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[title] => Daniel Craig is jealous of Chris Evans’ pecs
[link] => https://celebs.cool/2021/10/12/daniel-craig-is-jealous-of-chris-evans-pecs/
[dc] => Array
(
[creator] => Susan Paul
)
[pubdate] => Tue, 12 Oct 2021 16:41:32 +0000
[category] => Trending Todaybetween knives and secretsChrisChris EvansCraigDanielDaniel CraigEvansJames Bondjealousknives outno time to dieoutstanding newspecspectorals
[guid] => https://celebs.cool/2021/10/12/daniel-craig-is-jealous-of-chris-evans-pecs/
[description] => Daniel Craig is in one of the best moments of his life, all thanks to the premiere of No Time to Die – 83%, his last job as James Bond on the big screen. The 53-year-old actor has many mixed feelings and spoke about some in a recent interview with Entertainment Weekly; but in addition ... Read more
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Daniel Craig is in one of the best moments of his life, all thanks to the premiere of No Time to Die – 83%, his last job as James Bond on the big screen. The 53-year-old actor has many mixed feelings and spoke about some in a recent interview with Entertainment Weekly; but in addition to everything related to 007, Craig revealed that he has a very special envy of Chris Evans for his pecs.
Do not miss: All Daniel Craig films as James Bond, from best to worst according to critics
We know that Daniel and Chris had the opportunity to work together on Between Navajas y Secretos – 100%, a 2019 film by Rian Johnson that represented a triumph for original stories that do not seek to depend on the big franchises. While Craig plays one of the heroes, Chris takes the role of villain, however, the above was not a pretext for a camaraderie relationship to emerge between the two.
The correspondent of Entertainment Weekly questioned Craig on whether the cute blue sweater he wears on one of the posters of No Time to Die is a reference or reason for envy regarding the same garment used by Evans in Knives Out. Recall that Chris became really popular on Twitter for those light-colored sweaters he used in the movie, even the film’s official account changed his name for a brief period to “Chris Evans’ Sweater Stan Account.” Craig’s response to the question was terse: “I’m jealous of his pecs, that’s what I’m jealous of!”
We invite you to read: Daniel Craig says Bond girls don’t exist in his movies
Not even Daniel Craig was indifferent to the physique of Chris Evans, who has been surprising his fans for several years with samples of his appearance, including his many exhibitions in the Captain America movies that again and again enchanted the public. The 40-year-old actor left the Marvel Cinematic Universe a couple of years ago and is slowly making his way to new horizons and projects in Hollywood.
For his part, Daniel Craig has finished his time as James Bond in the best way. During the same interview with THAT ONE, confessed that he will miss playing 007:
I’ll miss it all, I think. I will miss the collaboration. I mean, hopefully I’ll keep working and have a lot of other lovely jobs, but it’s a very, very, very weird air. Other than Marvel movies, there are no movies as great as this one. I have had the privilege of participating in it.
You may also be interested in: Daniel Craig clarifies if James Bond does his job better when drunk
No time to die He brings us back to the spy during a time when he has left active duty and enjoys a quiet life with Madeleine. But his peace is fleeting when the past puts him at risk and his old friend Felix Leiter shows up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond on the trail of a mysterious villain armed with dangerous new technology who also puts Madeleine in check.
Spoilers. El James Bond de Daniel Craig it took an end that few expected. He saved the world and his family but did not live to tell the tale. Although the spy and hero has been played by numerous actors, a good portion of the public agrees that Craig’s incarnation is the best yet, so the next 007 will have some huge shoes to fill. In accordance with Barbara Broccoli, executive producer of the films, the search for the new Bond will begin sometime late in 2022. Who will dare to take the baton? Will it be able to keep up with the best?
Daniel Craig will return as Benoit Blanc in Knives Out 2, scheduled for 2022.
)
[summary] => Daniel Craig is in one of the best moments of his life, all thanks to the premiere of No Time to Die – 83%, his last job as James Bond on the big screen. The 53-year-old actor has many mixed feelings and spoke about some in a recent interview with Entertainment Weekly; but in addition ... Read more
[atom_content] =>
Daniel Craig is in one of the best moments of his life, all thanks to the premiere of No Time to Die – 83%, his last job as James Bond on the big screen. The 53-year-old actor has many mixed feelings and spoke about some in a recent interview with Entertainment Weekly; but in addition to everything related to 007, Craig revealed that he has a very special envy of Chris Evans for his pecs.
Do not miss: All Daniel Craig films as James Bond, from best to worst according to critics
We know that Daniel and Chris had the opportunity to work together on Between Navajas y Secretos – 100%, a 2019 film by Rian Johnson that represented a triumph for original stories that do not seek to depend on the big franchises. While Craig plays one of the heroes, Chris takes the role of villain, however, the above was not a pretext for a camaraderie relationship to emerge between the two.
The correspondent of Entertainment Weekly questioned Craig on whether the cute blue sweater he wears on one of the posters of No Time to Die is a reference or reason for envy regarding the same garment used by Evans in Knives Out. Recall that Chris became really popular on Twitter for those light-colored sweaters he used in the movie, even the film’s official account changed his name for a brief period to “Chris Evans’ Sweater Stan Account.” Craig’s response to the question was terse: “I’m jealous of his pecs, that’s what I’m jealous of!”
We invite you to read: Daniel Craig says Bond girls don’t exist in his movies
Not even Daniel Craig was indifferent to the physique of Chris Evans, who has been surprising his fans for several years with samples of his appearance, including his many exhibitions in the Captain America movies that again and again enchanted the public. The 40-year-old actor left the Marvel Cinematic Universe a couple of years ago and is slowly making his way to new horizons and projects in Hollywood.
For his part, Daniel Craig has finished his time as James Bond in the best way. During the same interview with THAT ONE, confessed that he will miss playing 007:
I’ll miss it all, I think. I will miss the collaboration. I mean, hopefully I’ll keep working and have a lot of other lovely jobs, but it’s a very, very, very weird air. Other than Marvel movies, there are no movies as great as this one. I have had the privilege of participating in it.
You may also be interested in: Daniel Craig clarifies if James Bond does his job better when drunk
No time to die He brings us back to the spy during a time when he has left active duty and enjoys a quiet life with Madeleine. But his peace is fleeting when the past puts him at risk and his old friend Felix Leiter shows up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond on the trail of a mysterious villain armed with dangerous new technology who also puts Madeleine in check.
Spoilers. El James Bond de Daniel Craig it took an end that few expected. He saved the world and his family but did not live to tell the tale. Although the spy and hero has been played by numerous actors, a good portion of the public agrees that Craig’s incarnation is the best yet, so the next 007 will have some huge shoes to fill. In accordance with Barbara Broccoli, executive producer of the films, the search for the new Bond will begin sometime late in 2022. Who will dare to take the baton? Will it be able to keep up with the best?
Daniel Craig will return as Benoit Blanc in Knives Out 2, scheduled for 2022.
)
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(
[title] => Scarlett Johansson, the star who gave up the role of ‘sex symbol’ to become a money maker | Celebrities, Vips
[link] => https://celebs.cool/2021/10/12/scarlett-johansson-the-star-who-gave-up-the-role-of-sex-symbol-to-become-a-money-maker-celebrities-vips/
[dc] => Array
(
[creator] => Susan Paul
)
[pubdate] => Tue, 12 Oct 2021 15:43:55 +0000
[category] => Trending TodayCelebritiesgaveJohanssonmakerMoneyroleScarlettSexStarsymbolVips
[guid] => https://celebs.cool/2021/10/12/scarlett-johansson-the-star-who-gave-up-the-role-of-sex-symbol-to-become-a-money-maker-celebrities-vips/
[description] => She was the highest paid actress in the world in 2018, she repeated in 2019 and would have relapsed this year had it not been for a pandemic that has prevented it. What’s more, has the honor of being the highest grossing actress in the history of cinema, with more than 3.5 billion euros raised ... Read more
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[encoded] =>
She was the highest paid actress in the world in 2018, she repeated in 2019 and would have relapsed this year had it not been for a pandemic that has prevented it. What’s more, has the honor of being the highest grossing actress in the history of cinema, with more than 3.5 billion euros raised for her films. But not only the public eats from his hand: from critics to the most prestigious filmmakers, they drink the winds for having his hoarse voice, his green eyes, his blonde hair and, above all, his undeniable talent, filling the big screen. A unanimous predicament that has taken effect on his bank account, amassing a fortune valued at 140 million euros. How did you get Scarlett Johansson forge one of the most lucrative empires in movie history?
About 50 million euros was the figure that the New York actress pocketed last 2019, according to the magazine’s data Forbes. The dizzying salary, attributable above all to his participation in the highly successful Avengers: Endgame, also increased thanks to his work in the acclaimed Jojo Rabbit e Story of a marriage. The films, directed by Taika Waititi and Noah Emmerich, respectively, also earned her two Oscar nominations –best leading actress and best supporting actress–, although she has not yet been able to inscribe her name on any statuette. Those 50 million euros are historic because they represent the highest annual salary harvested by a female interpreter in the history of Hollywood, surpassing others like Jennifer Lawrence (The Hunger Games) or Sandra Bullock (Gravity).
Since he began his participation in the ‘Avengers’ saga, Johansson has multiplied his salary almost by a hundred. Photo: Getty
But Johansson, who celebrates his 36th birthday on November 22 and the anniversary of his first month as a married woman – to comedian Colin Jost – was not always the seat-sale guarantee that it is now. A little over a decade ago, that meteoric young woman who dazzled the public with works such as Lost in Translation, The girl of the pearl O Match Point, he saw projects that were to confirm his status at the forefront of the industry fail consecutively.The Island, Diary of a Nanny, The Boleyn Sisters or The Spirit they passed with more pain than glory through the billboard, scaling the interpreter by the indiscriminate objectification with which many of these projects tried to monetize their physical attractiveness. Each chronicle, profile or report on the New Yorker repeated the same analogy: she is the Lolita of the new century.
