Experimental Psychology: General (In press), 2022
Expressions of gratitude are known to enhance marriages and other intimate relationships; however the study is to first to show they also benefit people in loose tie relationships, such as co-workers. It is also the first to reveal that gratitude builds biological resources, promoting better stress responses, which in addition to fueling performance on high pressure tasks, can have long-term health impacts. Repeated exposure to stress is linked to cardiovascular disease, cognitive impairment and weakened immunity.
“Our results have meaningful implications for organizations and particularly for employees who work together under acutely stressful conditions to accomplish joint goals,” said Christopher Oveis, senior author of the forthcoming study to be published in Journal of Experimental Psychology: General and associate professor of economics and strategy at the Rady School of Management.
Results from the study were derived from an experiment with 200 participants who had to compete in a contest inspired by the TV show “Shark Tank.” The participants were UC San Diego students who were paired in teams with their suitemates to replicate relationships between workplace colleagues — individuals who are not close personally, but who spend a lot of time together. The teams were given six minutes together to come up with a pitch for creating and marketing a bicycle for students to ride on campus and they were given six minutes to pitch their product and its marketing plan before a panel of judges. The winning team was awarded $200.
“It’s essentially an impossible task,” said Oveis. “The experiment is designed to create a maximally stressful environment so we can gauge how gratitude shapes stress response during teamwork because most people spend a third or more of their daily lives at work.”
To measure physiological responses, participants wore electrodes on their neck and torso which collected electrocardiography (ECG) and impedance cardiography (ICG) signals. In addition, blood pressure was monitored through a blood pressure cuff worn on subjects’ arms.
A select group of teams were randomly assigned to express gratitude and their biological responses were compared to teams who did not thank each other during the contest.
“In a high-stakes, motivated performance task, people can react in one of two ways at a biological level,” said Oveis. “Some people really rise to the challenge and have an efficient cardiovascular response known as a challenge response: The heart pumps out more blood, the vasculature dilates, blood gets to the periphery, oxygenated blood gets to the brain and cognition fires on all cylinders. But other people don’t fare as well and instead have a threat response: The heart pumps out less blood, the vasculature constricts, blood flow to periphery is reduced and performance goes down.”
However, the study found that just a single, one to two-minute expression of gratitude from one teammate to another pushed those teammates toward more adaptive, performance-oriented biological challenge responses.
Gratitude expressions play a fundamental role in strengthening relationships
Oveis and co-authors tested the study participants cardiovascular responses to stress on an individual and collaborative level. Both team members were monitored during the collaborative part of the experiment when they were designing the bicycle and creating a marketing plan. And individuals were monitored when one person out of the pair had to make the pitch before the panel of judges without looking or talking to their team member.
During the collaborative task, control teams displayed threat responses marked by decreased blood flow and increased vascular constriction. However, a simple gratitude expression prior to the task eliminated these threat responses. During the individual product pitches, control teams showed modest challenge responses marked by vascular dilation and increased blood flow to the periphery. However, gratitude-expressing teams showed significantly larger, amplified challenge responses which aided their performance.
“Gratitude expressions within work environments may be key to managing our day-to-day stress responses as well optimizing our how we respond during high-pressure performance tasks like product pitches, so that we can make our stress responses fuel performance instead of harm it,” said Oveis. “But at their core, gratitude expressions play a fundamental role in strengthening our relationships at work.”
We would like to say thanks to the author of this post for this remarkable web content
)
[summary] => Journal Reference: Yumeng Gu, Joseph M. Ocampo, Sara B. Algoe & Christopher Oveis. Gratitude Expressions Improve Teammates’ Cardiovascular Stress Responses. Journal of Experimental Psychology: General (In press), 2022 Expressions of gratitude are known to enhance marriages and other intimate relationships; however the study is to first to show they also benefit people in loose tie ... Read more
[atom_content] =>
Journal Reference:
Yumeng Gu, Joseph M. Ocampo, Sara B. Algoe & Christopher Oveis. Gratitude Expressions Improve Teammates’ Cardiovascular Stress Responses. Journal of Experimental Psychology: General (In press), 2022
Expressions of gratitude are known to enhance marriages and other intimate relationships; however the study is to first to show they also benefit people in loose tie relationships, such as co-workers. It is also the first to reveal that gratitude builds biological resources, promoting better stress responses, which in addition to fueling performance on high pressure tasks, can have long-term health impacts. Repeated exposure to stress is linked to cardiovascular disease, cognitive impairment and weakened immunity.
“Our results have meaningful implications for organizations and particularly for employees who work together under acutely stressful conditions to accomplish joint goals,” said Christopher Oveis, senior author of the forthcoming study to be published in Journal of Experimental Psychology: General and associate professor of economics and strategy at the Rady School of Management.
Results from the study were derived from an experiment with 200 participants who had to compete in a contest inspired by the TV show “Shark Tank.” The participants were UC San Diego students who were paired in teams with their suitemates to replicate relationships between workplace colleagues — individuals who are not close personally, but who spend a lot of time together. The teams were given six minutes together to come up with a pitch for creating and marketing a bicycle for students to ride on campus and they were given six minutes to pitch their product and its marketing plan before a panel of judges. The winning team was awarded $200.
“It’s essentially an impossible task,” said Oveis. “The experiment is designed to create a maximally stressful environment so we can gauge how gratitude shapes stress response during teamwork because most people spend a third or more of their daily lives at work.”
To measure physiological responses, participants wore electrodes on their neck and torso which collected electrocardiography (ECG) and impedance cardiography (ICG) signals. In addition, blood pressure was monitored through a blood pressure cuff worn on subjects’ arms.
A select group of teams were randomly assigned to express gratitude and their biological responses were compared to teams who did not thank each other during the contest.
