A viral video calling on world leaders to a “set the red line” to prevent Iran from acquiring a nuclear weapon has garnered over 1.3 million YouTube views thanks to a savvy social media campaign on Facebook and Twitter.
It’s been promoted by conservative bloggers and Washington-based organizations like [...]]]>
A viral video calling on world leaders to a “set the red line” to prevent Iran from acquiring a nuclear weapon has garnered over 1.3 million YouTube views thanks to a savvy social media campaign on Facebook and Twitter.
It’s been promoted by conservative bloggers and Washington-based organizations like the Republican Jewish Coalition and The Israel Project. But the 15-minute-long film is leading some experts to question the filmmaker’s message.
The video is part of an “independent, not-for-profit project designed to harness the global voice of humanity for the purpose of a peaceful solution to prevent a nuclear Iran,” say the film’s two principals, Banafsheh Zand and Shraga Simmons, on their website, settheredline.com.
Zand, who narrates the film, was born in Iran and fled the country during the Iranian revolution in 1979.
Her father, Iranian journalist Siamak Pourzand, committed suicide in 2011 after having been imprisoned since 2001 for writing articles critical of Iran’s political leaders.
Set The Red Line’s narration offers a list of reasons why Iran’s alleged nuclear weapons program must be stopped, including that “Iranian leaders are on a messianic warpath with the ultimate goal of hastening the Mahdi, the messianic Twelfth Imam, to usher in an era of global Islamic domination.”
“Iran has a plan to take over the world, and they view the United States as the ‘Great Satan,’ which must be destroyed,” Zand warns in the film.
“The Iranian regime will push war because that is [their] mandate and they’ve said it everyday and if westerners think that that regime can be deterred … then they will be in for a surprise because that regime has no intention of giving up its nukes,” Zand told The American Independent in an email.
The film endorses ongoing diplomatic efforts to find a peaceful solution to tensions over Iran’s nuclear program but urges viewers to support a “backup solution” should diplomacy fail.
“We must continue and even intensify the various diplomatic methods that world leaders have worked so hard to implement. But the reality is that Iran’s nuclear clock is ticking faster than the diplomatic clock,” says Zand in the film. “So we need an effective and reliable backup solution. It’s called the Red Line.”
Viewers are urged to participate in a social media campaign to push world leaders to lay down the “red line,” defined in the film as “world leaders make a pronouncement outlining a clear and unambiguous set of criteria that will serve as fair warning to Iran that crossing this line will trigger a devastating military response.”
“Pragmatically, the red line puts us in a much better position of going up against a non-nuclear Iran than having to face the certainty of war against a genocidal and nuclear Iran,” says Zand later in the film.
“The red line is specifically and only for the purpose of getting world leaders to pressure the Iranian regime to give up their nuclear weapons. I do not support any external military action on Iran,” Zand told TAI.
“Why would anyone attack a country whose people loath it?” Zand asked TAI. “Why would anyone attack a country with suicide bombers deployed around the world?”
“The Khomeinist regime totally intends to kill Westerners, Israelis, Palestinians and Arabs because they believe that they (the Shia Twelvers) are the ‘anointed’ ones and … they believe that it is the duty of all Muslims to die in the name of the Islamic pole that the Khomeinists have decided to head,” said Zand to TAI. “[T]hat regime openly says that it is Muslim duty to die, as collateral damage and that Sunnis have no say in the matter.”
Simmons told TAI that “military action should only be a last resort, when sanctions, diplomatic isolation and negotiations have failed to stop the regime.”
In interviews with TAI, experts questioned the approach outlined in the film.
“The video is conveniently vague so we never know to whom we’ll leave it to draw this red line. The US? Israel? The United Nations Security Council?” said Iran expert and author Barbara Slavin. “All we’re told is that it has to happen before Iran develops nuclear weapons. If Iran crosses this line it triggers a devastating response, say the filmmakers. This sounds more like an argument for war than an effort to prevent it.”
Matt Duss, a policy analyst at the liberal Center for American Progress, also criticized the film.
“Like most of the most hawkish arguments about Iran it’s plagued by a fundamental contradiction,” said Duss. “One is this claim, which is highly arguable, that Iran’s leaders are determined to destroy the west and this is a non-negotiable element of their extremist Muslim beliefs; and we must set a red line. These two things are contradictory. If Iran’s threat to destroy the west is nonnegotiable then why would they take a red line seriously?”