“I don’t want to have to always be glamorous, stylish and an object of desire.” It was during an interview with an Australian media, when the New Yorker publicly denied the status of sex-symbol who had accompanied her since Sofia Coppola had her as the protagonist of the generational Lost in Translation. A determining factor as sexist as it is recurrent in the industry, which buries under the hills of Los Angeles the careers of many actresses who, as they grow older, are no longer valued beyond their physical appearance. “When I was in my 20s, I felt like I was kind of pigeonholed. I had been hypersexualized. At that time, everyone was fine with it. They were different times. But for me it was very difficult to figure out how to get out of that, from being the naive or the lover, because it was never something that I was looking for, “she said at a round table last year.
The New Yorker has reported feeling “hypersexualized” early in her career. Photo: Dreamworks
It was precisely the decision to become part of TheAvengersBack in 2009, which caused his career and payroll to take a radical turn. A decision that, in addition, made rivers of ink flow in the industry. On the economic side, journalists and insiders They did not understand how Johansson had agreed to join his destiny to a franchise for almost a decade and with a lower entry salary than usual, of just 350 thousand euros. On the artistic side, historical prejudices with superhero cinema caused it to be branded as incomprehensible that the muse of filmmakers like Woody Allen or Sofia Coppola, who despite not appearing in her thirties had already worked for Christopher Nolan and Brian de Palma, She agreed to imbibe latex, putting her future as a ‘serious actress’ at risk. His profile was not even remotely similar to that of a Downey Jr. fresh out of rehab, that of the unknown Chris Hemsworth or that of a performer of dubious ability – also redeemed – like Chris Evans.
But they were wrong about her. With his long-term contract, Johansson not only managed to be part of the highest-grossing film franchise of the century, but also to multiply the initial figure by almost a hundred and reap a payroll of more than 30 million euros for the last film in the saga. In addition, not only did she not lose an iota of ‘prestige’ but she has managed to reconcile the role of heroine with cult films such as Under the skin, Her, Isle of Dogs, in addition to the aforementioned Story of a marriage O Jojo Rabbit. Following his example, such renowned actresses as Tilda Swinton, Cate Blanchett, Glenn Close, Annette Bening or Angela Bassett, to name just a few of the most veteran, freed themselves from any prejudice to immerse themselves fully in the Marvel Cinematic Universe.
If the coronavirus crisis allows it, the first solo film by Black Widow will hit theaters in April. Photo: Disney / Marvel
Johansson has also managed to emerge professionally unscathed after having starred in high-profile media controversies in recent years. His defense of Woody Allen despite having led one of the demonstrations of the Women’s March in 2018, the acceptance and subsequent rejection of a trans character for the controversy raised, a traumatic divorce, the hack and the leak of intimate images from her mobile phone or the audacity of wearing a Marchesa dress at the MET gala a few months after the Weinstein scandal was uncovered, did not undermine her status as a quintessential millennial Hollywood star. As for the part of her income from the advertising sector, despite having been an ambassador for firms such as Calvin Klein and Dolce & Gabbana, Johansson has recently focused on the very lucrative Asian market, lending his image to a shampoo line or even a coffee shop franchise.
If it were not for the global health crisis caused by the coronavirus, which has led major film studios to withdraw their most anticipated releases from the calendar, Johansson would already be another of the great protagonists of this course. After pushing back the release date from May to November and November to April 2021, pandemic permitting, The New Yorker will return to give life to the Russian spy Natasha Romanoff in Black widow, the character’s solo movie. The film is also her first professional experience as a producer of a fiction feature film, which if the blockbuster is confirmed could ostensibly increase her fortune. An antiheroine who has managed to penetrate a historically masculine universe and that, defends Johansson, “She is inherently feminine and not just a Batman in heels.” He knows what he’s talking about. In her career, she has already proven to be much more than a Lolita in heels.
His Tokyo adventure with Bill Murray on ‘Lost in Translation’ was his best cover letter in the industry. Foto: Focus Features
)
[summary] => She was the highest paid actress in the world in 2018, she repeated in 2019 and would have relapsed this year had it not been for a pandemic that has prevented it. What’s more, has the honor of being the highest grossing actress in the history of cinema, with more than 3.5 billion euros raised ... Read more
[atom_content] =>
She was the highest paid actress in the world in 2018, she repeated in 2019 and would have relapsed this year had it not been for a pandemic that has prevented it. What’s more, has the honor of being the highest grossing actress in the history of cinema, with more than 3.5 billion euros raised for her films. But not only the public eats from his hand: from critics to the most prestigious filmmakers, they drink the winds for having his hoarse voice, his green eyes, his blonde hair and, above all, his undeniable talent, filling the big screen. A unanimous predicament that has taken effect on his bank account, amassing a fortune valued at 140 million euros. How did you get Scarlett Johansson forge one of the most lucrative empires in movie history?
About 50 million euros was the figure that the New York actress pocketed last 2019, according to the magazine’s data Forbes. The dizzying salary, attributable above all to his participation in the highly successful Avengers: Endgame, also increased thanks to his work in the acclaimed Jojo Rabbit e Story of a marriage. The films, directed by Taika Waititi and Noah Emmerich, respectively, also earned her two Oscar nominations –best leading actress and best supporting actress–, although she has not yet been able to inscribe her name on any statuette. Those 50 million euros are historic because they represent the highest annual salary harvested by a female interpreter in the history of Hollywood, surpassing others like Jennifer Lawrence (The Hunger Games) or Sandra Bullock (Gravity).
Since he began his participation in the ‘Avengers’ saga, Johansson has multiplied his salary almost by a hundred. Photo: Getty
But Johansson, who celebrates his 36th birthday on November 22 and the anniversary of his first month as a married woman – to comedian Colin Jost – was not always the seat-sale guarantee that it is now. A little over a decade ago, that meteoric young woman who dazzled the public with works such as Lost in Translation, The girl of the pearl O Match Point, he saw projects that were to confirm his status at the forefront of the industry fail consecutively.The Island, Diary of a Nanny, The Boleyn Sisters or The Spirit they passed with more pain than glory through the billboard, scaling the interpreter by the indiscriminate objectification with which many of these projects tried to monetize their physical attractiveness. Each chronicle, profile or report on the New Yorker repeated the same analogy: she is the Lolita of the new century.
“I don’t want to have to always be glamorous, stylish and an object of desire.” It was during an interview with an Australian media, when the New Yorker publicly denied the status of sex-symbol who had accompanied her since Sofia Coppola had her as the protagonist of the generational Lost in Translation. A determining factor as sexist as it is recurrent in the industry, which buries under the hills of Los Angeles the careers of many actresses who, as they grow older, are no longer valued beyond their physical appearance. “When I was in my 20s, I felt like I was kind of pigeonholed. I had been hypersexualized. At that time, everyone was fine with it. They were different times. But for me it was very difficult to figure out how to get out of that, from being the naive or the lover, because it was never something that I was looking for, “she said at a round table last year.
The New Yorker has reported feeling “hypersexualized” early in her career. Photo: Dreamworks
It was precisely the decision to become part of TheAvengersBack in 2009, which caused his career and payroll to take a radical turn. A decision that, in addition, made rivers of ink flow in the industry. On the economic side, journalists and insiders They did not understand how Johansson had agreed to join his destiny to a franchise for almost a decade and with a lower entry salary than usual, of just 350 thousand euros. On the artistic side, historical prejudices with superhero cinema caused it to be branded as incomprehensible that the muse of filmmakers like Woody Allen or Sofia Coppola, who despite not appearing in her thirties had already worked for Christopher Nolan and Brian de Palma, She agreed to imbibe latex, putting her future as a ‘serious actress’ at risk. His profile was not even remotely similar to that of a Downey Jr. fresh out of rehab, that of the unknown Chris Hemsworth or that of a performer of dubious ability – also redeemed – like Chris Evans.
But they were wrong about her. With his long-term contract, Johansson not only managed to be part of the highest-grossing film franchise of the century, but also to multiply the initial figure by almost a hundred and reap a payroll of more than 30 million euros for the last film in the saga. In addition, not only did she not lose an iota of ‘prestige’ but she has managed to reconcile the role of heroine with cult films such as Under the skin, Her, Isle of Dogs, in addition to the aforementioned Story of a marriage O Jojo Rabbit. Following his example, such renowned actresses as Tilda Swinton, Cate Blanchett, Glenn Close, Annette Bening or Angela Bassett, to name just a few of the most veteran, freed themselves from any prejudice to immerse themselves fully in the Marvel Cinematic Universe.
If the coronavirus crisis allows it, the first solo film by Black Widow will hit theaters in April. Photo: Disney / Marvel
Johansson has also managed to emerge professionally unscathed after having starred in high-profile media controversies in recent years. His defense of Woody Allen despite having led one of the demonstrations of the Women’s March in 2018, the acceptance and subsequent rejection of a trans character for the controversy raised, a traumatic divorce, the hack and the leak of intimate images from her mobile phone or the audacity of wearing a Marchesa dress at the MET gala a few months after the Weinstein scandal was uncovered, did not undermine her status as a quintessential millennial Hollywood star. As for the part of her income from the advertising sector, despite having been an ambassador for firms such as Calvin Klein and Dolce & Gabbana, Johansson has recently focused on the very lucrative Asian market, lending his image to a shampoo line or even a coffee shop franchise.