“In a high-stakes, motivated performance task, people can react in one of two ways at a biological level,” said Oveis. “Some people really rise to the challenge and have an efficient cardiovascular response known as a challenge response: The heart pumps out more blood, the vasculature dilates, blood gets to the periphery, oxygenated blood gets to the brain and cognition fires on all cylinders. But other people don’t fare as well and instead have a threat response: The heart pumps out less blood, the vasculature constricts, blood flow to periphery is reduced and performance goes down.”
However, the study found that just a single, one to two-minute expression of gratitude from one teammate to another pushed those teammates toward more adaptive, performance-oriented biological challenge responses.
Gratitude expressions play a fundamental role in strengthening relationships
Oveis and co-authors tested the study participants cardiovascular responses to stress on an individual and collaborative level. Both team members were monitored during the collaborative part of the experiment when they were designing the bicycle and creating a marketing plan. And individuals were monitored when one person out of the pair had to make the pitch before the panel of judges without looking or talking to their team member.
During the collaborative task, control teams displayed threat responses marked by decreased blood flow and increased vascular constriction. However, a simple gratitude expression prior to the task eliminated these threat responses. During the individual product pitches, control teams showed modest challenge responses marked by vascular dilation and increased blood flow to the periphery. However, gratitude-expressing teams showed significantly larger, amplified challenge responses which aided their performance.
“Gratitude expressions within work environments may be key to managing our day-to-day stress responses as well optimizing our how we respond during high-pressure performance tasks like product pitches, so that we can make our stress responses fuel performance instead of harm it,” said Oveis. “But at their core, gratitude expressions play a fundamental role in strengthening our relationships at work.”
We would like to say thanks to the author of this post for this remarkable web content
)
[5] => Array
(
[title] => Best Horror Films to Watch on Shudder in June 2022
[link] => https://movieshere.packagingnewsonline.com/scream-away/best-horror-films-to-watch-on-shudder-in-june-2022/
[dc] => Array
(
[creator] => Harry World
)
[pubdate] => Wed, 01 Jun 2022 22:10:09 +0000
[category] => Scream AwayFilmsHorrorJuneShudderWatch
[guid] => https://movieshere.packagingnewsonline.com/?p=75784
[description] => Summer is officially here, and with it comes a host of new movies for Shudder’s extensive library. Along with Shudder originals and exclusives like Offseason (June 10) and Revealer (June 23), the streaming service offers a bevy of animal-centric creature features and camping-gone-wrong films. Hard-core horror fans will also be pleased — and perhaps surprised ... Read more
[content] => Array
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[encoded] =>
Summer is officially here, and with it comes a host of new movies for Shudder’s extensive library. Along with Shudder originals and exclusives like Offseason (June 10) and Revealer (June 23), the streaming service offers a bevy of animal-centric creature features and camping-gone-wrong films. Hard-core horror fans will also be pleased — and perhaps surprised — to learn that 1980’s Alligator and its follow-up Alligator II: The Mutation will be available on Shudder, marking the first time the hard-to-find film hits streaming.
However, June also kicks off Pride Month. Shudder joins the celebration with a collection spotlighting prolific Queer filmmaker Eloy de la Iglesia. The late director’s films gained popularity in Spain but are not as well known elsewhere — a fact Shudder hopes to change. So, here are the best movies to watch on Shudder in June 2022.
RELATED: Teresa Palmer Dives Into the Grief Horror of Shudder’s The Twin
In the Mouth of Madness Delivers Lovecraftian-Inspired Chills
1995’s In the Mouth of Madness is a film that will appeal to Lovecraft fans and John Carpenter completionists alike. Jurassic Park‘s Sam Neill leads the movie as John Trent, an insurance investigator hired to uncover the truth behind a successful horror author’s disappearance. As the title implies, he discovers more than he bargained for as he begins to question his own sanity. Along with paying tribute to the work of H.P. Lovecraft, In the Mouth of Madness marks the third installment in Carpenter’s self-dubbed “Apocalypse Trilogy,” which also includes The Thing and Prince of Darkness.
In the Mouth of Madness hits Shudder on June 1.
Poltergeist Remains a Terrifying Classic
Texas Chain Saw director Tobe Hooper combined forces with Steven Spielberg to deliver a ghost story like no other. Poltergeist premiered in 1982 and continues to hold a special place in pop culture and horror fans’ hearts. What starts as seemingly playful voices coming from inside the TV quickly turns into a dangerous haunting, prompting Steve and Diane Freeling to seek help from an exorcist to save their daughter. Poltergeist has been spoofed by countless TV shows and movies — and there’s a good reason why. Not only does it deliver a satisfying ghost story, but it also serves up some genuinely chilling moments, fun special effects and even a scary clown.
Poltergeist haunts Shudder’s library on June 1.
RELATED: Was It’s Pennywise Inspired by John Wayne Gacy? Stephen King Has an Answer
Alligator and Alligator II Bite Into Streaming for the First Time
Alligator is frequently labeled as a Jaws knock-off, but it doesn’t really deserve to be tossed aside in that category. It’s a fun, self-aware creature feature that’s spawned quite the cult following since its 1980 release. The plot is simple and stems from an urban legend: a baby alligator flushed down the toilet where it feeds and grows in the city sewer. Alligator II: The Mutation retells a similar storyline, but with much more negative reviews. Now, both monster flicks are available on Streaming Video On Demand (SVOD) for the first time, thanks to Shudder, and include eye-catching new prints scanned from the original camera negatives.
Alligator and Alligator II: The Mutation take a chomp into Shudder on June 2.
Backcountry Brings Survival Horror to the Canadian Wilderness
2014’s Backcountry is a Canadian film that will appeal to survival horror fans. The story follows a couple who venture into the vast Candian wilderness while looking to escape the city life. While Alex is a more experienced outdoorsman, his wife, Jen, is not. However, neither are prepared for their encounter with a black bear. The film is loosely based on a true story about a black bear that attacked a couple in 2005. However, like most horror movies, Backcountry is highly exaggerated, delivering a healthy dose of blood, gore and atmospheric nature shots.