He added, “There’s this idea that Iran’s leaders are all apocalyptic crazies looking to trigger the return of the Shiite messiah, but there’s little evidence to suggest these beliefs drive Iranian policy.”
Zand, speaking in the film, says that Saudi Arabia, Kuwait, Qatar, Bahrain, Jordan, the UAE, and Iraq “would all fall like dominoes” if faced with an aggressive, nuclear-armed Iran.
But, according to Slavin, “there is absolutely no indication that there would be regime change in any of these places.”
“If Iran got a nuclear weapon the Saudis and all the countries across the Persian Gulf would probably shore up their alliances with the US even more and there would be a vigilant effort to contain Iran,” Slavin went on to add.
Set The Red Line garnered over one million YouTube views thanks to an effective social media campaign, said the film’s director.
“It was very grassroots, which to me is a huge success,” said Simmons. “Thousands of individuals sent the film out to their private email lists and posted on Facebook. We also contacted approximately 1,000 ‘Facebook administrators’ whose groups deal with issues of foreign affairs. I know for certain that a number of very large Facebook groups (with a million followers) promoted it to their lists.”
The Israel Project, “a one-stop source for detailed and accurate information about Israel and the Middle East,” according to its website, promoted the film both on its website andon Twitter.
Twitter accounts belonging to the Republican Jewish Coalition and a Fox News Produceralso promoted the film.
Neither Simmons nor Zand is new to political activism.
Simmons is senior editor of Aish.com, the online outreach arm of the Orthodox Jewish organization Aish HaTorah. His blog posts frequently criticize what he sees as biased reporting by journalists covering Israel.
Simmons accused CBS’s 60 Minutes of “further demonizing Israel and eroding its support in the West” after the show aired a segment examining the treatment of Palestinian Christians in the Israeli-occupied West Bank.
In a November 18, 2012, post — written during the Israel Defense Forces’ “Operation Pillar of Defense” in the Gaza Strip — Simmons criticized CNN’s Zain Verjee’s “horribly biased” interview of Israeli government spokesperson Mark Regev. Verjee asked about reports of children wounded by Israeli airstrikes and questioned how the IDF’s actions help bring peace to the region.
Verjee “sounds like she’d be more comfortable on Hamas TV,” wrote Simmons.
Simmons emphasized that his work on Set The Red Line was conducted independently from his job at Aish HaTorah.
“It happens that I am employed as an editor at the Aish.com website,” said Simmons. “I knew that the credibility of the message required full independence, so I took a full leave of absence from that position to enable me to make the film independently, without any organizational involvements whatsoever.”
Zand explained to TAI that she and Simmons spoke on Skype about making the film and shortly thereafter she was flown to Israel to narrate the film.
“I don’t even know what Aish HaTorah is,” said Zand. “We both agree Iran is out of order and intends to kills westerners and Israelis. Neither one of us want war.”
Tax disclosures show that from 2005 to 2010, Simmons served as secretary of Honest Reporting, a group that characterizes itself as “monitor[ing] the news for bias, inaccuracy, or other breach of journalistic standards in coverage of the Arab-Israeli conflict.”
Honest Reporting apparently participated in the release of Obsession: Radical Islam’s War Against The West, a 2005 film that compared the rise of radical Islam to the rise of Nazism in the 1930s.
The film’s website warns, “As we sleep in the comfort of our homes, a new evil rises against us. A new menace is threatening, with all the means at its disposal, to bow Western Civilization under the yoke of its values. That enemy is Radical Islam.”
“[Honest Reporting] now denies any involvement in the production of ‘Obsession.’ But its website promoted it as an Honest Reporting project in 2005, the year it was first released,” reported Sara Posner in a 2008 Jewish Week article.
As Posner reported, an archived version of the Honest Reporting website from June 14, 2006, shows Obsession listed as an “affiliate” project. The site also declared at the time: “HonestReporting’s ‘Obsession’ Wins Award at WorldFest Independent Film Festival.”
The film gained mainstream attention after 28 million DVDs were distributed to swing-state voters via newspaper inserts and bulk mailings before the 2008 U.S. presidential election.
Set The Red Line was Zand’s first collaboration with Simmons but not her first foray into political advocacy.
Her LinkedIn profile states that from February 2010 to October 2012, the month Set The Red Line was released, she worked as a consultant at Iran180, a group that “demand[s] a 180 by the Iranian government on their pursuit of nuclear weapons and the treatment of their citizens,” according to its website. Iran180’s outreach director, Chris DeVito, told TAI that Zand no longer works with the organization.