If it were not for the global health crisis caused by the coronavirus, which has led major film studios to withdraw their most anticipated releases from the calendar, Johansson would already be another of the great protagonists of this course. After pushing back the release date from May to November and November to April 2021, pandemic permitting, The New Yorker will return to give life to the Russian spy Natasha Romanoff in Black widow, the character’s solo movie. The film is also her first professional experience as a producer of a fiction feature film, which if the blockbuster is confirmed could ostensibly increase her fortune. An antiheroine who has managed to penetrate a historically masculine universe and that, defends Johansson, “She is inherently feminine and not just a Batman in heels.” He knows what he’s talking about. In her career, she has already proven to be much more than a Lolita in heels.
His Tokyo adventure with Bill Murray on ‘Lost in Translation’ was his best cover letter in the industry. Foto: Focus Features
)
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[title] => Mission Integration to host “A Time to Breathe” on Oct. 27 – Detroit Mercy Campus Connection
[link] => https://celebs.cool/2021/10/12/mission-integration-to-host-a-time-to-breathe-on-oct-27-detroit-mercy-campus-connection-2/
[dc] => Array
(
[creator] => FuzzySkunk
)
[pubdate] => Tue, 12 Oct 2021 15:23:36 +0000
[category] => Health & Science News
[guid] => https://celebs.cool/2021/10/12/mission-integration-to-host-a-time-to-breathe-on-oct-27-detroit-mercy-campus-connection-2/
[description] => Join colleagues and pause the workday for a time of reflection and sharing with “A Time to Breathe,” hosted by the Office of Mission Integration on Wednesday, Oct. 27 at noon from the tennis pavilion (weather permitting) behind Calihan Hall on the McNichols Campus. This monthly opportunity is for employees to step away from the ... Read more
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Join colleagues and pause the workday for a time of reflection and sharing with “A Time to Breathe,” hosted by the Office of Mission Integration on Wednesday, Oct. 27 at noon from the tennis pavilion (weather permitting) behind Calihan Hall on the McNichols Campus.
This monthly opportunity is for employees to step away from the business of the workday to just take the time to breathe and build community with Detroit Mercy colleagues. Lunch will also be provided.
)
[summary] => Join colleagues and pause the workday for a time of reflection and sharing with “A Time to Breathe,” hosted by the Office of Mission Integration on Wednesday, Oct. 27 at noon from the tennis pavilion (weather permitting) behind Calihan Hall on the McNichols Campus. This monthly opportunity is for employees to step away from the ... Read more
[atom_content] =>
Join colleagues and pause the workday for a time of reflection and sharing with “A Time to Breathe,” hosted by the Office of Mission Integration on Wednesday, Oct. 27 at noon from the tennis pavilion (weather permitting) behind Calihan Hall on the McNichols Campus.
This monthly opportunity is for employees to step away from the business of the workday to just take the time to breathe and build community with Detroit Mercy colleagues. Lunch will also be provided.
)
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(
[title] => Life smiles on Ben Affleck more than we thought
[link] => https://celebs.cool/2021/10/12/life-smiles-on-ben-affleck-more-than-we-thought/
[dc] => Array
(
[creator] => Susan Paul
)
[pubdate] => Tue, 12 Oct 2021 14:56:07 +0000
[category] => Trending TodayAffleckBenlifeSmilesthought
[guid] => https://celebs.cool/2021/10/12/life-smiles-on-ben-affleck-more-than-we-thought/
[description] => Since we knew of the restart of romance we have ‘Bennifer’ even in the soup. There is no doubt that Jennifer Lopez and Ben Affleck They are the couple of the moment, just as they were two decades ago when they were about to marry. What if cuddling in the middle of the street in ... Read more
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Since we knew of the restart of romance we have ‘Bennifer’ even in the soup. There is no doubt that Jennifer Lopez and Ben Affleck They are the couple of the moment, just as they were two decades ago when they were about to marry. What if cuddling in the middle of the street in New York, what if knowing glances on red carpets, what if kisses in public, hugs, caresses … Whether they are videos or photographs, both are populating social networks at the blow of paparazzi and curious capturing them everywhere . And it is that who does not like a love story with a happy ending? However, part of the spell lies in the happiness that both radiate in each of their appearances, together or separately.. When they pose or capture them as a couple, we see them smile from ear to ear, letting the cameras and the world witness their love without any qualms.
However, sometimes we forget that they are both artists in their own right and although JLo monopolizes the spotlight with his styles and performances on stage, Ben Affleck is not far behind. And you may not know it yet, but he is already heading to the Oscars. And for the first time as an actor.
Ben Affleck and Jennifer Lopez at the New York premiere of The Last Duel on October 9, 2021. (Photo by Arturo Holmes / Getty Images)
While all eyes in the world are focused on the couple’s cuddles or Jennifer’s latest style, the truth is that Ben is approaching awards season singing softly. For example, the actor appeared at the premiere of his new movie, The last duel, in New York a few days ago. He posed on the red carpet with his classmates Matt Damon and Jodie Comer, but who gave the note was JLo by posting a photo posing behind the scenes waiting for her boyfriend to finish their engagement.
GUIDE | The steps you have to follow to be able to see an Instagram post not available due to your privacy preferences
Many media focused on posing the couple with kisses before photographers or highlighting the news with headlines focused on the singer and actress “accompanying” Ben at the premiere. And the same thing happened recently with another of Affleck’s new promotional bets, The tender bar. In the case of the US premiere of the film directed by George Clooney held days ago, the vast majority of eyes fell on noticing Jennifer’s absence. Instead of talking about the movie, Ben Affleck or George Clooney, what really made noise were the questions about why Jennifer had not attended, leading to rumors that blamed the possible bad relationship between the actress and Clooney after the shorts that jumped. between them in the filming of Out of sight (A very dangerous romance) (1998).
But very few talk about Ben as an actor, regardless of his role in the media tandem he forms with Jennifer.. However, I am convinced that in a short time it will be possible to turn the tables with the couple stealing flashes of the next Oscars.
Both in The last duel from Ridley Scottlike in The tender barfrom George Clooney, Ben Affleck plays supporting characters. In the first it appears in a few sequences, but with such a mean, toxic and convincing interpretation that it manages to capture our attention completely. In the second he leaves his mark but from a completely opposite angle, bringing tenderness like an adorable uncle who lectures the young protagonist about life.
And in both, he manages to make his way to awards season. Moreover, I would not be surprised if academics have a difficult time deciding whether to nominate him for both or choose a single performance to make room for another actor in the category.
Both films are based on true stories, although very different. The first tells the story of Marguerite de Carrouges, a French woman who in 1386 denounced a friend of her husband for raping her. At a time when women had neither voice nor vote and their only legal value depended exclusively on marriage, Jodie Comer gives us a masterful interpretation in a story divided into three stages, according to the perception of each one. As well as the series The Affair showed us the story of an illicit romance from the perspective of each character, emphasizing the female nature misinterpreted by macho stereotypes, the film repeats the same tactic to elevate the character of Marguerite and the injustice experienced, serving as a modern analysis of those same stereotypes that still persist on a day-to-day basis. In short, Ridley Scott once again elevates the role of women above all things, showing off his good hand to mix epic and drama with overwhelming intensity.
Matt Damon plays the husband and Adam Driver the defendant (although the latter again proves why he is one of the most acclaimed actors of his generation), and Although Jodie Comer is the great star of the film with a performance worthy of reaching the Oscars, in the case of Ben Affleck the success is greater as he is a completely secondary character. He is in charge of playing a man of power, Count Pierre d’Alençon, being the main figure that represents toxic masculinity. And his great achievement lies in the fact that he manages to elevate the character to a credible and dramatic figure, without falling into the caricature of a character that could easily have been crowned as a typical villain of period cinema.
While on The tender bar manages to touch the viewer in the skin of Uncle Charlie, the owner of a bar where the protagonist learns the life lessons that form and educate him. The film is based on the memoirs of Pulitzer Prize winner JR Moehringer. It is a story about the pursuit of happiness, probably George Clooney’s simplest film as a director, and one of the best performances of Ben Affleck’s career, conveying candor and wisdom as a book lover, an educated man, knowledgeable enough to shape his nephew’s learning.
On The last duel Ben is a dramatically realistic villain who even reminds us of modern stories like Harvey Weinstein’s, and the influence of power in harnessing the opposite gender as a weapon of self-centered convenience. And in The tender bar He is the ideal uncle, the one that every child should have.
Getting to the Oscars – for my part I would be making the bets – could be the first time that Ben would be able to sneak into the awards as an actor. The truth is that despite adding more works as a performer throughout his career, his most applauded achievements have been as a filmmaker. We have seldom highlighted Ben as an actor for his films, we can say that he did well or that we liked him, but he has rarely received unanimous applause for his work on camera (of course we must put aside the fandom for his Batman, which is more of a character-centric phenomenon than him as an actor). However, Affleck is an established director. He has a special eye for storytelling. He is an effective filmmaker, with cinematographic naturalness to move through the humanity of his characters, making his stories always have their feet on the ground, no matter how dramatic or fictional they may be.
And maybe that experience directing the wonderful Gone Baby Gone or the Oscar winner Argo They have improved their artistic talent and it is in these two films that we see the result. Ben has two Oscars in his windows, the one for best film for Argo and best script for El indomable Will Hunting. And if we pay attention to his new feature films, he may have to make room for more. In addition to acting in them, Ben is also a co-writer for The last duel with Matt Damon again and Nicole Holofcener, with a script that could easily be among the candidates for the 2022 awards.
In summary, as much as we see ‘Bennifer’ filling the networks with videos and photographs, and headlines highlighting the couple more than their careers, life smiles on Ben from other facets. And who knows, finally he will probably get the recognition he never had yet with that golden statuette so precious in the firmament of the stars.
The last duel opens in Spain on October 29. The tender bar has no release date yet.