Backcountry roars into Shudder on June 6.
RELATED: The Internet Is Wrong – Winnie the Pooh Is Ripe for the Horror Treatment
The Wild Boys Beautifully Explores Gender Identity With Dark Fantasy
Along with spotlighting prolific Queer filmmaker Eloy de la Iglesia for Pride Month, Bertrand Mandico’s The Wild Boys joins Shudder’s library as another Queer film that’s well worth the watch. The film follows five adolescent boys (all played by girls) who are sent to a strange, supernatural island after committing a brutal crime. While there are certainly horror elements present in The Wild Boysthe film embraces the fantasy and adventure genres. The cinematography is beautiful with the story cleverly, bizarrely and uniquely exploring gender identity and fluidity.
The Wild Boys hits Shudder on June 6.
The Clovehitch Killer Will Captivate True Crime Fans
2018’s The Clovehitch Killer follows teenager Tyler (Charlie Plummer), who — after discovering some disturbing images — begins to suspect his father (Dylan McDermott) is a serial killer responsible for a series of brutal unsolved murders. While the film itself is fictional, director Duncan Skiles and writer Christopher Ford were heavily inspired by the story of real-life serial killer Dennis Rader, aka the BTK Killer, responsible for the deaths of ten people in Kansas between 1974 and 1991. Rader’s wife and two children were shocked to learn of their husband/father’s crime, which is the main thread that The Clovehitch Killer follows.
The Clovehitch Killer swings into Shudder on June 13.
RELATED: John Wayne Gacy Movies to Watch After Netflix’s Conversations With a Killer
Grizzly Delivers B-Movie Laughs
After Backcountry, Grizzly marks the second scary bear movie joining Shudder’s library this June. The 1976 film sees a man-eating grizzly bear romaing a National Park in search of human flesh. Released a year after Jaws‘ debut, director William Girdler hoped to cash in on the creature feature hype. While significantly lessacclaimed than Jaws, Grizzly was a surprising box office success, becoming the top-grossing independent film of 1976 and prompting Girdler to release the “semi-sequel” Day of the Animals (also joining Shudder’s June library) the following year. Now, Grizzly lives on in infamy as a silly Jaws rip-off that is perfect for B movie fun.
Grizzly claws into Shudder on June 20.
What Happened to Ida and Anna? The Innocents’ Ending, Explained
Read Next
About The Author
Jeanette White (336 Articles Published)
Jeanette White is a writer, horror fanatic and video game enthusiast from Boston. This self-proclaimed nerd enjoys finding the next big scoop in the world of entertainment. She is currently the Lead Movie Features Editor at Comic Book Resources. Jeanette is also the author of two horror thrillers, Shattered and The Other Inside. She sporadically rambles about horror books and films on her website https://www.jmwhitefiction.com.
More From Jeanette White
We would like to thank the writer of this write-up for this outstanding web content
)
[summary] => Summer is officially here, and with it comes a host of new movies for Shudder’s extensive library. Along with Shudder originals and exclusives like Offseason (June 10) and Revealer (June 23), the streaming service offers a bevy of animal-centric creature features and camping-gone-wrong films. Hard-core horror fans will also be pleased — and perhaps surprised ... Read more
[atom_content] =>
Summer is officially here, and with it comes a host of new movies for Shudder’s extensive library. Along with Shudder originals and exclusives like Offseason (June 10) and Revealer (June 23), the streaming service offers a bevy of animal-centric creature features and camping-gone-wrong films. Hard-core horror fans will also be pleased — and perhaps surprised — to learn that 1980’s Alligator and its follow-up Alligator II: The Mutation will be available on Shudder, marking the first time the hard-to-find film hits streaming.
However, June also kicks off Pride Month. Shudder joins the celebration with a collection spotlighting prolific Queer filmmaker Eloy de la Iglesia. The late director’s films gained popularity in Spain but are not as well known elsewhere — a fact Shudder hopes to change. So, here are the best movies to watch on Shudder in June 2022.
RELATED: Teresa Palmer Dives Into the Grief Horror of Shudder’s The Twin
In the Mouth of Madness Delivers Lovecraftian-Inspired Chills
1995’s In the Mouth of Madness is a film that will appeal to Lovecraft fans and John Carpenter completionists alike. Jurassic Park‘s Sam Neill leads the movie as John Trent, an insurance investigator hired to uncover the truth behind a successful horror author’s disappearance. As the title implies, he discovers more than he bargained for as he begins to question his own sanity. Along with paying tribute to the work of H.P. Lovecraft, In the Mouth of Madness marks the third installment in Carpenter’s self-dubbed “Apocalypse Trilogy,” which also includes The Thing and Prince of Darkness.
In the Mouth of Madness hits Shudder on June 1.
Poltergeist Remains a Terrifying Classic
Texas Chain Saw director Tobe Hooper combined forces with Steven Spielberg to deliver a ghost story like no other. Poltergeist premiered in 1982 and continues to hold a special place in pop culture and horror fans’ hearts. What starts as seemingly playful voices coming from inside the TV quickly turns into a dangerous haunting, prompting Steve and Diane Freeling to seek help from an exorcist to save their daughter. Poltergeist has been spoofed by countless TV shows and movies — and there’s a good reason why. Not only does it deliver a satisfying ghost story, but it also serves up some genuinely chilling moments, fun special effects and even a scary clown.
Poltergeist haunts Shudder’s library on June 1.