DeVito declined to offer a detailed opinion on the film but stated, “There are elements of the narrative that are extremely important and entirely valid.”
The drama never stops unfolding around the Clarion Fund, the operation behind a string of movies dubbed “anti-Muslim” by critics.
The group’s latest salvo is an hour-long documentary called “Iranium”, which more or less gives airtime to a gaggle of neoconservatives and their [...]]]>
The drama never stops unfolding around the Clarion Fund, the operation behind a string of movies dubbed “anti-Muslim” by critics.
The group’s latest salvo is an hour-long documentary called “Iranium”, which more or less gives airtime to a gaggle of neoconservatives and their allies on the Israeli right to advocate for a hawkish posture against the Islamic Republic of Iran.
While warning of an ideologically-driven, religiously-inspired Iran, however, the filmmaker behind the movie himself comes from among the religious extremes of another Middle Eastern state.
The writer and director of “Iranium”, Alex Traiman, hails from the Israeli West Bank settlement of Beit El, one of the ideological religious Jewish outposts in occupied Palestinian territory bedeviling U.S.-Israel relations.
I spoke to Traiman, who sported a black kippah and a bright red tie, after a screening of “Iranium” at the Heritage Foundation in Washington, where neoconservative don Richard Perle introduced the film.
“That’s where I live,” Traiman told me, after a deep breath, when I asked him if he lived in Beit El. “I just live there.”
Traiman worked for four years for the Beit El-based Arutz Sheva, or Channel Seven, also known as Israel National News, a former pirate radio station aligned with Israel’s religious settlers. He has in the past referred to Beit El as “a Jewish settlement… located in the Biblical province of Samaria, commonly referred to today as the West Bank.” Settlers refer to the West Bank by the Biblical “Judea and Samaria.”
On Tuesday at Heritage, Traiman, who has also written for a U.S.-based conspiracy website, called the World Net Daily, and presumably other occupied Palestinian territories, as “disputed territories in Israel.”
Beit El is a religious nationalist settlement near Ramallah in the West Bank, where some 5,500 settlers live, Founded in 1977, the settlement is built in land seized in 1970 by the military on what Israeli courts, according to Idith Zertal and Akiva Eldar, later deemed to be bogus security justifications.
Unlike their secular counterparts, who usually move into settlements to take advantage of government housing subsidies, the enclave of Beit El is a religious-nationalist settlement where residents think that God gave them the land that Palestinians lived on.
Palestinians view settlements as gobbling up land on which they hope to eventually build their state. In a peace deal, the border between Israel and Palestine would likely be doctored to include large settlement blocks in Israel.
But at a recent Washington Institute forum on potential maps for a peace deal, Washington Post columnist Jackson Diehl, a Middle East hawk, said Israeli annexation of Beit El is not realistic in a final peace deal: “Beit El dominates the road between the two major Palestinian towns of Ramallah and Nablus… This type of scenario is unacceptable to Palestinians.”
Last fall, a diplomatic row erupted when Israel refused a U.S. request for a three-month extension of a settlement construction freeze. The freeze extension was aimed at rescuing peace talks, and when Israel refused, with Prime Minister Bibi Netanyahu in the thrall of his pro-settler coalition members, the U.S.-sponsored talks collapsed.
The crumbling of the settlement freeze was celebrated in Israel’s settlements, whese construction boomed.
Other characters in and around “Iranium” come from the hardest of the hard-line ‘pro-Israel’ camp and the Israeli right, those who have long opposed Israel relinquishing control of the West Bank in any peace deal.
Not surprisingly, the Capitol Hill premiere in February is being hosted by a group, EMET, whose president and advisors worked together in the 1990s, behind the backs of Israeli and American leadership, to spike the Oslo process. Indeed, EMET’s Hill activism for a Greater Israel seems to be matched only by the efforts of key people from the Clarion Fund.
Ties between Clarion and Aish Hatorah, an evangelist Israeli ultra-orthodox group, are well know and long-established through Clarion’s founder and executive producer of its movies, Canadian-Israeli Raphael Shore, not to mention a host of registration and tax documents that make Clarion appear to be little more than an Aish off-shoot.
But Traiman, a former radio host and PR flak brought on board by Clarion to write and direct “Iranium,” appears is literally on the frontiers of the Israeli right.