)
[summary] => Since we knew of the restart of romance we have ‘Bennifer’ even in the soup. There is no doubt that Jennifer Lopez and Ben Affleck They are the couple of the moment, just as they were two decades ago when they were about to marry. What if cuddling in the middle of the street in ... Read more
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Since we knew of the restart of romance we have ‘Bennifer’ even in the soup. There is no doubt that Jennifer Lopez and Ben Affleck They are the couple of the moment, just as they were two decades ago when they were about to marry. What if cuddling in the middle of the street in New York, what if knowing glances on red carpets, what if kisses in public, hugs, caresses … Whether they are videos or photographs, both are populating social networks at the blow of paparazzi and curious capturing them everywhere . And it is that who does not like a love story with a happy ending? However, part of the spell lies in the happiness that both radiate in each of their appearances, together or separately.. When they pose or capture them as a couple, we see them smile from ear to ear, letting the cameras and the world witness their love without any qualms.
However, sometimes we forget that they are both artists in their own right and although JLo monopolizes the spotlight with his styles and performances on stage, Ben Affleck is not far behind. And you may not know it yet, but he is already heading to the Oscars. And for the first time as an actor.
Ben Affleck and Jennifer Lopez at the New York premiere of The Last Duel on October 9, 2021. (Photo by Arturo Holmes / Getty Images)
While all eyes in the world are focused on the couple’s cuddles or Jennifer’s latest style, the truth is that Ben is approaching awards season singing softly. For example, the actor appeared at the premiere of his new movie, The last duel, in New York a few days ago. He posed on the red carpet with his classmates Matt Damon and Jodie Comer, but who gave the note was JLo by posting a photo posing behind the scenes waiting for her boyfriend to finish their engagement.
GUIDE | The steps you have to follow to be able to see an Instagram post not available due to your privacy preferences
Many media focused on posing the couple with kisses before photographers or highlighting the news with headlines focused on the singer and actress “accompanying” Ben at the premiere. And the same thing happened recently with another of Affleck’s new promotional bets, The tender bar. In the case of the US premiere of the film directed by George Clooney held days ago, the vast majority of eyes fell on noticing Jennifer’s absence. Instead of talking about the movie, Ben Affleck or George Clooney, what really made noise were the questions about why Jennifer had not attended, leading to rumors that blamed the possible bad relationship between the actress and Clooney after the shorts that jumped. between them in the filming of Out of sight (A very dangerous romance) (1998).
But very few talk about Ben as an actor, regardless of his role in the media tandem he forms with Jennifer.. However, I am convinced that in a short time it will be possible to turn the tables with the couple stealing flashes of the next Oscars.
Both in The last duel from Ridley Scottlike in The tender barfrom George Clooney, Ben Affleck plays supporting characters. In the first it appears in a few sequences, but with such a mean, toxic and convincing interpretation that it manages to capture our attention completely. In the second he leaves his mark but from a completely opposite angle, bringing tenderness like an adorable uncle who lectures the young protagonist about life.
And in both, he manages to make his way to awards season. Moreover, I would not be surprised if academics have a difficult time deciding whether to nominate him for both or choose a single performance to make room for another actor in the category.
Both films are based on true stories, although very different. The first tells the story of Marguerite de Carrouges, a French woman who in 1386 denounced a friend of her husband for raping her. At a time when women had neither voice nor vote and their only legal value depended exclusively on marriage, Jodie Comer gives us a masterful interpretation in a story divided into three stages, according to the perception of each one. As well as the series The Affair showed us the story of an illicit romance from the perspective of each character, emphasizing the female nature misinterpreted by macho stereotypes, the film repeats the same tactic to elevate the character of Marguerite and the injustice experienced, serving as a modern analysis of those same stereotypes that still persist on a day-to-day basis. In short, Ridley Scott once again elevates the role of women above all things, showing off his good hand to mix epic and drama with overwhelming intensity.
Matt Damon plays the husband and Adam Driver the defendant (although the latter again proves why he is one of the most acclaimed actors of his generation), and Although Jodie Comer is the great star of the film with a performance worthy of reaching the Oscars, in the case of Ben Affleck the success is greater as he is a completely secondary character. He is in charge of playing a man of power, Count Pierre d’Alençon, being the main figure that represents toxic masculinity. And his great achievement lies in the fact that he manages to elevate the character to a credible and dramatic figure, without falling into the caricature of a character that could easily have been crowned as a typical villain of period cinema.
While on The tender bar manages to touch the viewer in the skin of Uncle Charlie, the owner of a bar where the protagonist learns the life lessons that form and educate him. The film is based on the memoirs of Pulitzer Prize winner JR Moehringer. It is a story about the pursuit of happiness, probably George Clooney’s simplest film as a director, and one of the best performances of Ben Affleck’s career, conveying candor and wisdom as a book lover, an educated man, knowledgeable enough to shape his nephew’s learning.
On The last duel Ben is a dramatically realistic villain who even reminds us of modern stories like Harvey Weinstein’s, and the influence of power in harnessing the opposite gender as a weapon of self-centered convenience. And in The tender bar He is the ideal uncle, the one that every child should have.
Getting to the Oscars – for my part I would be making the bets – could be the first time that Ben would be able to sneak into the awards as an actor. The truth is that despite adding more works as a performer throughout his career, his most applauded achievements have been as a filmmaker. We have seldom highlighted Ben as an actor for his films, we can say that he did well or that we liked him, but he has rarely received unanimous applause for his work on camera (of course we must put aside the fandom for his Batman, which is more of a character-centric phenomenon than him as an actor). However, Affleck is an established director. He has a special eye for storytelling. He is an effective filmmaker, with cinematographic naturalness to move through the humanity of his characters, making his stories always have their feet on the ground, no matter how dramatic or fictional they may be.
And maybe that experience directing the wonderful Gone Baby Gone or the Oscar winner Argo They have improved their artistic talent and it is in these two films that we see the result. Ben has two Oscars in his windows, the one for best film for Argo and best script for El indomable Will Hunting. And if we pay attention to his new feature films, he may have to make room for more. In addition to acting in them, Ben is also a co-writer for The last duel with Matt Damon again and Nicole Holofcener, with a script that could easily be among the candidates for the 2022 awards.
In summary, as much as we see ‘Bennifer’ filling the networks with videos and photographs, and headlines highlighting the couple more than their careers, life smiles on Ben from other facets. And who knows, finally he will probably get the recognition he never had yet with that golden statuette so precious in the firmament of the stars.
The last duel opens in Spain on October 29. The tender bar has no release date yet.
)
[4] => Array
(
[title] => Michael Keaton returns to be Batman in the movie The Flash
[link] => https://celebs.cool/2021/10/12/michael-keaton-returns-to-be-batman-in-the-movie-the-flash/
[dc] => Array
(
[creator] => Susan Paul
)
[pubdate] => Tue, 12 Oct 2021 13:15:22 +0000
[category] => Trending TodayBatmanFlashKeatonMichaelmoviereturns
[guid] => https://celebs.cool/2021/10/12/michael-keaton-returns-to-be-batman-in-the-movie-the-flash/
[description] => Christopher PolkGetty Images Well, it’s official Michael Keaton is Batman again again 29 years later, in the movie The Flash, and this is all that is known about his reappearance. This is how Batman would defeat each of the Avengers. Timothée Chalamet in ‘Batman Beyond’? This is what he would look like as a batman ... Read more
[content] => Array
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[encoded] =>
Christopher PolkGetty Images
Well, it’s official Michael Keaton is Batman again again 29 years later, in the movie The Flash, and this is all that is known about his reappearance.
This is how Batman would defeat each of the Avengers.
Timothée Chalamet in ‘Batman Beyond’? This is what he would look like as a batman in DC.
Extra! After months of rumors and speculation, it has finally been confirmed that Michael Keaton to return as Batman in the Flash movie, 29 years after his last appearance in the Bat Man costume. Keaton’s agency ICM Partners confirmed to The Wrap on Monday that Keaton will be back, while director Andy Muschietti revealed the official logo on social media and announced that filming is underway.
Michael Keaton is Batman again
The 69-year-old actor originally played millionaire Bruce Wayne and his criminal alter-ego in the 1989 Tim Burton classic Batman and its 1992 sequel Batman Returns. It is understood that The Flash will introduce the “multiverse” of the DC Extended Universe, in which Keaton will play a Batman in a different universe than the one that has developed in previous DC movies.
The long-awaited film began production in London on Monday and The Wrap reports that Michael has committed to the project, although he previously suggested that concerns about the coronavirus pandemic in the United Kingdom could cause him to leave.
Speaking of his planned return to the role, he recently told Deadline: “To be honest with you, do you know what worries me most about this whole thing? It is COVID. I am more concerned. I am more aware of the COVID situation in the UK than anything else. That will determine everything, and that is why I am living out of the city here on 17 acres, moving away from everyone, because the COVID issue has me really worried. ”
However, Michael admitted that he would be delighted to join the project if the film’s creators could ensure his safety. “That is the first thing I do with all projects. I look at it and wonder if this is going to literally kill me. And if it doesn’t, then we talk ”. Keaton’s Batman of 1989 is considered one of the first films that really opened Hollywood’s eyes to the box office potential of superhero movies. It earned a whopping $ 251.3 million in 1989 (equivalent to $ 536.1 million today) as the highest grossing film nationally, with $ 411.5 million worldwide. Keaton returned in 1992’s Batman Returns, which earned $ 162.9 million at the domestic box office and $ 266.8 million at the world box office, although he resigned and was replaced by Val Kilmer in the tepid 1995 Batman Forever. Later, George Clooney reprized the role in 1998’s much-maligned Batman & Robin, with Chris O’Donnell playing his precocious partner.