RELATED: Was It’s Pennywise Inspired by John Wayne Gacy? Stephen King Has an Answer
Alligator and Alligator II Bite Into Streaming for the First Time
Alligator is frequently labeled as a Jaws knock-off, but it doesn’t really deserve to be tossed aside in that category. It’s a fun, self-aware creature feature that’s spawned quite the cult following since its 1980 release. The plot is simple and stems from an urban legend: a baby alligator flushed down the toilet where it feeds and grows in the city sewer. Alligator II: The Mutation retells a similar storyline, but with much more negative reviews. Now, both monster flicks are available on Streaming Video On Demand (SVOD) for the first time, thanks to Shudder, and include eye-catching new prints scanned from the original camera negatives.
Alligator and Alligator II: The Mutation take a chomp into Shudder on June 2.
Backcountry Brings Survival Horror to the Canadian Wilderness
2014’s Backcountry is a Canadian film that will appeal to survival horror fans. The story follows a couple who venture into the vast Candian wilderness while looking to escape the city life. While Alex is a more experienced outdoorsman, his wife, Jen, is not. However, neither are prepared for their encounter with a black bear. The film is loosely based on a true story about a black bear that attacked a couple in 2005. However, like most horror movies, Backcountry is highly exaggerated, delivering a healthy dose of blood, gore and atmospheric nature shots.
Backcountry roars into Shudder on June 6.
RELATED: The Internet Is Wrong – Winnie the Pooh Is Ripe for the Horror Treatment
The Wild Boys Beautifully Explores Gender Identity With Dark Fantasy
Along with spotlighting prolific Queer filmmaker Eloy de la Iglesia for Pride Month, Bertrand Mandico’s The Wild Boys joins Shudder’s library as another Queer film that’s well worth the watch. The film follows five adolescent boys (all played by girls) who are sent to a strange, supernatural island after committing a brutal crime. While there are certainly horror elements present in The Wild Boysthe film embraces the fantasy and adventure genres. The cinematography is beautiful with the story cleverly, bizarrely and uniquely exploring gender identity and fluidity.
The Wild Boys hits Shudder on June 6.
The Clovehitch Killer Will Captivate True Crime Fans
2018’s The Clovehitch Killer follows teenager Tyler (Charlie Plummer), who — after discovering some disturbing images — begins to suspect his father (Dylan McDermott) is a serial killer responsible for a series of brutal unsolved murders. While the film itself is fictional, director Duncan Skiles and writer Christopher Ford were heavily inspired by the story of real-life serial killer Dennis Rader, aka the BTK Killer, responsible for the deaths of ten people in Kansas between 1974 and 1991. Rader’s wife and two children were shocked to learn of their husband/father’s crime, which is the main thread that The Clovehitch Killer follows.
The Clovehitch Killer swings into Shudder on June 13.
RELATED: John Wayne Gacy Movies to Watch After Netflix’s Conversations With a Killer
Grizzly Delivers B-Movie Laughs
After Backcountry, Grizzly marks the second scary bear movie joining Shudder’s library this June. The 1976 film sees a man-eating grizzly bear romaing a National Park in search of human flesh. Released a year after Jaws‘ debut, director William Girdler hoped to cash in on the creature feature hype. While significantly lessacclaimed than Jaws, Grizzly was a surprising box office success, becoming the top-grossing independent film of 1976 and prompting Girdler to release the “semi-sequel” Day of the Animals (also joining Shudder’s June library) the following year. Now, Grizzly lives on in infamy as a silly Jaws rip-off that is perfect for B movie fun.
Grizzly claws into Shudder on June 20.
What Happened to Ida and Anna? The Innocents’ Ending, Explained
Read Next
About The Author
Jeanette White (336 Articles Published)
Jeanette White is a writer, horror fanatic and video game enthusiast from Boston. This self-proclaimed nerd enjoys finding the next big scoop in the world of entertainment. She is currently the Lead Movie Features Editor at Comic Book Resources. Jeanette is also the author of two horror thrillers, Shattered and The Other Inside. She sporadically rambles about horror books and films on her website https://www.jmwhitefiction.com.
More From Jeanette White
We would like to thank the writer of this write-up for this outstanding web content
)
[6] => Array
(
[title] => To the Unconventional Breakfast format, the Edelweiss award of the Sustainable Tourism cluster of Aragon
[link] => https://movieshere.packagingnewsonline.com/lifestyle/to-the-unconventional-breakfast-format-the-edelweiss-award-of-the-sustainable-tourism-cluster-of-aragon/
[dc] => Array
(
[creator] => Holly June
)
[pubdate] => Wed, 01 Jun 2022 21:30:21 +0000
[category] => LifestyleAragónawardBreakfastclusterEdelweissformatsustainabletourismunconventional
[guid] => https://movieshere.packagingnewsonline.com/?p=75778
[description] => One of the best internationally inspired projects. The Unconventional Breakfast format was included in the top 3 of the second edition of the Edelweiss award, which recognizes the excellence for the development of responsible tourism, promoted by the Aragon sustainable tourism cluster. The gala ceremony took place in Spain, in the setting of the Caesaraugusta ... Read more
[content] => Array
(
[encoded] =>
One of the best internationally inspired projects. The Unconventional Breakfast format was included in the top 3 of the second edition of the Edelweiss award, which recognizes the excellence for the development of responsible tourism, promoted by the Aragon sustainable tourism cluster. The gala ceremony took place in Spain, in the setting of the Caesaraugusta theater museum in Zaragoza, in front of the main public and private authorities of the region, together with consultants and experts on sustainability, inclusion and accessibility, including participants from the different categories. .