According to social networking websites, Traiman worked at Arutz Sheva for four years, editing, writing, hosting a show, and acting as marketing director. In 2006, Traiman did a fundraising junket for the channel that brought him to New York and New Jersey, where he went to high school. (Arutz Sheva also raises money from U.S. Christian Zionists.)
Just two months before that trip, Traiman wrote an article for the U.S.-based conspiracy website World Net Daily (WND), where he gave space and sympathetic coverage to several Rabbis who theorized that the 2006 Israel-Lebanon war — then still raging — was caused by a gay pride parade in Jerusalem. At the end of the article, Traiman was listed as a writer for the Jerusalem bureau of WND, which has published articles about how Al Qaeda has 40 nukes (some already in the U.S.) and how “soy is making kids ‘gay’.”
The current chief WND‘s Jerusalem bureau is Aaron Klein, a birther and the New York Times best-selling author of “The Manchurian President: Barack Obama’s Ties to Communists, Socialists and Other Anti-American Extremists”. (Klein also conducted the interview where Imam Faisal Abdul Rauf refused to condemn Hamas.)
Klein and Traiman co-edited their college paper when they were both at New York City’s Yeshiva University. “Following his completely secular education, Traiman decided to pursue a Jewish education at the only first tier university that could provide one,” says an article from the paper of the modern-orthodox Jewish university. If and how long Klein and Traiman worked together at WND is not clear.
Leaving WND aside, Arutz Sheva, where Traiman hosted a show, wrote and edited, and directed marketing efforts, has some conspiracy theory issues of its own. Last year, to celebrate the anniversary of the assassination of Israeli Prime Minister Yitzhak Rabin, the “settler news organization,” as the New York Times labeled it, held a contest to find the best conspiracy theory providing a version of events different from the accepted history.
The accepted history, of course, is that religious Zionist Yigal Amir killed Rabin at a peace rally in 1995. In their 2009 book, “Jewish Terrorism in Israel”, Professors Ami Pedahzur and Arie Perliger wrote that Amir would have been inspired by the religious edicts from rabbis in West Bank settlements declaring Rabin din rodef, or a Jew who was willing to harm other Jews, a judgement punishable by death according to Jewish law. The professors also drop this nugget while recalling Amir’s machinations: “Only a fellow law school student, Margalit Har-Shefi—resident of one of the most prestige settlements, Beit El, and daughter of settler nobility—was let in on the finer details of the plan.” Har-Shefi even tried to break into the Beit El armory to get a weapon for the plot.
Arutz Sheva was founded by, according to various sources, either Beit El-based extremist Rabbi Zalman Melmand or Yaakov Katz, a politician from Israel’s National Union party, which has been accused of having ties to Israel’s banned extremist Kahanist political faction. Rabbi Meir Kahane was thought to be the “spiritual guide of those who allegedly conspired to kill Rabin.”
“There is a clear irony in having Israeli settler religious extremists urging the U.S. to bomb religious extremists in Iran,” said Lara Friedman, an expert on settlements and U.S. policy in the Middle East with American’s for Peace Now, in an interview.
Ali Gharib is a freelance writer based in Brooklyn, NY. He’s a regular contributor to the LobeLog.
]]>The showing of the movie in the Rayburn House Office Building will be hosted by the Republican Jewish Coalition (RJC) and a right-wing D.C. [...]]]>
The showing of the movie in the Rayburn House Office Building will be hosted by the Republican Jewish Coalition (RJC) and a right-wing D.C. Israel lobby group called the Endowment for Middle East Truth (EMET). The RJC invite makes it a point to give “special thanks to Majority Leader Eric Cantor [R-VA] for making this event possible.”
It’s EMET’s involvement that piqued my interest. EMET — whose acronym, emet, is the Hebrew word for ‘truth’ — has a bit of a history with Clarion involving an exposed lie from EMET president Sarah Stern.
Stern, a right-wing activist who has worked for the American Jewish Committee and the Zionist Organization of America, brags in her EMET bio about her efforts on the Hill — behind the backs of the Israeli and U.S. administrations — to spike the Oslo peace process of the 1990s.
In Sept. 2008, Stern hired flak Ari Morgenstern to help EMET promote the movie “Obsession” during its distribution to tens of millions of ‘swing-state’ homes during the 2008 election. Morgenstern gave an interview to me at the time, describing himself as an EMET spokesperson.