The Flash is said to be loosely based on the 2011 comic series known as Flashpoint, in which Barry Allen, played by Ezra Miller, attempts to travel back in time to avoid the death of his mother. In doing so, he almost inadvertently creates another universe, which is watched over by Keaton’s Batman, 30 years after the events of Batman Forever. It is understood that he will ignore both Batman Forever and Batman & Robin, preferring to focus on Keaton’s portrayal of Batman and what he has been up to for the past 30 years.
This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io
)
[summary] => Christopher PolkGetty Images Well, it’s official Michael Keaton is Batman again again 29 years later, in the movie The Flash, and this is all that is known about his reappearance. This is how Batman would defeat each of the Avengers. Timothée Chalamet in ‘Batman Beyond’? This is what he would look like as a batman ... Read more
[atom_content] =>
Christopher PolkGetty Images
Well, it’s official Michael Keaton is Batman again again 29 years later, in the movie The Flash, and this is all that is known about his reappearance.
This is how Batman would defeat each of the Avengers.
Timothée Chalamet in ‘Batman Beyond’? This is what he would look like as a batman in DC.
Extra! After months of rumors and speculation, it has finally been confirmed that Michael Keaton to return as Batman in the Flash movie, 29 years after his last appearance in the Bat Man costume. Keaton’s agency ICM Partners confirmed to The Wrap on Monday that Keaton will be back, while director Andy Muschietti revealed the official logo on social media and announced that filming is underway.
Michael Keaton is Batman again
The 69-year-old actor originally played millionaire Bruce Wayne and his criminal alter-ego in the 1989 Tim Burton classic Batman and its 1992 sequel Batman Returns. It is understood that The Flash will introduce the “multiverse” of the DC Extended Universe, in which Keaton will play a Batman in a different universe than the one that has developed in previous DC movies.
The long-awaited film began production in London on Monday and The Wrap reports that Michael has committed to the project, although he previously suggested that concerns about the coronavirus pandemic in the United Kingdom could cause him to leave.
Speaking of his planned return to the role, he recently told Deadline: “To be honest with you, do you know what worries me most about this whole thing? It is COVID. I am more concerned. I am more aware of the COVID situation in the UK than anything else. That will determine everything, and that is why I am living out of the city here on 17 acres, moving away from everyone, because the COVID issue has me really worried. ”
However, Michael admitted that he would be delighted to join the project if the film’s creators could ensure his safety. “That is the first thing I do with all projects. I look at it and wonder if this is going to literally kill me. And if it doesn’t, then we talk ”. Keaton’s Batman of 1989 is considered one of the first films that really opened Hollywood’s eyes to the box office potential of superhero movies. It earned a whopping $ 251.3 million in 1989 (equivalent to $ 536.1 million today) as the highest grossing film nationally, with $ 411.5 million worldwide. Keaton returned in 1992’s Batman Returns, which earned $ 162.9 million at the domestic box office and $ 266.8 million at the world box office, although he resigned and was replaced by Val Kilmer in the tepid 1995 Batman Forever. Later, George Clooney reprized the role in 1998’s much-maligned Batman & Robin, with Chris O’Donnell playing his precocious partner.
The Flash is said to be loosely based on the 2011 comic series known as Flashpoint, in which Barry Allen, played by Ezra Miller, attempts to travel back in time to avoid the death of his mother. In doing so, he almost inadvertently creates another universe, which is watched over by Keaton’s Batman, 30 years after the events of Batman Forever. It is understood that he will ignore both Batman Forever and Batman & Robin, preferring to focus on Keaton’s portrayal of Batman and what he has been up to for the past 30 years.
This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io
)
[5] => Array
(
[title] => Marvel | “Spider-Man: No Way Home”: Jon Favreau would return in the film | UCM | MCU | Avengers | Avengers | Premiere | Spider-Man 3 | Spiderman | Spider Man | SPORTS-PLAY
[link] => https://celebs.cool/2021/10/12/marvel-spider-man-no-way-home-jon-favreau-would-return-in-the-film-ucm-mcu-avengers-avengers-premiere-spider-man-3-spiderman-spider-man-sports-play/
[dc] => Array
(
[creator] => Susan Paul
)
[pubdate] => Tue, 12 Oct 2021 12:13:30 +0000
[category] => Trending TodayavengerscomicsFavreaufilmhomeJonjon favreauManMarvelmcuno way homepremierereturnSpiderSpider-ManSpidermanSPORTSPLAYUCM
[guid] => https://celebs.cool/2021/10/12/marvel-spider-man-no-way-home-jon-favreau-would-return-in-the-film-ucm-mcu-avengers-avengers-premiere-spider-man-3-spiderman-spider-man-sports-play/
[description] => Spider-Man 3 it is already filming. Actors Tom Holland, Zendaya and Jacob Batalon were in charge of filtering photos of the shooting and the name of the film: “Spider-Man: No Way Home”. The film will be released on December 17, 2021 in theaters. In addition to these three actors, the participation of several actors such ... Read more
[content] => Array
(
[encoded] =>
Spider-Man 3 it is already filming. Actors Tom Holland, Zendaya and Jacob Batalon were in charge of filtering photos of the shooting and the name of the film: “Spider-Man: No Way Home”. The film will be released on December 17, 2021 in theaters.
In addition to these three actors, the participation of several actors such as Alfred Molina and Jamie Foxx in their respective roles of Doctor Octavio and Electro has been confirmed. Both stated that they will be on the tape on social media.
However, there are other characters like Happy Hogan who were not sure if they would return to the MCU. As reported by the media Murphy’s Multiverse, the actor will return in this new Spider-Man movie.
Remember that in Far From Home he had a cameo at the beginning to give a message to Peter Parker and at the end when he picks it up and gives him the technology to create a second suit. On this occasion, the aforementioned medium leaves some theories regarding its role.
“Happy Hogan had a pretty interesting side story in Far From Home, where both Happy and Aunt May (played by Marisa Tomei) developed a relationship that was played for laughs. At the end of the movie, when Peter faced the situation, Happy confessed that he actually had feelings for Aunt May and believed they were dating, while Aunt May only described the relationship as a summer affair.’”.
“Spider-Man: No Way Home” and “The Falcon and the Winter Soldier” would be connected according to photos
The mightiest heroes of Marvel They are back. “WandaVision” officially closed the broadcast of the first season, while Marvel began the story of the heritage of Captain America: “The Falcon and the Winter Soldier”.
In this last production it is seen that John Walker is given the responsibility of carrying Steve Rogers’ shield. However, his life takes an unexpected turn when he steals a super soldier serum.
After wondering about the side effects, he decides to inject it. Little by little the effects are seen, until he loses control when his partner is eliminated. There are only two episodes left to premiere on Disney Plus to know the future of this character.
Some believe that the movie “Spider-Man: No Way Home” would connect or arrive would be set right after this series. In the leaked images of the shoot you can see a reference to Captain America.
On the podcast BlockBustedIt was explained that a user has found an advertising panel on the set of the Spider-Man film in which a new Avenger is introduced. The image only shows the Statue of Liberty carrying Captain America’s shield.
A new picture from the set of #SpiderManNoWayHome features a prop combining the Statue of Liberty with Captain America’s shield! (via: @blockbustedpod)
Murphy’s Multiverse is also reporting the prop will be featured in the backdrop of “a key scene.” pic.twitter.com/kQpeCCg4sg
— Spider-Man: No Way Home News (@spideysnews) April 5, 2021
Listen to Dale Play onSpotifyandSpreaker. Follow the program every Sunday on our available audio platforms.
)
[summary] => Spider-Man 3 it is already filming. Actors Tom Holland, Zendaya and Jacob Batalon were in charge of filtering photos of the shooting and the name of the film: “Spider-Man: No Way Home”. The film will be released on December 17, 2021 in theaters. In addition to these three actors, the participation of several actors such ... Read more
[atom_content] =>
Spider-Man 3 it is already filming. Actors Tom Holland, Zendaya and Jacob Batalon were in charge of filtering photos of the shooting and the name of the film: “Spider-Man: No Way Home”. The film will be released on December 17, 2021 in theaters.
In addition to these three actors, the participation of several actors such as Alfred Molina and Jamie Foxx in their respective roles of Doctor Octavio and Electro has been confirmed. Both stated that they will be on the tape on social media.
However, there are other characters like Happy Hogan who were not sure if they would return to the MCU. As reported by the media Murphy’s Multiverse, the actor will return in this new Spider-Man movie.
Remember that in Far From Home he had a cameo at the beginning to give a message to Peter Parker and at the end when he picks it up and gives him the technology to create a second suit. On this occasion, the aforementioned medium leaves some theories regarding its role.
“Happy Hogan had a pretty interesting side story in Far From Home, where both Happy and Aunt May (played by Marisa Tomei) developed a relationship that was played for laughs. At the end of the movie, when Peter faced the situation, Happy confessed that he actually had feelings for Aunt May and believed they were dating, while Aunt May only described the relationship as a summer affair.’”.
“Spider-Man: No Way Home” and “The Falcon and the Winter Soldier” would be connected according to photos
The mightiest heroes of Marvel They are back. “WandaVision” officially closed the broadcast of the first season, while Marvel began the story of the heritage of Captain America: “The Falcon and the Winter Soldier”.
In this last production it is seen that John Walker is given the responsibility of carrying Steve Rogers’ shield. However, his life takes an unexpected turn when he steals a super soldier serum.
After wondering about the side effects, he decides to inject it. Little by little the effects are seen, until he loses control when his partner is eliminated. There are only two episodes left to premiere on Disney Plus to know the future of this character.
Some believe that the movie “Spider-Man: No Way Home” would connect or arrive would be set right after this series. In the leaked images of the shoot you can see a reference to Captain America.
On the podcast BlockBustedIt was explained that a user has found an advertising panel on the set of the Spider-Man film in which a new Avenger is introduced. The image only shows the Statue of Liberty carrying Captain America’s shield.