“I am very excited for this international recognition – comments the founder of Unconventional Breakfast, Concetta D’Emma -. I dedicate it to all the people who have believed, and continue to believe, in everything that this project represents: for unconventional foodies, for all types of accommodation facilities (hotels and other hotels), for the territories … I also dedicate it to those who in Italy he did not believe or still does not believe in the beauty and effectiveness of this project, because it is also thanks to the many no, that I was able to transform my disappointment and my anger into constructive energy, which first of all allowed me to grow continuously as a person, and consequently to make the strategies of the Unconventional Breakfast evolve every year. I hope to be an example also for all those women who in the tourism sector have difficulty in emerging or asserting their voice: an invitation to never give up and to be surrounded by the right people with whom to share not only their mission, but also values such as ethics, respect and passion. An invitation to network with a view to cooperation. I also dedicate it to my students, so that it can represent for them an example of perseverance and dedication, an invitation not to allow anyone to hinder their dreams and projects, especially if they deserve to be known “.
The Unconventional Breakfast is the local breakfast also suitable for guests and travelers with different eating styles (vegetarians, vegans, celiacs, lactose intolerant, sportsmen, people who follow particular religious precepts …): allows you to rediscover typical and traditional recipes, revisiting them with ingredients more suitable for different dietary needs, without forgetting to tell the story behind those products and those traditions.
We wish to say thanks to the author of this article for this remarkable web content
)
[summary] => One of the best internationally inspired projects. The Unconventional Breakfast format was included in the top 3 of the second edition of the Edelweiss award, which recognizes the excellence for the development of responsible tourism, promoted by the Aragon sustainable tourism cluster. The gala ceremony took place in Spain, in the setting of the Caesaraugusta ... Read more
[atom_content] =>
One of the best internationally inspired projects. The Unconventional Breakfast format was included in the top 3 of the second edition of the Edelweiss award, which recognizes the excellence for the development of responsible tourism, promoted by the Aragon sustainable tourism cluster. The gala ceremony took place in Spain, in the setting of the Caesaraugusta theater museum in Zaragoza, in front of the main public and private authorities of the region, together with consultants and experts on sustainability, inclusion and accessibility, including participants from the different categories. .
“I am very excited for this international recognition – comments the founder of Unconventional Breakfast, Concetta D’Emma -. I dedicate it to all the people who have believed, and continue to believe, in everything that this project represents: for unconventional foodies, for all types of accommodation facilities (hotels and other hotels), for the territories … I also dedicate it to those who in Italy he did not believe or still does not believe in the beauty and effectiveness of this project, because it is also thanks to the many no, that I was able to transform my disappointment and my anger into constructive energy, which first of all allowed me to grow continuously as a person, and consequently to make the strategies of the Unconventional Breakfast evolve every year. I hope to be an example also for all those women who in the tourism sector have difficulty in emerging or asserting their voice: an invitation to never give up and to be surrounded by the right people with whom to share not only their mission, but also values such as ethics, respect and passion. An invitation to network with a view to cooperation. I also dedicate it to my students, so that it can represent for them an example of perseverance and dedication, an invitation not to allow anyone to hinder their dreams and projects, especially if they deserve to be known “.
The Unconventional Breakfast is the local breakfast also suitable for guests and travelers with different eating styles (vegetarians, vegans, celiacs, lactose intolerant, sportsmen, people who follow particular religious precepts …): allows you to rediscover typical and traditional recipes, revisiting them with ingredients more suitable for different dietary needs, without forgetting to tell the story behind those products and those traditions.
We wish to say thanks to the author of this article for this remarkable web content
)
[7] => Array
(
[title] => Blanco, the ex-girlfriend Giulia Lisioli speaks: “Difficult period but she didn’t betray me”
[link] => https://movieshere.packagingnewsonline.com/gossip/blanco-the-ex-girlfriend-giulia-lisioli-speaks-difficult-period-but-she-didnt-betray-me/
[dc] => Array
(
[creator] => Eden Kently
)
[pubdate] => Wed, 01 Jun 2022 21:27:59 +0000
[category] => GossipbetrayBlancoDifficultExGirlfriendGiuliaLisioliPeriodspeaks
[guid] => https://movieshere.packagingnewsonline.com/?p=75772
[description] => Moment of truth for Giulia Lisioli. After months of silence, theBlanco’s ex-girlfriend speaks for the first time about the singer and their story, which ended last March. Read also> Blanco, dedicates it to his girlfriend Martina and the joke of the ex Giulia: “When he hands down things written for you” Blanco, the ex-girlfriend Giulia ... Read more
[content] => Array
(
[encoded] =>
Moment of truth for Giulia Lisioli. After months of silence, theBlanco’s ex-girlfriend speaks for the first time about the singer and their story, which ended last March.
Read also>Blanco, dedicates it to his girlfriend Martina and the joke of the ex Giulia: “When he hands down things written for you”
Blanco, the ex-girlfriend Giulia Lisioli speaks: “Difficult period but she didn’t betray me”
Behind the end of their relationship there would have been no betrayal by the artist, as hypothesized by some fans, but only a progressive cooling of the relationship. The model, who for a long time was the companion of the winning singer of Sanremo 2022 with “Chills», has imprisoned the parola his TikTok and after having published a video in which he threw a dig at the ex and accused him of having dedicated a song previously written for her to his new girlfriend Martina Valeds, he recorded a live with his followers.
“It was a very difficult time. On the contrary, to tell the truth I wanted to close all social networks », Giulia began on social media. “Then I thought that it happens in life, go on.” The girl then explained the reason that she had pushed her to post that ironic video: “I hope he is well and I am happy that he has found a person with whom he can be fine. I’ve gotten over it now, I’m fine. The video I put in was also a bit of irony because I came up with a video, I laughed for a moment, can I say? I ‘cringiato’ on the spot but it’s not an attack on anything. In fact, she has absolutely nothing to do with it».
Giulia Lisioli he then clarified: «Blanco did not betray me, let’s make it clear. She went as it went. I really care about him, after this live broadcast I won’t talk about him anymore ».