Five days later, EMET pulled out of the “Obsession” distribution project — a $17 million effort we now know was likely funded by major Chicago Republican donor Barre Seid. Stern told JTA at the time that she was hoodwinked by Clarion, and that she’d never talked to Morgenstern.
But she was lying. JTA‘s Eric Fingerhut got the goods (with my emphasis):
[T]he communications strategists for the project, Baron Communications LLC and 30 Point Strategies, shared e-mails and phone records that showed Stern had at least four telephone conversations earlier in the week with Morgenstern. In addition, they produced an e-mail from Sept. 22 which showed Stern approving of a press release and other materials announcing EMET’s participation. Another e-mail a day later from Stern included a lengthy note backing the project’s mission and the sign-off “Soldier On!”
But Stern hadn’t run the project by EMET’s board, so she pulled out.
I was a bit surprised, then, to see two months ago that Stern landed on Clarion’s new hawkish advisory board, which has some overlap with her shop.
Daniel Pipes and CSP chief and “Iranium” star Frank Gaffney are listed on both the EMET and Clarion advisory boards. James Woolsey, who never saw a neocon project he didn’t want to hitch his wagon to, and Iran hawk Kenneth Timmerman, both sit on EMET’s board and are featured prominently in “Iranium.”
Other hardliners among the EMET advisors include CSP fellow and JPost editor Caroline Glick; Hudson and Ariel Center‘s Meyrav Wurmser, the wife of Cheney advisor David and founder of MEMRI; Heritage‘s Ariel Cohen; Gal Luft, a so-called greenocon whose colleague Anne Korin appears in “Iranium”; and a host of other right-wingers.
In fact, there are two fundraising videos on EMET’s website where Stern is praised by Steven Emerson, Gaffney, Pipes, Heritage’s Cohen, Hudson‘s Tevi Troy, and Lori Palatnik, who, along with her husband, works for the ultra-orthodox, Israel-based evangelist group Aish Hatorah, which is intimately tied to Clarion.
Another troubling place where Stern gets support from is the House Foreign Affairs Committee, whose hawkish new chairperson, Rep. Ileana Ros-Lehtinen (R-FL), has a long-established relationship with Stern. On an EMET page, Ros-Lehtinen commends Stern’s services:
I am writing in strong support of Sarah Stern, who has worked with my office on matters of legislative importance…. I have known Sarah for many years and find her to be passionate and knowledgeable…
Three of the top-listed EMET advisors are ex-Israeli diplomats associated with the Likud. These are the very figures with whom Stern worked on Capitol Hill to spike Oslo. From a piece on IPS written by myself, Eli and Jim, at the time of the “Obsession” controversy (with my emphasis and added links):
Also among the top names of listed advisers to EMET are three Israeli diplomats. Two of them, Ambassadors Yossi Ben Aharon and Yoram Ettinger, were among the three Israeli ambassadors whom then-Israeli Prime Minister Yitzhak Rabin referred to as “the Three Musketeers” when they lobbied Washington in opposition to the Oslo accords. Indeed, Stern began her career at the behest of three unnamed Israeli diplomats who were based in Washington under Rabin’s predecessor, Yitzhak Shamir, according to EMET’s website.
Ettinger was at one time the chairman of special projects and is still listed as a contributing expert at the Ariel Centre for Policy Research, a hard-line Likudist Israeli think tank that opposes the peace process.
Ben Aharon was the director general – effectively the chief of staff – of Shamir’s office.
The third Israeli [diplomat], Lenny Ben-David, was appointed by Likud prime minister Benjamin Netanyahu to serve as the deputy chief of mission – second in command – at the Israeli embassy in Washington from 1997 until 2000. Ben-David had also held senior positions at the American Israel Public Affairs Committee for 25 years and is now a consultant and lobbyist.
Just like Clarion, where the producers and writer/director of the “Iranium” film are from the Israeli religious right, here we have, again, the Israeli right pushing policy on Washington.
There are few other ways to accurately describe it: This is the Israeli right directly pushing on Capitol Hill for an escalation with Iran, even pressing for an attack on the Islamic Republic.
These are the people we are supposed to trust about bombing Iran.
]]>The charges against my reporting are groundless. Indeed, I’d challenge Mellin to point to [...]]]>
The charges against my reporting are groundless. Indeed, I’d challenge Mellin to point to any inaccuracies in what my colleagues or I have published. However, Mellin’s comment is in itself instructive — he is himself yet another connection in the extensive web that ties the Clarion Fund to Aish HaTorah, an ultra-orthodox organization based in Israel — and further bears out my reporting on the subject.