A new picture from the set of #SpiderManNoWayHome features a prop combining the Statue of Liberty with Captain America’s shield! (via: @blockbustedpod)
Murphy’s Multiverse is also reporting the prop will be featured in the backdrop of “a key scene.” pic.twitter.com/kQpeCCg4sg
— Spider-Man: No Way Home News (@spideysnews) April 5, 2021
Listen to Dale Play onSpotifyandSpreaker. Follow the program every Sunday on our available audio platforms.
)
[6] => Array
(
[title] => Ss. Peter and Paul Jesuit Church to host annual “Blessing of the Sneakers” for Detroit Free Press Marathon – Detroit Mercy Campus Connection
[link] => https://celebs.cool/2021/10/12/ss-peter-and-paul-jesuit-church-to-host-annual-blessing-of-the-sneakers-for-detroit-free-press-marathon-detroit-mercy-campus-connection/
[dc] => Array
(
[creator] => FuzzySkunk
)
[pubdate] => Tue, 12 Oct 2021 10:58:42 +0000
[category] => Health & Science News
[guid] => https://celebs.cool/2021/10/12/ss-peter-and-paul-jesuit-church-to-host-annual-blessing-of-the-sneakers-for-detroit-free-press-marathon-detroit-mercy-campus-connection/
[description] => Ss. Peter and Paul Jesuit Church is bringing in a spiritual community prior to the 2021 Detroit Free Press Marathon with a “Blessing of the Sneakers” Mass on Saturday, Oct. 16 at 5 p.m. The fourth annual Blessing of the Sneakers is similar to the events done prior to the marathons in Boston, Chicago and ... Read more
[content] => Array
(
[encoded] =>
Ss. Peter and Paul Jesuit Church is bringing in a spiritual community prior to the 2021 Detroit Free Press Marathon with a “Blessing of the Sneakers” Mass on Saturday, Oct. 16 at 5 p.m.
The fourth annual Blessing of the Sneakers is similar to the events done prior to the marathons in Boston, Chicago and New York. The service is Catholic, however all denominations are welcome to attend. A blessing for all runners and athletes will be given at the end of the Mass.
There will also be a live stream of the service on the Ss. Peter and Paul Jesuit Church Facebook page. Free parking is available for those attending the Mass at the University of Detroit Mercy Law School student parking lot behind the church.
Ss. Peter and Paul Church is located on 438 St. Antoine Street in Detroit.
)
[summary] => Ss. Peter and Paul Jesuit Church is bringing in a spiritual community prior to the 2021 Detroit Free Press Marathon with a “Blessing of the Sneakers” Mass on Saturday, Oct. 16 at 5 p.m. The fourth annual Blessing of the Sneakers is similar to the events done prior to the marathons in Boston, Chicago and ... Read more
[atom_content] =>
Ss. Peter and Paul Jesuit Church is bringing in a spiritual community prior to the 2021 Detroit Free Press Marathon with a “Blessing of the Sneakers” Mass on Saturday, Oct. 16 at 5 p.m.
The fourth annual Blessing of the Sneakers is similar to the events done prior to the marathons in Boston, Chicago and New York. The service is Catholic, however all denominations are welcome to attend. A blessing for all runners and athletes will be given at the end of the Mass.
There will also be a live stream of the service on the Ss. Peter and Paul Jesuit Church Facebook page. Free parking is available for those attending the Mass at the University of Detroit Mercy Law School student parking lot behind the church.
Ss. Peter and Paul Church is located on 438 St. Antoine Street in Detroit.
)
[7] => Array
(
[title] => How key European TV drama execs are navigating the platform-driven drama boom
[link] => https://celebs.cool/2021/10/12/how-key-european-tv-drama-execs-are-navigating-the-platform-driven-drama-boom/
[dc] => Array
(
[creator] => Susan Paul
)
[pubdate] => Tue, 12 Oct 2021 09:11:33 +0000
[category] => Movie NewsboomDramaEuropeanexecskeynavigatingplatformdriven
[guid] => https://celebs.cool/2021/10/12/how-key-european-tv-drama-execs-are-navigating-the-platform-driven-drama-boom/
[description] => It is a busy week on the conference and market circuit for Europe’s drama professionals as Mipcom holds its first physical edition in two years in Cannes (October 11-14), followed by MIA film and TV market (October 14-17) in Rome. Alongside Mipcom, TV series festival Canneseries (Oct 8-14) is also in full swing, showcasing around ... Read more
[content] => Array
(
[encoded] =>
It is a busy week on the conference and market circuit for Europe’s drama professionals as Mipcom holds its first physical edition in two years in Cannes (October 11-14), followed by MIA film and TV market (October 14-17) in Rome.
Alongside Mipcom, TV series festival Canneseries (Oct 8-14) is also in full swing, showcasing around 20 new independent drama series such as Finnish director Teemu Nikki’s dark comedy Mister8, which plays in competition, to big-budget international series like Around The World In 80 Days, Side and the final season of Gomorrah out of competition.
These events unfold at a momentous time for drama production in Europe as the US global platforms further ramp up their presence while regional and national niche streamers and broadcasters also raise their game.
WarnerMedia’s HBO Max will be the latest US streamer to launch in a first round of European territories on October 26, to be followed by NBCUniversal’s Peacock and ViacomCBS Networks International’s Paramount+ in 2022.
The bulk of the new arrivals’ offerings will be US-produced new content and library titles. However, European originals will also be a key component, due to a combination of audience demand and European Union-wide legislation obliging streamers to invest a percentage of their turnover in local productions. Stipulations vary on a territory-by-territory basis from 3.5% in Spain to up to 25% in France.
This will further fuel the European drama boom, kickstarted by Netflix in 2015, and then bolstered by the arrival of Amazon Prime Video, Apple TV+ and Disney+, which recently announced it was on target to deliver more than 60 European originals by 2024. HBO has been producing original European drama since 2010 but is now promising to bulk up production to make at least 12 original scripted shows a year from across the region. Upcoming series include its first Danish original Kamikaze, Swedish comedy Lust and Spanish drama Come on Juan.
“It’s been an ongoing evolution over the last five, six years and every year it’s this exponential move forward in terms of the number of players and the scale,” comments Christian Vesper, president of global drama at Fremantle, on the growing demand for original European drama.
This trend has been largely fruitful for independent pan-European production and distribution groups like Fremantle, which has worked with all the platforms, but it also comes with challenges, especially around signing and retaining talent and keeping hold of rights.
“The talent is what drives this world. We’ve worked and continue to work with some really important filmmakers, writers and producers, but when we make something a success, then it becomes tricky because everyone wants a piece of that and it’s a super-competitive market for talent right now,” says Vesper.
“The vertical integration promised by the biggest players can be a little frustrating in terms of the dealmaking but that said, it’s forced us to double down on the level of our creative talent as well as our producers because that is the currency,” he continues. “We always consider first our talent, and I include producers in the talent bucket, and supporting that talent, through financing their companies and helping them get their stories made.”
Lars Blomgren, head of scripted for Europe, Middle East and Asia (EMEA) at Paris-based production group Banijay, acknowledges that “the value of top talent is going up” but he too suggests offering more money is not the only way to attract and retain it.
“The most important selling point is that we can guarantee that we’ll actually get the shows made and with the right partners and budgets. All the top talent we work with just wants to find the right home and the right way to tell their story.”
Alongside retaining talent, holding onto rights is also a challenge.
“We love working with the streamers and often they’re the best home for our projects, but we’re an IP-driven company. We love to retain the rights,” says Blomgren.
“For us, the important thing is to keep a track of the slate and see what we have in development. It’s very important where you place a project and to find the right home for it. Sometimes it’s a streamer and then it’s a premium model, other times it’s a co-production, or sometimes it’s the public service world. But it has become increasingly important to have a strategy on who you’re aiming for as a partner.”
Broadcaster power
In the face of these challenges, production groups such as Banijay and Fremantle are keen to continue working with a variety of incumbent European broadcasters as well as the platforms.
“The legacy players, the public broadcasters and the Canal Plus-type players are really important clients to us and keeping the ecosystem diverse is key,” says Blomgren. “We want to serve everybody, it’s a lot, but it’s important for us to keep working with the legacy players to make sure they’re strong in the marketplace.”
He suggests that a co-production style model combining the backing of three or four European broadcasters, sales and regional and European soft money is still the one most favoured by Banijay in non-English language territories.
“It’s taken a while for the public and linear broadcasters to wake up and understand that the process needs to be faster and that they need to commit earlier in the process to get a project and even pitch to make it happen, but the co-production model is still very much alive,” he says.
One example of how European national broadcasters are upping their game is the creation in 2018 of France Television, Italy’s Rai and Germany’s ZDF of The Alliance to greenlight bigger budget international drama productions.
Productions to have come down the line so far include French Dubai-set thriller Mirage, historical biopic Leonardo, literary adaptation Germinal, which debuted at Series Mania in Lille in late August, and Mipcom debut Around The World In 80 Days. Starring David Tennant as the Jules Verne’s iconic 19th-century adventurer Phileas Fogg, the latter is a co-production between Banijay’s London-based Slim Film + TV and Pascal Breton’s Paris-based Federation Entertainment backed by the Alliance and Australia’s Seven West Media.
“The aim is to co-produce bigger-budget, high-end series than the usual domestic shows that we all do in our respective territories,” says Manuel Alduy, director of cinema and international development at France TV. “Around The World In 80 Days is one of the biggest projects to come to fruition for us so far. It has all the elements of a true series blockbuster, in terms of the story, cast and location.
“Doing this kind of alliance on specific projects between public broadcasters that have similar goals for their respective markets is easier. We don’t overlap in terms of rights and exclusivity. It’s much easier than trying to do this than with a platform like Netflix, Amazon and Disney, which are everywhere.”