)
[summary] => Moment of truth for Giulia Lisioli. After months of silence, theBlanco’s ex-girlfriend speaks for the first time about the singer and their story, which ended last March. Read also> Blanco, dedicates it to his girlfriend Martina and the joke of the ex Giulia: “When he hands down things written for you” Blanco, the ex-girlfriend Giulia ... Read more
[atom_content] =>
Moment of truth for Giulia Lisioli. After months of silence, theBlanco’s ex-girlfriend speaks for the first time about the singer and their story, which ended last March.
Read also>Blanco, dedicates it to his girlfriend Martina and the joke of the ex Giulia: “When he hands down things written for you”
Blanco, the ex-girlfriend Giulia Lisioli speaks: “Difficult period but she didn’t betray me”
Behind the end of their relationship there would have been no betrayal by the artist, as hypothesized by some fans, but only a progressive cooling of the relationship. The model, who for a long time was the companion of the winning singer of Sanremo 2022 with “Chills», has imprisoned the parola his TikTok and after having published a video in which he threw a dig at the ex and accused him of having dedicated a song previously written for her to his new girlfriend Martina Valeds, he recorded a live with his followers.
“It was a very difficult time. On the contrary, to tell the truth I wanted to close all social networks », Giulia began on social media. “Then I thought that it happens in life, go on.” The girl then explained the reason that she had pushed her to post that ironic video: “I hope he is well and I am happy that he has found a person with whom he can be fine. I’ve gotten over it now, I’m fine. The video I put in was also a bit of irony because I came up with a video, I laughed for a moment, can I say? I ‘cringiato’ on the spot but it’s not an attack on anything. In fact, she has absolutely nothing to do with it».
Giulia Lisioli he then clarified: «Blanco did not betray me, let’s make it clear. She went as it went. I really care about him, after this live broadcast I won’t talk about him anymore ».
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[title] => Sawastika Mukherjee: “Convicts should be punished”, strong reaction to KK’s death
[link] => https://movieshere.packagingnewsonline.com/movies/sawastika-mukherjee-convicts-should-be-punished-strong-reaction-to-kks-death/
[dc] => Array
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[creator] => Lance Kind
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[pubdate] => Wed, 01 Jun 2022 21:24:24 +0000
[category] => MoviesConvictsdeathKKsMukherjeepunishedReactionSawastikaStrong
[guid] => https://movieshere.packagingnewsonline.com/?p=75766
[description] => The whole entertainment world is mourning the sudden demise of KK. KK almost crossed the suralokei singing. In the nineties, a generation learned to float in love and passion through the hands of a musician like KK. Today all that is past due to his sudden demise. The whole world is shocked at KK’s untimely ... Read more
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The whole entertainment world is mourning the sudden demise of KK. KK almost crossed the suralokei singing. In the nineties, a generation learned to float in love and passion through the hands of a musician like KK. Today all that is past due to his sudden demise. The whole world is shocked at KK’s untimely death. Just a message of condolence to the fans of KK across social media! That list includes everyone from the general public to celebrities. But, the next day, artist Rupankar Bagchi, who came to show KK in Kolkata, did a Facebook live with a live chat. Keke died within a few hours. After this, intense sarcasm started about Rupankar on social media. Rupankar Bagchi & Dilip Ghosh: Rupankar’s name is Dilip Ghosh! The sharp sneer at KK’s death is incandescent Actors and actresses, starting from the Bengali music scene, strongly criticized Rupankar Bagchi’s comments about KK. Actress Swastika Mukherjee probably wrote on her Facebook page (Swastika Mukherjee) about the death of KK and Rupankar’s comments that there is a lot of sarcasm going on in Netpara as well as Nazrul Mancha. The hooliganism that is the name of the industry needs to stop. Or, like all times, the protest will be on Facebook again, and I will wait for someone to die like this again. Those who are guilty should be relieved. ”
KK Death: “I find KK’s song unbearable”, touching post on artist’s deathOn Tuesday evening at 7:45, Nazrul took the stage. After singing several songs, he felt sick. Such demands are being made in different quarters. However, those present at the event (KK Last Concert) doubted its authenticity. Some also claimed that he was seen resting on the back stage during the break of the show. He was taken to CMRI Hospital where the musician was pronounced dead. After hiding in KK’s last show, ‘Fangirl’ Pousali Banerjee gets angry with Rupankar Bagchi “Shame on you Rupankar”, Rupanjana Mitra’s strong reaction to KK’s death Trinamool Chhatra Parishad youth president Trinankur Bhattacharya was present at the Gurudas College function on Tuesday evening. Some say he fell ill on stage. Someone says something was sprayed there. But, none of this happened. An autopsy will reveal exactly how he died. However, I can say that Keke impressed the audience with one song after another on the stage. Her songs brought back the nostalgia of school days. However, even after this tragic incident, some people are doing politics. It’s very unfortunate. ”
We wish to thank the author of this article for this amazing material
)
[summary] => The whole entertainment world is mourning the sudden demise of KK. KK almost crossed the suralokei singing. In the nineties, a generation learned to float in love and passion through the hands of a musician like KK. Today all that is past due to his sudden demise. The whole world is shocked at KK’s untimely ... Read more
[atom_content] =>
The whole entertainment world is mourning the sudden demise of KK. KK almost crossed the suralokei singing. In the nineties, a generation learned to float in love and passion through the hands of a musician like KK. Today all that is past due to his sudden demise. The whole world is shocked at KK’s untimely death. Just a message of condolence to the fans of KK across social media! That list includes everyone from the general public to celebrities. But, the next day, artist Rupankar Bagchi, who came to show KK in Kolkata, did a Facebook live with a live chat. Keke died within a few hours. After this, intense sarcasm started about Rupankar on social media. Rupankar Bagchi & Dilip Ghosh: Rupankar’s name is Dilip Ghosh! The sharp sneer at KK’s death is incandescent Actors and actresses, starting from the Bengali music scene, strongly criticized Rupankar Bagchi’s comments about KK. Actress Swastika Mukherjee probably wrote on her Facebook page (Swastika Mukherjee) about the death of KK and Rupankar’s comments that there is a lot of sarcasm going on in Netpara as well as Nazrul Mancha. The hooliganism that is the name of the industry needs to stop. Or, like all times, the protest will be on Facebook again, and I will wait for someone to die like this again. Those who are guilty should be relieved. ”
