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IPS Writers in the Blogosphere » Iran red line https://www.ips.org/blog/ips Turning the World Downside Up Tue, 26 May 2020 22:12:16 +0000 en-US hourly 1 http://wordpress.org/?v=3.5.1 A Long View of Iran’s Nuclear Progress https://www.ips.org/blog/ips/a-long-view-of-irans-nuclear-progress/ https://www.ips.org/blog/ips/a-long-view-of-irans-nuclear-progress/#comments Mon, 25 Feb 2013 08:00:18 +0000 Peter Jenkins http://www.ips.org/blog/ips/a-long-view-of-irans-nuclear-progress/ via Lobe Log

by Peter Jenkins 

I was still a serving diplomat in Vienna when, in January 2006, the International Atomic Energy Agency (IAEA) reported that Iran had resumed uranium enrichment, suspended since November 2003. Like my Western colleagues, I feared the worst. I assumed that Iran was going to install as many centrifuges [...]]]> via Lobe Log

by Peter Jenkins 

I was still a serving diplomat in Vienna when, in January 2006, the International Atomic Energy Agency (IAEA) reported that Iran had resumed uranium enrichment, suspended since November 2003. Like my Western colleagues, I feared the worst. I assumed that Iran was going to install as many centrifuges as it could as quickly as it could, and that within a very few years Iran’s production of enriched uranium would bring into existence an intractable nuclear deterrent capability (even then I doubted Iran wanted an offensive nuclear capability).

I would have been incredulous had someone assured me that seven years later Iran would only possess some 16,000 assembled centrifuge machines; that Iran would only be operating some 60% of these; that it would only just be starting to install some 3,000 machines of a more advanced and efficient design, which it first obtained in 1995; that it would only have produced 8,300 kg of enriched uranium; and that less than 30% of this production would have been enriched to the intermediate level of 20% U235.

Of course, there are people who say that Iran would dearly love to have built more machines and produced more enriched uranium since 2006. For all I know, these people are right when they tell us that a number of technical impediments, some contrived by the West, and procurement problems have slowed progress.

But the latest IAEA report (GOV 2013/6 of 21 February) makes me think, as some previous reports have, that this may not be the whole story. I sense that Iran is deliberately adopting a cautious, measured approach to the expansion of its nuclear program. I speculate below about possible reasons for this.

In this latest report, the headline grabber has been Iran’s declaration to the IAEA of plans to install 18 cascades (some 3,000 machines) of the more advanced IR2m type. This has been greeted with alarm in some quarters and with condemnation by Western governments.

That was predictable but is not strictly rational. These machines are being installed at the Natanz plant, not the less vulnerable (to aerial attack) Fordow plant. They are to be used, Iran has declared, to enrich uranium to 3.5%, not 20%. They are being introduced in modest quantities (Western enrichment plants contain tens of thousands of machines). Could Iran be signalling that the West should not be alarmed: Iran has no intention of using these machines for the rapid “breakout” that is the stuff of Mr. Netanyahu’s nightmares?

Equally noteworthy are two other IAEA findings. Iran is still only using 4 out of a possible 16 cascades at Fordow to enrich uranium to 20%. And of the 47 kg of 20% U235 produced since November at Fordow and Natanz combined, some 60% has been transferred to Isfahan and converted from gaseous to metallic form.

One consequence of this is that only 167kg of the 280kg of 20% U235 produced since early 2010 is still available in gaseous form for enrichment to weapon-grade, were Iran to start re-configuring the Fordow cascades in order to “breakout”. And of this it seems likely (the IAEA report is silent) that fewer than 100kg are located at Fordow, assuming that at least a portion of the 130kg produced at Fordow has been transferred to Isfahan.

Could this be a signal that Iran has no intention of giving Mr. Netanyahu a pretext for another bout of war fever by approaching his “red line” of 240kg of 20% U235 hexafluoride ready for higher enrichment?

Anyway, it would have been nice if Western governments could have come up with a more clever reaction to the IR2m declaration than to don their global policeman’s caps and issue a stern reprimand to a sovereign counterpart. If they are really alarmed that after 17 years Iran is at last installing a more advanced design of centrifuge, why not make the few, simple policy adjustments that are needed to draw Iran into a serious negotiation?

The rational response to the introduction of more efficient centrifuge machines is to seek to increase the timeliness of the IAEA’s detection capabilities. This can be achieved by persuading Iran to re-apply the Additional Protocol. Western negotiators will find their Iranian counterparts open to persuasion provided Iranian concerns are also addressed.

After all, one does not need to be a genius to surmise that Iran’s cautious expansion of its nuclear program aims in part at bringing the West to the negotiating table — just as Western governments aim at “bringing Iran to the table” by piling on sanctions. This would be an amusing irony were the mutual incomprehension not potentially so dangerous.