Alduy is hoping to expand this type of operation to a wider range of European broadcasters over the coming months through the recent launch of a new initiative with the European Broadcasting Union (EBU), grouping more than 100 broadcasters across Europe as well as in Russia and Israel.
Under the scheme, France TV and other participating broadcasters will give EBU members a 30-day, first-look window to become co-producers on upcoming drama projects.
Alongside this strategy, France TV also works with platforms, especially for projects involving genres not traditionally tackled by the broadcaster. It recently partnered with Amazon Prime Video on Ziad Doueiri’s upcoming action series Black Hearts. Alduy emphasises, however the broadcaster only plans to get involved in a handful of big-budget international series a year and that its main focus remains drama for the purely domestic audience.
Oliver Bachert, EVP international Sales & Acquisitions at German production and distribution group Beta, also emphasises the importance of a diverse ecosystem, especially for shows being distributed via traditional licensing deals. He is at Mipcom selling a raft of new dramas including Canneseries debut Side, for which Beta has just announced a round of broadcaster deals including to Italy’s Mediaset, Brazil’s Globoplay and NPO in the Netherlands.
“On top of a pure commercial set-up, there is a certain value and visibility in having one of the main broadcasters as your partner. In the UK, for example, if you have BBC or ITV on board, it might create more visibility for your project than a pan-regional or international platform, that might focus more on its originals and see the rest are companion pieces,” he says.
He also notes the growing footprint of regional, national and niche platforms citing the recent success of the ITV/PBS crime drama Professor T on BritBox over the summer, for which Beta handled sales.
The question on everyone’s lips is for how long can the drama boom run.
“One of the key things is how sustainable is the investment in content from the commercial end,” says Bachert. ”At some point, it has to work out from a business perspective. At the moment, investment is still expanding but at a certain point it will need to be refinanced one way or another.”
)
[summary] => It is a busy week on the conference and market circuit for Europe’s drama professionals as Mipcom holds its first physical edition in two years in Cannes (October 11-14), followed by MIA film and TV market (October 14-17) in Rome. Alongside Mipcom, TV series festival Canneseries (Oct 8-14) is also in full swing, showcasing around ... Read more
[atom_content] =>
It is a busy week on the conference and market circuit for Europe’s drama professionals as Mipcom holds its first physical edition in two years in Cannes (October 11-14), followed by MIA film and TV market (October 14-17) in Rome.
Alongside Mipcom, TV series festival Canneseries (Oct 8-14) is also in full swing, showcasing around 20 new independent drama series such as Finnish director Teemu Nikki’s dark comedy Mister8, which plays in competition, to big-budget international series like Around The World In 80 Days, Side and the final season of Gomorrah out of competition.
These events unfold at a momentous time for drama production in Europe as the US global platforms further ramp up their presence while regional and national niche streamers and broadcasters also raise their game.
WarnerMedia’s HBO Max will be the latest US streamer to launch in a first round of European territories on October 26, to be followed by NBCUniversal’s Peacock and ViacomCBS Networks International’s Paramount+ in 2022.
The bulk of the new arrivals’ offerings will be US-produced new content and library titles. However, European originals will also be a key component, due to a combination of audience demand and European Union-wide legislation obliging streamers to invest a percentage of their turnover in local productions. Stipulations vary on a territory-by-territory basis from 3.5% in Spain to up to 25% in France.
This will further fuel the European drama boom, kickstarted by Netflix in 2015, and then bolstered by the arrival of Amazon Prime Video, Apple TV+ and Disney+, which recently announced it was on target to deliver more than 60 European originals by 2024. HBO has been producing original European drama since 2010 but is now promising to bulk up production to make at least 12 original scripted shows a year from across the region. Upcoming series include its first Danish original Kamikaze, Swedish comedy Lust and Spanish drama Come on Juan.
“It’s been an ongoing evolution over the last five, six years and every year it’s this exponential move forward in terms of the number of players and the scale,” comments Christian Vesper, president of global drama at Fremantle, on the growing demand for original European drama.
This trend has been largely fruitful for independent pan-European production and distribution groups like Fremantle, which has worked with all the platforms, but it also comes with challenges, especially around signing and retaining talent and keeping hold of rights.
“The talent is what drives this world. We’ve worked and continue to work with some really important filmmakers, writers and producers, but when we make something a success, then it becomes tricky because everyone wants a piece of that and it’s a super-competitive market for talent right now,” says Vesper.
“The vertical integration promised by the biggest players can be a little frustrating in terms of the dealmaking but that said, it’s forced us to double down on the level of our creative talent as well as our producers because that is the currency,” he continues. “We always consider first our talent, and I include producers in the talent bucket, and supporting that talent, through financing their companies and helping them get their stories made.”
Lars Blomgren, head of scripted for Europe, Middle East and Asia (EMEA) at Paris-based production group Banijay, acknowledges that “the value of top talent is going up” but he too suggests offering more money is not the only way to attract and retain it.
“The most important selling point is that we can guarantee that we’ll actually get the shows made and with the right partners and budgets. All the top talent we work with just wants to find the right home and the right way to tell their story.”
Alongside retaining talent, holding onto rights is also a challenge.
“We love working with the streamers and often they’re the best home for our projects, but we’re an IP-driven company. We love to retain the rights,” says Blomgren.
“For us, the important thing is to keep a track of the slate and see what we have in development. It’s very important where you place a project and to find the right home for it. Sometimes it’s a streamer and then it’s a premium model, other times it’s a co-production, or sometimes it’s the public service world. But it has become increasingly important to have a strategy on who you’re aiming for as a partner.”
Broadcaster power
In the face of these challenges, production groups such as Banijay and Fremantle are keen to continue working with a variety of incumbent European broadcasters as well as the platforms.
“The legacy players, the public broadcasters and the Canal Plus-type players are really important clients to us and keeping the ecosystem diverse is key,” says Blomgren. “We want to serve everybody, it’s a lot, but it’s important for us to keep working with the legacy players to make sure they’re strong in the marketplace.”
He suggests that a co-production style model combining the backing of three or four European broadcasters, sales and regional and European soft money is still the one most favoured by Banijay in non-English language territories.
“It’s taken a while for the public and linear broadcasters to wake up and understand that the process needs to be faster and that they need to commit earlier in the process to get a project and even pitch to make it happen, but the co-production model is still very much alive,” he says.
One example of how European national broadcasters are upping their game is the creation in 2018 of France Television, Italy’s Rai and Germany’s ZDF of The Alliance to greenlight bigger budget international drama productions.
Productions to have come down the line so far include French Dubai-set thriller Mirage, historical biopic Leonardo, literary adaptation Germinal, which debuted at Series Mania in Lille in late August, and Mipcom debut Around The World In 80 Days. Starring David Tennant as the Jules Verne’s iconic 19th-century adventurer Phileas Fogg, the latter is a co-production between Banijay’s London-based Slim Film + TV and Pascal Breton’s Paris-based Federation Entertainment backed by the Alliance and Australia’s Seven West Media.
“The aim is to co-produce bigger-budget, high-end series than the usual domestic shows that we all do in our respective territories,” says Manuel Alduy, director of cinema and international development at France TV. “Around The World In 80 Days is one of the biggest projects to come to fruition for us so far. It has all the elements of a true series blockbuster, in terms of the story, cast and location.
“Doing this kind of alliance on specific projects between public broadcasters that have similar goals for their respective markets is easier. We don’t overlap in terms of rights and exclusivity. It’s much easier than trying to do this than with a platform like Netflix, Amazon and Disney, which are everywhere.”
Alduy is hoping to expand this type of operation to a wider range of European broadcasters over the coming months through the recent launch of a new initiative with the European Broadcasting Union (EBU), grouping more than 100 broadcasters across Europe as well as in Russia and Israel.
Under the scheme, France TV and other participating broadcasters will give EBU members a 30-day, first-look window to become co-producers on upcoming drama projects.
Alongside this strategy, France TV also works with platforms, especially for projects involving genres not traditionally tackled by the broadcaster. It recently partnered with Amazon Prime Video on Ziad Doueiri’s upcoming action series Black Hearts. Alduy emphasises, however the broadcaster only plans to get involved in a handful of big-budget international series a year and that its main focus remains drama for the purely domestic audience.
Oliver Bachert, EVP international Sales & Acquisitions at German production and distribution group Beta, also emphasises the importance of a diverse ecosystem, especially for shows being distributed via traditional licensing deals. He is at Mipcom selling a raft of new dramas including Canneseries debut Side, for which Beta has just announced a round of broadcaster deals including to Italy’s Mediaset, Brazil’s Globoplay and NPO in the Netherlands.
“On top of a pure commercial set-up, there is a certain value and visibility in having one of the main broadcasters as your partner. In the UK, for example, if you have BBC or ITV on board, it might create more visibility for your project than a pan-regional or international platform, that might focus more on its originals and see the rest are companion pieces,” he says.
He also notes the growing footprint of regional, national and niche platforms citing the recent success of the ITV/PBS crime drama Professor T on BritBox over the summer, for which Beta handled sales.
The question on everyone’s lips is for how long can the drama boom run.
“One of the key things is how sustainable is the investment in content from the commercial end,” says Bachert. ”At some point, it has to work out from a business perspective. At the moment, investment is still expanding but at a certain point it will need to be refinanced one way or another.”