KK Death: “I find KK’s song unbearable”, touching post on artist’s deathOn Tuesday evening at 7:45, Nazrul took the stage. After singing several songs, he felt sick. Such demands are being made in different quarters. However, those present at the event (KK Last Concert) doubted its authenticity. Some also claimed that he was seen resting on the back stage during the break of the show. He was taken to CMRI Hospital where the musician was pronounced dead. After hiding in KK’s last show, ‘Fangirl’ Pousali Banerjee gets angry with Rupankar Bagchi “Shame on you Rupankar”, Rupanjana Mitra’s strong reaction to KK’s death Trinamool Chhatra Parishad youth president Trinankur Bhattacharya was present at the Gurudas College function on Tuesday evening. Some say he fell ill on stage. Someone says something was sprayed there. But, none of this happened. An autopsy will reveal exactly how he died. However, I can say that Keke impressed the audience with one song after another on the stage. Her songs brought back the nostalgia of school days. However, even after this tragic incident, some people are doing politics. It’s very unfortunate. ”
We wish to thank the author of this article for this amazing material
)
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[title] => Leitieres Leite and Moacir Santos: Honored in Double Posthumous Record
[link] => https://movieshere.packagingnewsonline.com/music/leitieres-leite-and-moacir-santos-honored-in-double-posthumous-record/
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[creator] => Ann Moon
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[pubdate] => Wed, 01 Jun 2022 21:24:04 +0000
[category] => MusicdoublehonoredLeiteLeitieresMoacirPosthumousrecordSantos
[guid] => https://movieshere.packagingnewsonline.com/?p=75761
[description] => In October 2021, we lost one of the most important names in Brazilian instrumental music. Letieres Leite was another victim of covid-19, at the age of 61, leaving the album unreleased Moacir de Todos Santoswhich, luckily for us, was finished and distributed by the Rocinante label on May 19th. Next to Rumpilezz Orchestrawho has conducted ... Read more
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In October 2021, we lost one of the most important names in Brazilian instrumental music. Letieres Leite was another victim of covid-19, at the age of 61, leaving the album unreleased Moacir de Todos Santoswhich, luckily for us, was finished and distributed by the Rocinante label on May 19th.
Next to Rumpilezz Orchestrawho has conducted since 2005, the maestro pays tribute to the Pernambuco artist Moacir Santos (1926-2006), rereading seven of the nine songs in the work Stuff‘ (1965). The album features Caetano Veloso, who sings on the renowned track Nanã – Thing #5and Raul de Souza, trombonist who also died in 2021, in Thing #4.
The album, in addition to being posthumous and tribute – that is, a tribute from a deceased artist to another previously deceased -, has some other peculiarities that draw attention: the recording with three 24-channel tape machines working simultaneously, a documentary about the album, with the participation of the Bahian maestro himself, and the choice of songs from the album Thing.
On these matters, the pavé music chatted with Sylvio Fraga, artistic director and producer of the album, alongside Pepê Monnerat and by Letieres Leite himself, whom he describes as “an expert in giving friendships to others”. The album was recorded at Estúdio Rocinante, by Pepê and Edu Costa. Sylvio is also the director of the documentary, alongside João Atala and Michel Atallah.
Pavé music: I was curious about the way the record was recorded. I saw that they used magnetic tape recorders simultaneously. Tell us a little about this process
Sylvio Fraga: Letieres had a desire to record Rumpilezz on tape, as he did with us on his quintet record. But for Orkestra, it was necessary to synchronize three machines for the recording to happen live (all playing together). This feat – as far as I know, unprecedented – is the merit of my partner and technical director Pepê Monnerat. We even did some work on the studio to accommodate Orkestra, building three more rooms with a deck-balcony that overlooked the woods. Thus, the conductor could conduct (and dance) facing the musicians.
MP: In 2018, Letieres Leite was invited to record the project that, before, had taken place in the form of a show. You participated in the entire production of the record, accompanied the entire recording and artistically directed alongside Letieres himself. What is it like, at this moment, to see such a beautiful project come to fruition and no longer have its creator present for the launch?
Sylvio: In the case of this record, I made the invitation together with Pepê, who also co-produced it. This happened during the recording of the quintet. When Letieres mentioned this show with the Stuff, Pepê and I jumped out of the chair and asked him to make the record with us. A certain irresponsibility, as the studio was not prepared to receive Rumpilezz. Letieres was very generous when it came to trusting the other’s ability: he increased that ability, the potency of those who were by his side. It was one of the great privileges of my life to be in constant dialogue with him, living closely his dream of making this record that was so important to him in so many ways. A small relief is that he could hear the final mix. But I confess that it is very difficult to enjoy this release without him. I write from Salvador while we recorded the album by the group Aguidavi do Jêje, led by Luizinho do Jêje, who I met through Letieres. Luizinho greeted the maestro at the Xirê and we were very excited. Letieres gave me great friendships. He was an expert at giving friendships to others.
MP: The disc has a different script from the arrangement of the songs entitled Thing, by Moacir Santos. How did you choose this sequence of tracks?
Sylvio: Letieres chose tracks in which he saw a clear path to the use of a structured language in the key system of African matrices – without having to “force a bar” to shape the original composition to his vision. In addition, all Stuff would not fit in the 40 minutes of an LP. It turned out that the conductor’s natural selection married time in physical media. As for the order itself, as the disc is a selection of Stuff, it never seemed necessary to us to follow the order. The final order had not been decided between us before the conductor’s death, but he had left several clues about it in conversations and audios.