Photo: Ali Akbar Salehi, Minister for Foreign Affairs of the Islamic Republic of Iran, meets IAEA Director General Yukiya Amano at the IAEA’s headquarters in Vienna, Austria on 12 July 2011.

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The viral campaign to set a “red line” for Iran https://www.ips.org/blog/ips/the-viral-campaign-to-set-a-red-line-for-iran/ https://www.ips.org/blog/ips/the-viral-campaign-to-set-a-red-line-for-iran/#comments Thu, 24 Jan 2013 17:30:41 +0000 Eli Clifton http://www.ips.org/blog/ips/the-viral-campaign-to-set-a-red-line-for-iran/ via The American Independent

A viral video calling on world leaders to a “set the red line” to prevent Iran from acquiring a nuclear weapon has garnered over 1.3 million YouTube views thanks to a savvy social media campaign on Facebook and Twitter.

It’s been promoted by conservative bloggers and Washington-based organizations like [...]]]> via The American Independent

A viral video calling on world leaders to a “set the red line” to prevent Iran from acquiring a nuclear weapon has garnered over 1.3 million YouTube views thanks to a savvy social media campaign on Facebook and Twitter.

It’s been promoted by conservative bloggers and Washington-based organizations like the Republican Jewish Coalition and The Israel Project. But the 15-minute-long film is leading some experts to question the filmmaker’s message.

The video is part of an “independent, not-for-profit project designed to harness the global voice of humanity for the purpose of a peaceful solution to prevent a nuclear Iran,” say the film’s two principals, Banafsheh Zand and Shraga Simmons, on their website, settheredline.com.

Zand, who narrates the film, was born in Iran and fled the country during the Iranian revolution in 1979.

Her father, Iranian journalist Siamak Pourzand, committed suicide in 2011 after having been imprisoned since 2001 for writing articles critical of Iran’s political leaders.

Set The Red Line’s narration offers a list of reasons why Iran’s alleged nuclear weapons program must be stopped, including that “Iranian leaders are on a messianic warpath with the ultimate goal of hastening the Mahdi, the messianic Twelfth Imam, to usher in an era of global Islamic domination.”

“Iran has a plan to take over the world, and they view the United States as the ‘Great Satan,’ which must be destroyed,” Zand warns in the film.

“The Iranian regime will push war because that is [their] mandate and they’ve said it everyday and if westerners think that that regime can be deterred … then they will be in for a surprise because that regime has no intention of giving up its nukes,” Zand told The American Independent in an email.

The film endorses ongoing diplomatic efforts to find a peaceful solution to tensions over Iran’s nuclear program but urges viewers to support a “backup solution” should diplomacy fail.

“We must continue and even intensify the various diplomatic methods that world leaders have worked so hard to implement. But the reality is that Iran’s nuclear clock is ticking faster than the diplomatic clock,” says Zand in the film. “So we need an effective and reliable backup solution. It’s called the Red Line.”

Viewers are urged to participate in a social media campaign to push world leaders to lay down the “red line,” defined in the film as “world leaders make a pronouncement outlining a clear and unambiguous set of criteria that will serve as fair warning to Iran that crossing this line will trigger a devastating military response.”

“Pragmatically, the red line puts us in a much better position of going up against a non-nuclear Iran than having to face the certainty of war against a genocidal and nuclear Iran,” says Zand later in the film.

“The red line is specifically and only for the purpose of getting world leaders to pressure the Iranian regime to give up their nuclear weapons. I do not support any external military action on Iran,” Zand told TAI.

“Why would anyone attack a country whose people loath it?” Zand asked TAI. “Why would anyone attack a country with suicide bombers deployed around the world?”

“The Khomeinist regime totally intends to kill Westerners, Israelis, Palestinians and Arabs because they believe that they (the Shia Twelvers) are the ‘anointed’ ones and … they believe that it is the duty of all Muslims to die in the name of the Islamic pole that the Khomeinists have decided to head,” said Zand to TAI. “[T]hat regime openly says that it is Muslim duty to die, as collateral damage and that Sunnis have no say in the matter.”

Simmons told TAI that “military action should only be a last resort, when sanctions, diplomatic isolation and negotiations have failed to stop the regime.”

In interviews with TAI, experts questioned the approach outlined in the film.

“The video is conveniently vague so we never know to whom we’ll leave it to draw this red line. The US? Israel? The United Nations Security Council?” said Iran expert and author Barbara Slavin.  “All we’re told is that it has to happen before Iran develops nuclear weapons. If Iran crosses this line it triggers a devastating response, say the filmmakers. This sounds more like an argument for war than an effort to prevent it.”

Matt Duss, a policy analyst at the liberal Center for American Progress, also criticized the film.

“Like most of the most hawkish arguments about Iran it’s plagued by a fundamental contradiction,” said Duss. “One is this claim, which is highly arguable, that Iran’s leaders are determined to destroy the west and this is a non-negotiable element of their extremist Muslim beliefs; and we must set a red line. These two things are contradictory. If Iran’s threat to destroy the west is nonnegotiable then why would they take a red line seriously?”