Mellin writes:
Eli Clifton is in no way an unbiased journalist reporting on this issue, but has undermined his own credibility by mixing in non-biased reports with reports on his anti-Clarion agenda. [...]
He has publicly acknowledged this bias in a report published on this very website April 19th, 2010. http://www.lobelog.com/clarions-latest-film-unveiled/
“As highlighted in the ‘Rebutting Obsession’ project (which, in full disclosure, I contributed to)…”
Eli Clifton may have his opinions on the films, but they are just that: opinions. He should in no way be considered a neutral authority on this topic.
The JewsOnFirst project looks at the supposed “facts” presented in Obsession and points out the distortion of historical events and misrepresentations of Islam and Muslims in the film. This was not a negative review of the film — think “two thumbs down” — but an objective, well-sourced effort to fact-check the Clarion Fund’s documentary.
But who, exactly, is “Nate Mellin” and why does he care about a blog post which highlights the far-right leanings of Clarion’s entire advisory board?
Using an e-mail address recorded by our comment system, it appears Mellin is associated with a company called JI Website Design and Development. That URL is part of JewishIdeas.com, “an Orthodox Web-Directory and Search.” The company JI, according to its portfolio, designed the websites for Jerusalem Online University and Imagination Productions, among others.
All of these share common links to Aish HaTorah, the Israeli orthodox Jewish group which has denied having any formal links to the Clarion Fund. But Aish and Clarion once shared an address in New York; Clarion’s executive director, Raphael Shore, has worked as a full-time employee of Aish HaTorah and sits on the board of Imagination Productions; Rabbi Henry Harris and Rebecca Kabat incorporated the Clarion Fund, along with Raphael Shore, and served as employees of Aish HaTorah; Shore’s twin brother, Ephraim Shore was the executive director of Aish HaTorah in Miami and Toronto; and Clarion’s spokesperson, Gregory Ross, was an Aish HaTorah fundraiser.
Now we can add Nate Mellin, or “Nathan Meloul” as he is listed on his LinkedIn profile and his domain name registration, to the list of people whose activities appear to blur the line between Clarion and Aish HaTorah.
In his LinkedIn profile, he describes his current jobs as “Sr. Web Developer at Imagination Productions.” Imagination Productions produces JerusalemOnlineU.com, formerly known as AishCafe.com. The blog Failed Messiah looked into this and concluded: “Aish HaTorah changed the name of a missionary program, masked its connection to Aish, and uses it – and cash payments – to lure unsuspecting college students to Orthodoxy.”
Which brings us back to Mellin/Meloul. Why is he defending the Clarion Fund if he works for Imagination Productions?
The answer might lay in the Clarion Fund’s most recent 990, which lists $190,000 going to Imagination Productions to “help Imaginations further their mission of promoting Jewish Education.”
To summarize, Imagination Productions–whose board of directors includes Anne Ayalalon, the wife of Danny Ayalon, Israel’s Deputy Foreign Minister and former Ambassador to the U.S.–shares employees with Clarion and Aish HaTorah. Clarion helps fund Imagination. It should comes as no surprise that Imagination’s web-developer is defending the Clarion Fund’s documentaries. And all these institutional affiliations lead back to Aish HaTorah.
(We contacted Mellin/Melloul, Clarion, Jewish Ideas Website Design, Jerusalem Online U, and Imagination Productions for comment. As of press time, none had responded. We’ll update if we get anything.)
*UPDATE*
A Clarion Fund spokesperson confirmed to LobeLog that Nathan Melloul is a web designer for Imagination Productions. Melloul does not work for Clarion or RadicalIslam.org said the spokesperson.
When asked to explain the purpose of the $190,000 grant from Clarion to Imagination, the spokesperson responded that he doesn’t work with Clarion’s finances and, as a result, doesn’t know why the transfer took place.
He confirmed that Raphael Shore makes films with both Imagination and Clarion.
The “About Clarion Fund” page on the RadicalIslam.org website has added the following statement:
]]>Clarion Fund was founded by Raphael Shore in 2006. Shore is also the founder of Imagination Productions, a distributor of films relating to Jewish education; and JerusalemOnlineUniversity, a portal for online education. Previously, Shore served in senior posts at Aish HaTorah.