MP: I saw that you also directed the documentary about the album that was shown on Arte 1 channel. How and when did the idea for this documentary come about and what was it like directing it? Will it be available on any platforms later?
Sylvio: The film was made by six hands, alongside João Atala and Michael Atallah. The idea was to make a record not only of the recording of the album, but also to listen to all of Letieres’ thoughts behind his inventions within the Stuff – and this naturally extended to his life mission, which was always based on the intense search for beauty, was also a pedagogical and militant mission for the causes of anti-racism. The script was not clear beforehand. The documentary premiered at Arte 1 and will have some reruns. After two years it will go to the label’s YouTube.
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The post Leitieres Leite and Moacir Santos: Homageados em Disco Duplamente Póstumo first appeared on Música Pavê.
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)
[summary] => In October 2021, we lost one of the most important names in Brazilian instrumental music. Letieres Leite was another victim of covid-19, at the age of 61, leaving the album unreleased Moacir de Todos Santoswhich, luckily for us, was finished and distributed by the Rocinante label on May 19th. Next to Rumpilezz Orchestrawho has conducted ... Read more
[atom_content] =>
In October 2021, we lost one of the most important names in Brazilian instrumental music. Letieres Leite was another victim of covid-19, at the age of 61, leaving the album unreleased Moacir de Todos Santoswhich, luckily for us, was finished and distributed by the Rocinante label on May 19th.
Next to Rumpilezz Orchestrawho has conducted since 2005, the maestro pays tribute to the Pernambuco artist Moacir Santos (1926-2006), rereading seven of the nine songs in the work Stuff‘ (1965). The album features Caetano Veloso, who sings on the renowned track Nanã – Thing #5and Raul de Souza, trombonist who also died in 2021, in Thing #4.
The album, in addition to being posthumous and tribute – that is, a tribute from a deceased artist to another previously deceased -, has some other peculiarities that draw attention: the recording with three 24-channel tape machines working simultaneously, a documentary about the album, with the participation of the Bahian maestro himself, and the choice of songs from the album Thing.
On these matters, the pavé music chatted with Sylvio Fraga, artistic director and producer of the album, alongside Pepê Monnerat and by Letieres Leite himself, whom he describes as “an expert in giving friendships to others”. The album was recorded at Estúdio Rocinante, by Pepê and Edu Costa. Sylvio is also the director of the documentary, alongside João Atala and Michel Atallah.
Pavé music: I was curious about the way the record was recorded. I saw that they used magnetic tape recorders simultaneously. Tell us a little about this process
Sylvio Fraga: Letieres had a desire to record Rumpilezz on tape, as he did with us on his quintet record. But for Orkestra, it was necessary to synchronize three machines for the recording to happen live (all playing together). This feat – as far as I know, unprecedented – is the merit of my partner and technical director Pepê Monnerat. We even did some work on the studio to accommodate Orkestra, building three more rooms with a deck-balcony that overlooked the woods. Thus, the conductor could conduct (and dance) facing the musicians.
MP: In 2018, Letieres Leite was invited to record the project that, before, had taken place in the form of a show. You participated in the entire production of the record, accompanied the entire recording and artistically directed alongside Letieres himself. What is it like, at this moment, to see such a beautiful project come to fruition and no longer have its creator present for the launch?
Sylvio: In the case of this record, I made the invitation together with Pepê, who also co-produced it. This happened during the recording of the quintet. When Letieres mentioned this show with the Stuff, Pepê and I jumped out of the chair and asked him to make the record with us. A certain irresponsibility, as the studio was not prepared to receive Rumpilezz. Letieres was very generous when it came to trusting the other’s ability: he increased that ability, the potency of those who were by his side. It was one of the great privileges of my life to be in constant dialogue with him, living closely his dream of making this record that was so important to him in so many ways. A small relief is that he could hear the final mix. But I confess that it is very difficult to enjoy this release without him. I write from Salvador while we recorded the album by the group Aguidavi do Jêje, led by Luizinho do Jêje, who I met through Letieres. Luizinho greeted the maestro at the Xirê and we were very excited. Letieres gave me great friendships. He was an expert at giving friendships to others.
MP: The disc has a different script from the arrangement of the songs entitled Thing, by Moacir Santos. How did you choose this sequence of tracks?
Sylvio: Letieres chose tracks in which he saw a clear path to the use of a structured language in the key system of African matrices – without having to “force a bar” to shape the original composition to his vision. In addition, all Stuff would not fit in the 40 minutes of an LP. It turned out that the conductor’s natural selection married time in physical media. As for the order itself, as the disc is a selection of Stuff, it never seemed necessary to us to follow the order. The final order had not been decided between us before the conductor’s death, but he had left several clues about it in conversations and audios.
MP: I saw that you also directed the documentary about the album that was shown on Arte 1 channel. How and when did the idea for this documentary come about and what was it like directing it? Will it be available on any platforms later?
Sylvio: The film was made by six hands, alongside João Atala and Michael Atallah. The idea was to make a record not only of the recording of the album, but also to listen to all of Letieres’ thoughts behind his inventions within the Stuff – and this naturally extended to his life mission, which was always based on the intense search for beauty, was also a pedagogical and militant mission for the causes of anti-racism. The script was not clear beforehand. The documentary premiered at Arte 1 and will have some reruns. After two years it will go to the label’s YouTube.
like more interviews no pavé music
Share!
Shares
The post Leitieres Leite and Moacir Santos: Homageados em Disco Duplamente Póstumo first appeared on Música Pavê.
We want to say thanks to the author of this short article for this incredible content
KK Death: “I find KK’s song unbearable”, touching post on artist’s death
After hiding in KK’s last show, ‘Fangirl’ Pousali Banerjee gets angry with Rupankar Bagchi
“Shame on you Rupankar”, Rupanjana Mitra’s strong reaction to KK’s death