He added, “There’s this idea that Iran’s leaders are all apocalyptic crazies looking to trigger the return of the Shiite messiah, but there’s little evidence to suggest these beliefs drive Iranian policy.”

Zand, speaking in the film, says that Saudi Arabia, Kuwait, Qatar, Bahrain, Jordan, the UAE, and Iraq “would all fall like dominoes” if faced with an aggressive, nuclear-armed Iran.

But, according to Slavin, “there is absolutely no indication that there would be regime change in any of these places.”

“If Iran got a nuclear weapon the Saudis and all the countries across the Persian Gulf would probably shore up their alliances with the US even more and there would be a vigilant effort to contain Iran,” Slavin went on to add.

Set The Red Line garnered over one million YouTube views thanks to an effective social media campaign, said the film’s director.

“It was very grassroots, which to me is a huge success,” said Simmons. “Thousands of individuals sent the film out to their private email lists and posted on Facebook. We also contacted approximately 1,000 ‘Facebook administrators’ whose groups deal with issues of foreign affairs. I know for certain that a number of very large Facebook groups (with a million followers) promoted it to their lists.”

The Israel Project, “a one-stop source for detailed and accurate information about Israel and the Middle East,” according to its website, promoted the film both on its website andon Twitter.

Twitter accounts belonging to the Republican Jewish Coalition and a Fox News Produceralso promoted the film.

Neither Simmons nor Zand is new to political activism.

Simmons is senior editor of Aish.com, the online outreach arm of the Orthodox Jewish organization Aish HaTorah. His blog posts frequently criticize what he sees as biased reporting by journalists covering Israel.

Simmons accused CBS’s 60 Minutes of “further demonizing Israel and eroding its support in the West” after the show aired a segment examining the treatment of Palestinian Christians in the Israeli-occupied West Bank.

In a November 18, 2012, post — written during the Israel Defense Forces’ “Operation Pillar of Defense” in the Gaza Strip — Simmons criticized CNN’s Zain Verjee’s “horribly biased” interview of Israeli government spokesperson Mark Regev. Verjee asked about reports of children wounded by Israeli airstrikes and questioned how the IDF’s actions help bring peace to the region.

Verjee “sounds like she’d be more comfortable on Hamas TV,” wrote Simmons.

Simmons emphasized that his work on Set The Red Line was conducted independently from his job at Aish HaTorah.

“It happens that I am employed as an editor at the Aish.com website,” said Simmons. “I knew that the credibility of the message required full independence, so I took a full leave of absence from that position to enable me to make the film independently, without any organizational involvements whatsoever.”

Zand explained to TAI that she and Simmons spoke on Skype about making the film and shortly thereafter she was flown to Israel to narrate the film.

“I don’t even know what Aish HaTorah is,” said Zand. “We both agree Iran is out of order and intends to kills westerners and Israelis. Neither one of us want war.”

Tax disclosures show that from 2005 to 2010, Simmons served as secretary of Honest Reporting, a group that characterizes itself as “monitor[ing] the news for bias, inaccuracy, or other breach of journalistic standards in coverage of the Arab-Israeli conflict.”

Honest Reporting apparently participated in the release of Obsession: Radical Islam’s War Against The West, a 2005 film that compared the rise of radical Islam to the rise of Nazism in the 1930s.

The film’s website warns, “As we sleep in the comfort of our homes, a new evil rises against us. A new menace is threatening, with all the means at its disposal, to bow Western Civilization under the yoke of its values. That enemy is Radical Islam.”

“[Honest Reporting] now denies any involvement in the production of ‘Obsession.’ But its website promoted it as an Honest Reporting project in 2005, the year it was first released,” reported Sara Posner in a 2008 Jewish Week article.

As Posner reported, an archived version of the Honest Reporting website from June 14, 2006, shows Obsession listed as an “affiliate” project. The site also declared at the time: “HonestReporting’s ‘Obsession’ Wins Award at WorldFest Independent Film Festival.”

The film gained mainstream attention after 28 million DVDs were distributed to swing-state voters via newspaper inserts and bulk mailings before the 2008 U.S. presidential election.

Set The Red Line was Zand’s first collaboration with Simmons but not her first foray into political advocacy.

Her LinkedIn profile states that from February 2010 to October 2012, the month Set The Red Line was released, she worked as a consultant at Iran180, a group that “demand[s] a 180 by the Iranian government on their pursuit of nuclear weapons and the treatment of their citizens,” according to its website. Iran180’s outreach director, Chris DeVito, told TAI that Zand no longer works with the organization.

DeVito declined to offer a detailed opinion on the film but stated, “There are elements of the narrative that are extremely important and entirely valid.”

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