)
[8] => Array
(
[title] => “Chet Baker helped me find my way”
[link] => https://celebs.cool/2021/10/12/chet-baker-helped-me-find-my-way/
[dc] => Array
(
[creator] => Susan Paul
)
[pubdate] => Tue, 12 Oct 2021 08:54:00 +0000
[category] => MusicBakerChetfindhelpedTELEVISION EUROVISION FESTIVAL KIEV UCRANIA PORTUGAL SALVADOR SOBRAL TVE
[guid] => https://celebs.cool/2021/10/12/chet-baker-helped-me-find-my-way/
[description] => Is named Salvador Sobral, He is 27 years old and is the Portuguese representative at the 2017 Eurovision Song Contest Eurovision Song Contest. The artist, who was about to leave music, is today one of the great favorites to win the contest, although, in an interview with THE NEWSPAPER, assures that it does not give ... Read more
[content] => Array
(
[encoded] =>
Is named Salvador Sobral, He is 27 years old and is the Portuguese representative at the 2017 Eurovision Song Contest Eurovision Song Contest. The artist, who was about to leave music, is today one of the great favorites to win the contest, although, in an interview with THE NEWSPAPER, assures that it does not give any kind of importance to this fact. “Not at all!”.
Mallorca and Barcelona They played a decisive role in his career, because it was there that he decided to re-engage; to sing again, to play, to compose and to train as an artist. In fact, Sobral moved to Mallorca to study Psychology with a Erasmus scholarship. He was “very angry” after his first television experience. It was 2009 when he rose to fame by participating in the Portuguese edition of the ‘talent show’ ‘Idols‘, where he finished seventh. But the world of TV choked on him. “I thought that music was entertainment, but then I saw that it was not, television is sensationalism and wants things that have nothing to do with music. When the show ended, I was a little frustrated. “So what I wanted at the time was” get away from television. “
But on the island they talk about Chet Baker, the famous American jazz trumpeter and performer who had passed away a couple of decades earlier. That discovery stirred everything. “Baker mand helped find the way that I really wanted to continue, a style, a feeling, to live music! “So what he ended up leaving was his studies in Psychology to go to Barcelona, where he enrolled in the Taller de Músics Musicians Workshop with the intention of dedicating himself exclusively to the world of musical creation and performance.
He settled in the Parallel, just in front of the Apollo Theater. He fell in love with the city, “because there are all kinds of cultural offerings; a great variety of people, religions …”. There he became involved in various musical projects and contacted people with whom he continues to maintain a great friendship.
HEALTH PROBLEMS
In the Taller de Músics, his teacher Harmony, Laia Vallès, recalls that Sobral was “a very emotional person, very sensitive. He lives music in an extreme way and is very involved”. So much so that his doctor recommended that he stop because the strong emotions are not good for your health. To the question of whether regrets of not having followed the advice of his cardiologistSobral is blunt: “No! Not at all! I’m very proud to continue with the music!” Thus, it goes ahead conforming to reality. That includes other health problems besides heart: just before the Portuguese final, where he was chosen to go to Eurovision, he had to be operated on for an umbilical hernia.
Your piano teacher at the Workshop, Jaume Gispert, describes the artist as a person “with a lot of desire to know; he went to depth with everything that he was passionate about! it’s pure talent! “. Sobral appreciates the comment and responds, through this diary:” Jaume … I don’t study piano …! I limit myself to touching what I already know; I should study more but I am very lazy!”, confesses.
But the truth is that in the Catalan capital he did not stop working. He performed at the Taller de Músics club and with the producer of Venezuelan origin Leo Aldrey they gave concerts and even recorded a video of acting in the middle of the street, interpreting ‘After you’ve gone’. They showed up to the festival Meeting Talents del 2013 and they created the band Noko Wherei, with which they debuted in the Sonar of 2014. In fact, Sobral continues with them, so he plans to return to Barcelona to perform.
Related news
The artist, who speaks a perfect Catalan (with a Mallorcan accent) composed in Barcelona, together with Never, most of the songs from his first album, ‘Excuse me’, which he recorded in Lisbon and was released last year. His style and his song ‘to love for both’, that his sister composed for him Luisa, have made Salvador hot on the heels of Italian Francesco Gabbani, great favorite to win the festivalFrancesco Gabbani of this year. This Tuesday, May 9, his first revalidation: he performs in ninth place in the semifinal. Only 10 go to the final on Saturday.
)
[summary] => Is named Salvador Sobral, He is 27 years old and is the Portuguese representative at the 2017 Eurovision Song Contest Eurovision Song Contest. The artist, who was about to leave music, is today one of the great favorites to win the contest, although, in an interview with THE NEWSPAPER, assures that it does not give ... Read more
[atom_content] =>
Is named Salvador Sobral, He is 27 years old and is the Portuguese representative at the 2017 Eurovision Song Contest Eurovision Song Contest. The artist, who was about to leave music, is today one of the great favorites to win the contest, although, in an interview with THE NEWSPAPER, assures that it does not give any kind of importance to this fact. “Not at all!”.
Mallorca and Barcelona They played a decisive role in his career, because it was there that he decided to re-engage; to sing again, to play, to compose and to train as an artist. In fact, Sobral moved to Mallorca to study Psychology with a Erasmus scholarship. He was “very angry” after his first television experience. It was 2009 when he rose to fame by participating in the Portuguese edition of the ‘talent show’ ‘Idols‘, where he finished seventh. But the world of TV choked on him. “I thought that music was entertainment, but then I saw that it was not, television is sensationalism and wants things that have nothing to do with music. When the show ended, I was a little frustrated. “So what I wanted at the time was” get away from television. “
But on the island they talk about Chet Baker, the famous American jazz trumpeter and performer who had passed away a couple of decades earlier. That discovery stirred everything. “Baker mand helped find the way that I really wanted to continue, a style, a feeling, to live music! “So what he ended up leaving was his studies in Psychology to go to Barcelona, where he enrolled in the Taller de Músics Musicians Workshop with the intention of dedicating himself exclusively to the world of musical creation and performance.
He settled in the Parallel, just in front of the Apollo Theater. He fell in love with the city, “because there are all kinds of cultural offerings; a great variety of people, religions …”. There he became involved in various musical projects and contacted people with whom he continues to maintain a great friendship.
HEALTH PROBLEMS
In the Taller de Músics, his teacher Harmony, Laia Vallès, recalls that Sobral was “a very emotional person, very sensitive. He lives music in an extreme way and is very involved”. So much so that his doctor recommended that he stop because the strong emotions are not good for your health. To the question of whether regrets of not having followed the advice of his cardiologistSobral is blunt: “No! Not at all! I’m very proud to continue with the music!” Thus, it goes ahead conforming to reality. That includes other health problems besides heart: just before the Portuguese final, where he was chosen to go to Eurovision, he had to be operated on for an umbilical hernia.
Your piano teacher at the Workshop, Jaume Gispert, describes the artist as a person “with a lot of desire to know; he went to depth with everything that he was passionate about! it’s pure talent! “. Sobral appreciates the comment and responds, through this diary:” Jaume … I don’t study piano …! I limit myself to touching what I already know; I should study more but I am very lazy!”, confesses.
But the truth is that in the Catalan capital he did not stop working. He performed at the Taller de Músics club and with the producer of Venezuelan origin Leo Aldrey they gave concerts and even recorded a video of acting in the middle of the street, interpreting ‘After you’ve gone’. They showed up to the festival Meeting Talents del 2013 and they created the band Noko Wherei, with which they debuted in the Sonar of 2014. In fact, Sobral continues with them, so he plans to return to Barcelona to perform.
Related news
The artist, who speaks a perfect Catalan (with a Mallorcan accent) composed in Barcelona, together with Never, most of the songs from his first album, ‘Excuse me’, which he recorded in Lisbon and was released last year. His style and his song ‘to love for both’, that his sister composed for him Luisa, have made Salvador hot on the heels of Italian Francesco Gabbani, great favorite to win the festivalFrancesco Gabbani of this year. This Tuesday, May 9, his first revalidation: he performs in ninth place in the semifinal. Only 10 go to the final on Saturday.
)
[9] => Array
(
[title] => Mission Micro-Grant Program applications are due Wednesday – Detroit Mercy Campus Connection
[link] => https://celebs.cool/2021/10/12/mission-micro-grant-program-applications-are-due-wednesday-detroit-mercy-campus-connection/
[dc] => Array
(
[creator] => FuzzySkunk
)
[pubdate] => Tue, 12 Oct 2021 06:53:30 +0000
[category] => Health & Science News
[guid] => https://celebs.cool/2021/10/12/mission-micro-grant-program-applications-are-due-wednesday-detroit-mercy-campus-connection/
[description] => The deadline for the 2021-22 Mission Micro-Grant Program applications are due at midnight on Wednesday, Oct. 13. The Mission Micro-Grant Program, which is in its 14th year, annually awards grants up to $200 to any full or part-time Detroit Mercy faculty or staff member in support of activities that promote the University’s mission of being ... Read more
[content] => Array
(
[encoded] =>
The Mission Micro-Grant Program, which is in its 14th year, annually awards grants up to $200 to any full or part-time Detroit Mercy faculty or staff member in support of activities that promote the University’s mission of being a Catholic, Mercy, Jesuit, urban and student-centered institution. The awards are announced in November.
)
[summary] => The deadline for the 2021-22 Mission Micro-Grant Program applications are due at midnight on Wednesday, Oct. 13. The Mission Micro-Grant Program, which is in its 14th year, annually awards grants up to $200 to any full or part-time Detroit Mercy faculty or staff member in support of activities that promote the University’s mission of being ... Read more
[atom_content] =>
The Mission Micro-Grant Program, which is in its 14th year, annually awards grants up to $200 to any full or part-time Detroit Mercy faculty or staff member in support of activities that promote the University’s mission of being a Catholic, Mercy, Jesuit, urban and student-centered institution. The awards are announced in November.
100%, a 2019 film by Rian Johnson that represented a triumph for original stories that do not seek to depend on the big franchises. While Craig plays one of the heroes, Chris takes the role of villain, however, the above was not a pretext for a camaraderie relationship to emerge between the two.
